All these fine instruments have been sold 

To see the new arrivals click here:  New Arrivals Page

Please feel free to call  (908) 301-0001 or email us at info@goldenageguitars.com

 

 

Used 1961 Fender Bandmaster, White Tolex

40 watts, brownface control panel, rough white Tolex, oxblood grill, Normal channel: volume, bass, treble
Vibrato channel: volume, bass, treble, speed, intensity, presence for bot, Tubes: 4 x 7025, 2 x 12AX7, 2 x 5881,
Silicon rectifier
 

New Tyler Studio Elite HD, Malibu Beach Schmear

Alder body, quartersawn Maple neck and fretboard, Standard ’59 neck backshape, Hipshot locking tuners, white pearloid pickguard, S-S-H (JTS5500 single-coils middle and neck, Super humbucker in bridge) 5-way volume tone and mid-boost, mid-boost bypass button, G2RV bridge, chrome plated hardware, 25 1/2″ scale, 1 5/8″ nut width, wide/tall frets, super deluxe Tyler hardshell case included

Used 1939 Gibson L-5, Sunburst

Used Sadowsky ca. 2014 SS-15, Violinburst SOLD!

14 3/4″ lower bout, 1 3/4″ body depth, 5-ply laminate flame maple construction, 24 3/4″ scale length, 14 frets to body, 1-piece Mahogany neck, Ebony fingerboar, 1 3/4″ nut width, abalone Cat’s Eye inlay, Ebony bridge pickguard and tailpiece, Sadowsky True-Tone compensated ebony bridge saddles, ivoroid binding, black hardware, custom wound vintage PAF style pickup with black cover

Used Fender 1966 Princeton Reverb, Blackface

12 watt, 1 x 10″ Jensen speaker, tubes: 7025, 2 x 12AX7, 12AT7, 2 x 6V6, 5U4, volume, treble, bass, reverb, tremolo intensity and speed

Used 2012 Paul Reed Smith McCarty Hollow Body II, Faded Blue Jeans

Laminate flamed Maple top and back, Mahogany sides, Mahogany neck, 25″scale, Pattern neck carve, bound East Indian rosewood fretboard, 22 frets Ivory,bird inlays, PRS Piezo stoptail bridge, nickel pickup selector and LR Baggs/PRS piezo pickup system

Used 2005 Sadowsky Jim Hall Signature, Natural

16″ lower bout, 2 3/4″ side depth, lightweight 5-ply premium flame Maple body construction, Maple neck, Ebony fingerboard, dovetail neck joint shaped to Jim Hall’s specifications, custom designed Sadowsky Ebony tailpiece with string ground, 24 3/4″ scale, 1 3/4″ nut width, top-mounted custom-wound Sadowsky humbucking pickup in neck position, top-mounted volume and tone controls, gold-plated hardware, Switchcraft Jack, bindings: 6-ply top, 3-ply headstock, 4-ply back, single-ply fretboard

Used Thorn ’58 Gibson Flying V Replica, Natural Korina

Korina body, 1-piece Korina neck, Brazilian Rosewood fretboard, 6 lbs. 11 oz., two humbucking pickups, 3-way 2 volume 1 tone, 24 3/4″ scale, 1 11/16″ nut width, stop tailpiece with Tune-o-matic style bridge, gold plated hardware, Kluson style tuners with “Tulip” buttons, pearloid “dot” position markers

Used Fender (Japan) D’Aquisto Elite, Natural

Laminate Spruce top, laminate Maple body, 1-piece Maple neck, Ebony fretboard pickguard bridge headstock overlay knobs and tailpiece, top mounted humbucking pickup in neck position, top mounted volume and tone controls, gold plated hardware, pearl “block” position markers, 16″ lower bout, 24 3/4″ scale, 1 11/16″ nut width, 2 3/4″ body depth

Used Epiphone Elitist Byrdland, Natural SOLD!

Fully hollow body, Maple body, Tune-O-Matic style bridge, 2 USA made humbucking pickups (50SR USA neck and 50ST bridge), 3-way, 2 volume, 2 tone controls, Ebony fretboard, head plate and bridge base, medium frets, pearl block position markers ,old plated hardware, set neck, D-shaped neck profile, 5-piece Maple/Rosewood/M/R/M neck, Spruce top, 22 frets, faux tortoiseshell pickguard, pickup Switch Type, 1-11/16″ nut width, 23-1/2″ scale, bindings: 6-ply top, 5-ply headstock and pickguard, 4-ply back, 3-ply fretboard, single-ply f-holes

Used 2011 Suhr Custom Classic, Fireburst with Thin Edge

1-piece Basswood body, 1-piece quilted Maple top, roasted museum grade Birdseye Maple neck, Indian Rosewood fretboard, Even C Medium neck carve (.840″ – .920″), compound 10″ – 14″ radius, bone nut, jumbo frets, 1.650″ nut width
Gotoh 510 2-post, bent saddle bridge with steel block, chrome plated hardware,Sperzel locking tuners, parchment 3-ply pickguard, 5-way volume tone tone (middle no cap/res), Silent Single-coil system, side jack, parchment knobs
3 JST ML single-coil pickups with parchment covers, scraped binding, abalone dots and logo, gloss headstock
Custom “Heart” inlay on back of headstock (Abalone and pearl), 8 lbs. 6 oz., original rectangular G & G hardshell case

New Suhr Classic Pro S-S-H Rosewood Fretboard, 3-Tone Sunburst

Alder body, arm, hand and tummy contours, face jack, Gotoh 510 bridge (2-post, bent saddles, steel block), chrome plated hardware, parchment pickguard, Suhr V-70 single coil pickups (neck, middle), Suhr SSV humbucking pickup (bridge), Silent Single coil system II, 5-way, volume, tone, tone, Maple neck, Indian Rosewood fretboard, satin neck finish with tint, compound 9″ – 12″ radius, standard roll fretboard edges, clay dot position markers, gold decal logo, 22 medium stainless steel frets, Suhr locking tuners, deluxe padded gig bag  SOLD

Used 2002 Ibanez Destroyer DT-420, Metallic Charcoal

Uncovered QM1 and QM2 high-output humbucking pickups, 3-way, 2 volume, master tone, gold hardware, Rosewood fretboard, Mahogany body, single-ply binding on top, fretboard and headstock, jumbo frets, Gotoh tuner, abalone and pearl “slashed block” position markers, original hardshell case included

Used Martin M-18 Woody Mann, Natural

All solid carved woods, Adirondack Spruce top, Mahogany back and sides, 1-piece select hardwood neck, Ebony bridge and fretboard, Low Profile neck, dovetail neck joint, forward-shifted scalloped X-bracing, straight bridge, Ebony bridge pins, large 4 1/4″ soundhole, 20 frets, 14 fret body, nickel plated hardware, Indian Rosewood bindings, bone nut and saddle, 25-1/2″ scale, 1.75″ nut width, 16.00″ radius open-back Waverly tuners with Ebony buttons, original Geib style hardshell case included

Used 2015 Martin OMCPA1-Plus, Natural

Solid Sitka Spruce top, two-ring rosette, solid East Indian rosewood back and sides, 25.4″ scale, 1-3/4″ width at nut, 2 3/16″ string spacing, gold tuning machines enclosed with large buttons, F1 Aura + electronics, mortise & tenon neck joint, 000-14 fret cutaway body, Hybrid ”X” scalloped top bracing (solid Sitka Spruce 5/16”) solid Ovangkol back purfling, binding and heel cap, select hardwood neck, Performing Artist Profile neck shape, Bone nut, black Richlite fretboard and bridge, 14 frets clear of body, 20 frets, arrows and squares position markers, satin neck finish, gloss body finish, Performing Artist belly bridge, 16” radius, compensate white Tusq nut, Performing Artist style – Delmar tortoise color pickguard, includes original hardshell case     SOLD

 

Used Gibson Custom Shop Les Paul Class 5, Trans Red

Highly flamed carved maple top, weight-relieved mahogany back, one-piece mahogany neck with long tenon, bound rosewood fretboard, BurstBucker 2 at the neck, BurstBucker 3 at the bridge, independent volume and tone knobs 3-way toggle, bound top, vintage tulip tuners, 24-34″ scale,  1-11/16″ nut width, comes with the original hardshell Gibson case, certificate of authenticity, cable, polishing cloth and assorted tags

Used 2012 Suhr Custom Classic T Chambered with F-hole, Trans Butterscotch

Chambered Swamp Ash body with F-hole, hand arm and tummy contours, roasted Maple neck and fretboard, Even C Fat neck carve (.800″ – .960″) 9″ – 12″ compound radius, 1.687″ nut width, 25 1/2″ scale, Tusq nut, heavy frets, Hipshot locking tuners, S-90 single-coil pickup (neck) Classic T single-coil pickup (bridge) includes original hardshell case, build sheet, tools, case key

Used Fender 2015 Elite Stratocaster SSH, Olympic Pearl

Alder body, Modern C to D neck shape, Maple neck 25.5″ scale, Rosewood fretboard, compound radius, 22 medium-jumbo frets, pearloid dot position markers, 1.687″ (42.8mm) nut width, 4th Generation Noiseless single -coil pickups (neck and middle) Shawbucker (bridge) active EQ S-1 switching, push-Push Passing Lane switch to engage bridge pickup and bypass tone controls, 5-way master volume tone 1 tone 2, bridge design: 2-point synchronized tremolo bridge, die-cast locking tuners, chrome plated hardware, original hardshell case included     SOLD

Used Asher Master Series T Deluxe, Lemon Drop

1-piece lightweight Swamp Ash body, A++ grade quilted Maple top, nitrocellulose lacquer finish, ivoroid top binding, birdseye Maple neck (flatsawn), soft V neck shape, Indian Rosewood fretboard, 12″ radius, Dunlop 6155 frets, Glendale bridge, Maple headstock overlay, Grover Sta-tite butterbean tuners, nickel plated hardware, 1 21/32″ nut width, Twin T Blade pickups, 6 position Veritone tone selector, 3-way pickup selector, original G & G hardshell case included, case candy included, currently $5300 new

Used 2011 Benedetto Bravo, Opulent Brown

Laminated flamed Maple back and solid sides, laminate select Spruce top, 16″ lower bout, 2 ½” body depth, Venetian cutaway, parallel Spruce bracing, binding: top & Back: wht/blk/wht neck: white headstock: white, one-piece flamed maple nec,
Ebony fretboar, 12″ radius, 12th fret abalone floral inlay, bone nu, 1 ¾” nut widt, 25″ scal, 22 fret, Ebony adjustable bridge with black wheels and post, Model EPS™ (Ebony Professional Series) tailpiece, 1 top mounted Benedetto A–6 gold plated humbucking pickup, top mounted volume and tone control, Gotoh tuners gold with Ebony button, Ebony pickguard, gloss nitrocellulose lacquer finish original hardshell case is included

Used 2014 Gibson J-45 Standard, Vintage Sunburst

Solid Sitka Spruce top, solid Mahogany back and sides , LR Baggs VTC electronics, rolled fingerboard edge, original hardshell case and Certificate of Authenticity included, round shoulder dreadnought body, nitrocellulose lacquer finish, scalloped X bracing, 1-piece Mahogany neck, Rosewood fretboard and bridge, MOP dot position markers, 20 frets, 24.75″ scale, nickel Grover Rotomatic tuners, Tusq nut and saddle, 1.725″ nut width, LR Baggs Element VTC electronics

Used 2015 Gibson ES Les Paul Custom, Ebony

6 lbs. 5 oz., 3-ply Maple/Poplar Maple body, 1 piece Mahogany neck, rounded “C” neck profile .850″ – .950″, SP-2 headstock (17 degree pitch) mortis and tenon neck joint, bone nut, 1.7″ nut width, “Richlite” fretboard, 12″ radius, 24.75″ scale, MOP “block” position markers, hi-gloss lacquer finish, 2 MHS humbucking pickups Winds/coil (screw side/slug side) 4900/5100 (neck) 5200/5400 (bridge) CTS 500K linear volume pots, CTS 500K Audio tone pots, “Milk Bottle” Grover Rotomatic tuners with 18:1 ratio, Tone Pros AVR-2 bridge,gold plated hardware, aluminum stud tailpiece, bindings: 7-ply top, 3-ply back, 5-ply headstock, single-ply fretboard, black “bonnet” knobs, 3-ply plastic pickguard (B/W/B) original hardshell case included

Used 1954 Fender Bandmaster, Tweed

Wide panel cabinet, 2 inputs (mic. and instr.) mic. volume, instr, volume, bass, middle, treble (2) 6S17, 6SN7, (2) 6L6, 15 watts, 1 x 15″ Jensen tan, vintage canvas cover included, vintage tubes

Used 2016 Knaggs Steve Stevens SSC Tier 2, Indian Red

Flamed Maple top, Mahogany body, 1-piece Mahogany neck, Rosewood fretboard, 2 Bare Knuckles “Steve Stevens” humbucking pickups, 3-way 2 volume 2 tone, gold plated hardware, pearloid fretmarkers, stop tailpiece, Tune-o-matic style bridge, 3-ply top binding, original hardshell case included

Used Epiphone Elitist (Japan) Riviera 6, Trans Cherry

Laminate Maple body, 1-piece Mahogany neck, Rosewood fretboard, 16″ lower bout, 1 3/4″ body depth, 24 3/4″ scale, 1 11/16″ nut, two nickel plated mini-humbucking pickups (nickel plated) 3-way 2 volume 2 tone, raised laminate pickguard white/black/white, Tune-o-matic style bridge, Frequensator tailpiece (chrome plated) chrome plated Grover tuners, pearloid parallelogram position markers, single-ply binding top, back and fretboard

Used 1975 Fender Custom Telecaster, Cream

Slab body, 1-piece Maple neck, Bullet truss rod, 3-bolt neck, single-coil Telecaster pickup (bridge) Fender humbucker (neck) 3-way 2 volume 2 tone, 3-ply laminate plastic pickguard (black/white/black), 25 1/2 ” scale, 1 5/8″ nut width, 3 saddle bridge, stamped “F” tuners, newer hard shell case provided.

Used Deering Goodtime open back 5 string banjo, Natural

Blonde Slender Rock Maple Nec,k 22 Pressed In Nickel Silver Frets, Bow Tie Inlays, Grover Geared Tuners, Geared 5th String Tuner, Durable Satin Finish, Deering Fiddle Shaped Peghead, Blonde 3-ply Violin Grade Maple Rim, Steel Tension Hoop, 11″ Frosted Top, High Crown Head, 5/8″ Maple/Ebony Goodtime Bridge, 16 Flat Hooks with 9/32″ Nuts, 16 Bracket Shoes with Screw Attachments, Deering Patented Goodtime Tailpiece, Steel Coordinator Rod for Adjustments, Durable Satin Finish

New Tyler Studio Elite HD, Arctic Mint Schmear

One of the best solid body electric guitars you will ever play. Absolutely of the highest quality even by James Tyler’s exacting standards. Tight neck pocket, beautifully rolled fretboard edges, perfect fret work and setup – who could ask for more. Oh yeah. here’s more – the amazingly comfortable ’59 neck carve. She basically plays herself. Sonically, the combo of Alder body and Maple body make for a guitar with the perfect balance of warmth and cut, while the mid-boost allows you to kick it into overdrive for a searing solo tone. If you want one of the best all around electric solid bodies, the run – don’t walk – to your phone or computer and get her now!
Alder body, Standard ’59 neck carve, quartersawn Maple neck, quartersawn Maple fretboard, 1 11/16″ nut width, 25 1/2″ scale, narrow/tall nickel frets, abalone position markers, Hipshot locking tuners, white pearloid pickguard, Tyler JTS5500 single-coil pickups middle and neck, Tyler Super humbucker – bridge (slanted) Tyler “Explogo” logo, semi-gloss finish, 5-way volume tone midboost, push-button mid-boost bypass, Gotoh G6H trem bridge, chrome plated hardware, 7 lbs. 8 oz., Tyler deluxe hardshell case

Used 2015 Martin 000-28 EC Eric Clapton Vintage Tint

Dovetail neck joint, 000-14 fret body,solid Sitka Spruce top, fine herringbone rosette and purfling, standard “X” scalloped bracing (solid Sitka Spruce 5/16″) solid East Indian Rosewood back and sides grained ivoroid end piece binding and heel cap, select hardwood Modified V neck carve, bone nut and saddle, solid East Indian Rosewood headplate, solid Black Ebony fretboard and bridge, belly bridge, 24.9″ scale, 20 frets (14 clear of body) 1-3/4″ nut width, 2 1/4″ string spacing, 16″ radius, Diamonds & Squares – Long Pattern position markers, unbound fretboard, Gotoh nickel open-geared tuners w/ butterbean buttons, faux tortoise pickguard (beveled & polished) original 533E Geib style hardshell case, CFM IV & Eric Clapton Pre-printed Signatures on label

Used 2015 Fender Custom Shop Twinolux Eric Clapton, Tweed

Two hours of playing time! 40 watts, hand-wired all-tube circuitry on eyelet board with premium components, dual Special Design 12” Weber® speakers by Eminence® circuit based on late-’50s Fender Twin amp model 5E8-A, tremolo with speed and intensity controls, Mercury Magnetics custom transformer, 3 position attenuator switch, hand wired in the USA

Used 2013 Gibson Custom Shop 10th Anniversary Chambered R9 Les Paul Standard

Sunrise Iced Tea Sunburst?, Chambered Mahogany body, 7 lbs. 5 oz., flamed Maple top, 1-piece Mahogany neck, Rosewood fretboard, pearloid trapezoidal position markers, 24 3/4″ scale, 1 11/16″ nut width, ABR-1 Tune-o-matic bridge, stop tailpiece, ,n ickel plated hardware, Kluson style tuners with tulip buttons, single-bound top and fretboard, 2 Gibson Custom bucker pickups, 3-way 2 volume 2 tone, original hardshell case, coa, additional switch cavity cover and warranty included     SOLD

Used 2016 Knaggs Steve Stevens SSC, Indian Red

Flamed Maple top, Mahogany body, 1-piece Mahogany neck, Rosewood fretboard, 2 Bare Knuckles “Steve Stevens” humbucking pickups, 3-way 2 volume 2 tone, gold plated hardware, pearloid fretmarkers, stop tailpiece, Tune-o-matic style bridge, 3-ply top binding, original hardshell case

Used 2015 Knaggs Severn HHS Tier 1, Winter Snow

Used 2015 Paul Reed Smith David Grissom Trem, 10 Top, Birds, Natural

Carved flamed Maple (10 Top) Mahogany body, 22 Jumbo frets, 25″ scale, 1-piece Mahogany neck,Rosewood fretboard,
bird position market,Rosewood headstock veneer with inlaid signature,DGT neck shape,PRS tremolo bridge, PRS Phase III locking tuners with faux bone buttons, nickel plated hardware, DGT Treble humbucking pickup (bridge) DGT Bass humbucking pickup (neck), two volume controls with push/pull tone control (coil tap) and 3-Way pickup selector switch, original hardshell case included

Used Swart Space Tone 6V6 SE, Tweed

5W CLASS A, Even Order Harmonics = BIG TONE! single-ended output – Zero Negative Feedback, 100% tube circuit – valve rectifier – no SS diodes!, 3dB feedback/compression switch, point to point hand wired circuit, cathode biased (no need to bias) cloth hook-up wire, Switchcraft 1/4 inch input and output, CTS Potentiometers, fuse protected, Weber Ceramic 8″ speaker (best bass) finger-jointed pine cabinet, beautiful lacquered tweed covering, 13 3/4″ T x 13″ W x 7 1/4″ D,  14lbs

Used 2014 Gibson J-35, Natural

All solid carved woods, Sitka Spruce top, Mahogany back and sides, Rosewood fretboard and bridge, radiused body contour,
1-piece Mahogany neck, round neck profile, compound dovetailed neck joint using hot hide glue, Tusq nut, 1.725″ nut width, single-action truss rod, 12″ radius, 4 7/8″ body depth at endpin, 16″ lower bout, advanced X bracing pattern, 4 ply top binding, single-ply back binding, firestripe pickguard, nickel plated Kluson style tuners with white plastic buttons, 20 frets, 4 3/4″ scale, MOP dot position markers, original hardshell case included

New Tyler Amps PT-14, Burgundy

15 watts, 1 x 12″ Tyler speaker by Eminence, volume bass treble reverb speed and intensity (for tremolo) fat switch and mid control on back panel, 33 lbs., 20″ L x 17″ H x 9″ D, burgundy Tolex covering

Used 2014 Engel 16″ Electric Hollow Body with Spruce Top, Natural

Spruce top, Butternut back and sides, 1-piece Mahogany neck, Indian Rosewood fretboard and pickguard, internal “tone bridge” beneath tailpiece and bridge, twin humbucking pickup,s 3-way,2 volume 2 tone, 16″ lower bout, 25 1/2″ scale, 1 11/16″ nut width, 2 1/2″ body depth, stop tailpiece, Tune-o-matic style bridge, chrome plated hardware, Schaller tuners, bindings: 4-ply top single-ply back fretboard and pickguard

Used 2006 Gibson J-150, Natural

All solid carved woods, Sitka Spruce top, Indian Rosewood back and sides, 1-piece Mahogany neck, Indian Rosewood fretboard and bridge, “moustache” style bridge with pearl inserts, 25.4″ scale, 1 11/16″ nut width, 17″ lower bout, 5 3/4″ body depth at endpin, gold plated Kluson style tuners with “Tulip” buttons, pearl “Crown” fretmarkers, faux tortoiseshell pickguard with floral engravings, 5-ply binding on top, 3-ply binding on back, original hardshell case is included

Used 2010 Gibson Custom Shop Tal Farlow, Vintage Sunburst

Laminate flamed Maple body, Venetian cutaway, 5-piece Maple neck, Indian Rosewood fretboard, pearl “Double Crown” position markers, Ebony headstock overlay with pearl “Double Crown” inlay, 25 1/2″ scale, 1 11/16″ nut width, “rounded” neck profile, 17″ lower bout, 3″ body depth, chrome plated hardware, twin humbucking pickup,s 3-way 2 volume 2 tone, 5-point faux tortoiseshell pickguard, Tune-o-matic bridge, trapeze tailpiece with wood insert and Tal Farlow signature nameplate, faux scroll cutaway, bindings: 3-ply top and back single-ply pickguard, fretboard, headstock and f-holes, Original hardshell case included.

New Tyler Amps PT-14, Black

This amp sounds simply irresistible, especially with a Strat or Tele. It’s one of the few amps that challenges my 1965 blackface Princeton Reverb! I might even get one for myself. John Brinton’s Tyler amps have become one of the most popular fastest growing amp brands since they were discovered by some of the Nashville studio players. This is one of the best sounding blackface clones ever.

Used 2009 Gibson Memphis Custom Shop ES 335, Vintage Sunburst

Laminate Maple body with center block, 2 Gibson humbucking pickups, nickel plated hardware, Rosewood fretboard, Grover tuners, pearloid “dot” position markers, Tune-o-matic bridge, stop tailpiece, 3-way 2 volume 2 tone,  3-ply black/white/black elevated pickguard, 24 3/4″ scale, 1 11/16″ nut width, single-ply binding top back and fretboard, 16″ lower bout, 1 3/4″ body depth

Used Henriksen JA110 Head

110 watts, 5 band EQ, volume, reverb, headphone jack, pre amp out, less than 7 lbs., 11″ x 3″ x 8 3/4″, switchable voltage

Used 2002 Martin 000-16 SGT, Natural

All solid carved woods, Mahogany back and sides, Sitka Spruce top, 1-piece Mahogany neck, Ebony fretboard and bridg,e 12 fret body, Slotted headstock, 24.9″ scale, 1 11/16″ nut width, pearl “dot” position markers, single-ply tortoise binding top and back, Herringbone rosette Upgraded with: nickel plated Waverly butterbean tuners Baggs I-Beam piezo pickup (active) Greven pickguard Strap pin

Used Music Man John Petrucci JP-6 Ball Family Reserve Rosewood Neck

Basswood body, Polyurethane body finish, 1-piece bolt-on Rosewood neck, John Patitucci neck shape, 15″ radius, Custom BFR Shield fretboard inlay, 24 stainless steel frets, 25.5″ scale, 1.69″ nut width, black Melamine nut, Custom John Petrucci Music Man Piezo floating tremolo, Schaller M6-IND locking tuners with pearl buttons, DiMarzio Liquifire Humbucker (neck) DiMarzio Crunch Lab Humbucker (bridge) piezo bridge pickup, controls: volume for hums, volume for piezo, master tone, 3-way pickup, 3-way selector for hums, 3-way selector for hums, piezo or both, original hardshell case included

New Tyler Studio Elite Burning Water

Mamywo body, quartersawn Maple neck, Indian Rosewood fretboard, standard ’59 neck shape, .845″ at first fret- .975″ at 12th fret, .090″ x .055″ fret size, compound 10″ – 12″ radius, 1 5/8″ nut width, Hipshot locking tuners, chrome plated hardware, bare arm contour, black/white/black laminated pickguard, mid-boost circuit with bypass button, JTS 5500 single coil (neck) JTS 5500 single coil (middle) Secret humbucker (bridge) 5-way master volume master tone mid-boost, 25 1/2″ scale, super deluxe hardshell case.

Used Dr. Z Maz 18 Junior Reverb with Brake Lite, Cream

Power output 18 watts , output tubes 2 – 6N14N (EL84) preamp tubes 4 – 12AX7, 1 – 12AT7 , rectifier 1 – 5AR4 , controls: volume, treble, mid, bass, Cut, Master volume, reverb, 4, 8, 16 Ohm switch, effects loop, EQ Bypass (New variable boost footswitch included, 23” W, 20 1/8” H, 10” D,  60 lbs., Brake Lite installed

Used Music Man John Petrucci JP-15, Blueberry Burst Ltd. Ed.

Premium tonewoods and components, African Mahogany body roasted quilted Maple top, roasted Maple neck and fingerboard with 17″ radius, two DiMarzio Illuminator humbucking pickups, custom JP vibrato bridge/tailpiece with piezo pickup, Schaller M6-IND locking tuners with pearl buttons, stainless steel frets, 1 5/8″ nut width, 25 1/2″scale, chrome plated hardware, JP 17 pearl logo at first fret, 7 lbs. 16 oz., black Melamine nut, Music Man active preamp, 3-way toggle pickup selector, original hardshell case included

Used Paul Reed Smith 2009 Special Order Archtop Jazz with Piezo pickup, Sunburst

Mahogany Back and sides, Spruce top, 1-piece Mahogany neck, Indian Rosewood fretboard, 2 PRS Archtop humbucking pickups, chrome plated hardware, piezo pickup, two output jacks, “stop” tailpiece, magnetic/piezo switch, 3-way magnetic pickup selector switch, volume piezo, volume magnetic, master tone, Maple top binding, 25″ scale, 1 11/16″ nut width. original suede hsc

Used Seventy Seven (Japan) Albatross Standard, SG Cherry

Mahogany body, 1-piece Mahogany neck, Rosewood fretboard (bound) 2 P90 pickups, stop tailpiece with Tune-o-matic style bridge, chrome plated hardware, 3-way 2 volume 2 tone, 3-ply B/W/B pickguard, Kluson style tuners, Pearloid “dot” position markers, 24 3/4″ scale, 1 11/16″ nut width

Used Music Man Axis Super Sport, Ball Family Reserve (BFR) Tobacco Sunburst

Basswood body, figured Maple top, select Maple neck and fretboard, Mahogany tone block, 12 5/8″ lower bout, 1 3/4″ body depth, high gloss Polyester body finish, hand rubbed gun stock oil/ special wax blend neck finish, tandard Music Man string-through-body bridge (hardened steel with solid steel saddles, 25 1/2″ scale, 10″ radius, 22 hi medium frets, MOP dot position markers, Schaller M-6 tuners, 5-bolt neck, Graphite Acrylic resin coated body cavity, Aluminum lined control cavity, BFR inlay at 12th fret

New Suhr Classic Pro SSH, Surf Green

Alder body, arm hand and tummy cuts, face jack, chrome plated hardware, parchment pickguard and pickup covers, V70 single coil pickups (neck and middle) SSV humbucking pickup (bridge) Silent Single Coil System, 5-way volume tone tone, Maple neck, Indian Rosewood fretboard, Even C Medium neck carve (.840″ – .920″) gloss body finish, satin neck finish, 9″ – 12″ radius , cay face and side dots, Tusq nut, 1.650″ nut width, 22 medium stainless steel frets, Suhr locking tuners

Used 2013 Paul Reed Smith McCarty Korina with Brazilian board, Black Sunburst

Korina body, 1-piece Korina neck, Brazilian Rosewood fretboard, Wide/Fat neck, “old” style bird fretmarkers, gold plated hardware, twin McCarty  humbucking pickups, 3- way volume tone, push-pull coil tap, stop tailpiece, Kluson style tuning machines, 25″ scale, 1 11/16″ nut width, original hardshell case, all case candy. $1895

New Tyler Amps PT-14 Mahogany

Early 60’s blackface reverb-style circuit 17″ x 20″ 8 1/2″ 35 lbs. (the Mahogany cab adds 5 lbs. but this is the living room version so who cares about the weight) 15 watts with tremolo Volume, bass, treble, reverb, speed, intensity on front panel Back panel has mid control and “Fat” switch Eminence 12″ Texas Heat speaker, 17″ x 20″ x 8 1/2″, 35 lbs.

Used K-Line Model 290 Double Cutaway, Tobacco Sunburst

Mahogany slab body 1-pece Mahogany neck Rosewood fretboard 24 3/4″ scale 1 11/16″ nut width 2 P90 style single-coil pickups Intonated stop tailpiece 3-way pickup selector switch 2 volume and 2 tone controls single-ply black pickguard Pearloid “dot” position markers Single cutaway Grover style double line, single ring Kluson style tuner with “tulip” buttons 7 lbs. 7 oz.,  original thermoplast case by Gator.

Used 2010 DeTemple ’56 Spirit, Butterscotch

One-piece, lightweight Swamp Ash body One-piece, quartersawn, Birdseye Maple neck Titanium, trem block, saddle, truss rod and neck plate Custom Italian celluloid pickguard with shielding Custom open back Gotoh tuners Large neck size with soft medium V profile (.940″ – .975″) .095″ x .055″ nickel alloy fretwire 25 1/2″ scale 1 5/8″ nut width Mammoth Ivory switch tip, string tree and nut DeTemple “Sweet Spot” single coil pickups 5-way, volume, tone, tone

Used 2010 Fender Highway One Telecaster, Matte Black

Alder body, modified C shaped neck, Maple neck with Rosewood fretboard, 22 frets, dot position markers, 3-saddle bridge, white single-ply pickguard, two standard vintage style single-coil Tele pickups, volume and tone controls, 3-way pickup selector, 25.5″ scale, 1 5/8″ nut width, original gig bag.

New 2014 Gibson 120th Anniversary Les Paul Standard, Tobacco Sunburst

Mahogany body with modern weight relief, AAA figured Maple top, 1-piece Mahogany neck, Asymmetrical ˜60s Slim Taper neck shape, Rosewood fingerboard, compound radius, pearloid trapezoid position markers with 120th logo at 9th fret, Hardware: TonePros locking tune-o-matic bridge and tailpiece, BurstBucker Pro 1+2 humbucking pickups, push/pull coil taps, black Graph Tech nut, gold speed knobs, reverse polarity rear pickup for authentic single coil combinations, original vintage brown hardshell case

Used 2015 Music Man Majesty Artisan, Viola

African Mahogany body, Maple top, Honduran Mahogany neck, JP neck shape, 25.5″ scale, Ebony fretboaard, custom JP Majesty position markers, 24 frets, 1.6875″ nut width, black Melamine nut, custom John Petrucci Music Man Piezo Floating Tremolo, Schaller M6-IND locking tuners, DiMarzio Illuminator pickups, custom Music Man active preamp, 3-way toggle pickup selector, 3-way toggle piezo/magnetic selector, original hardshell case

Used Music Man Axis, Trans Purple

Basswood body, figured Maple top, polyurethane body finish, select maple, bolt-on neck, 25.5″ scale, Maple fretboard, 10″ radius, dot position markers, 22 frets, 1.625″ nut width, locking nut, Floyd Rose tremolo (lowers pitch only) Schaller M6LA tuners with pearl buttons, neck pickup: DiMarzio, bridge pickup: DiMarzio, 1 x volume, 3-way pickup selector original hardshell case

New Suhr Modern Pro, Trans Denim Blue

Basswood body (2-piece) flamed Maple top (2-piece, 3/16″) Maple neckf Maple fretboard arm hand and tummy cuts, scraped binding, Black back Trans Blue Denim top, matching headstock, 10″ – 14″ compound radius, gloss body finish, satin neck finish, Gotoh 510 bridge (2-post, 6 saddle, steel block) no pickguard – rear rout, SSV humbucker (neck) SSH+ (bridge) Modern Elliptical neck shape (.800″ – .850″) Black dot position markers, Tusq nut, 1.650″ nut width, Suhr locking tuners, 24 jumbo stainless steel frets

Used Music Man Albert Lee S-S-S, Trans blue

Southern Ash body, high gloss polyester body finish, Music Man® vintage tremolo chrome plated hardened steel with bent steel saddles, scale: 25-1/2″ (64.8 cm) neck Radius: 10″ (25.4 cm) frets: 22 – high profile, medium width, 1-5/8″ (41.3 mm) at nut, 2-1/4″ (56.9 mm) at last fret, select maple neck and select maple fingerboard, gunstock oil and hand-rubbed special wax blend neck finish, tuning Machines: Schaller M6-IND locking,, djustable truss rod – no component or string removal
5 bolt neck, graphite acrylic resin coated body cavity and aluminum lined pickguard, 5-way lever pickup selector, 3 Seymour Duncan custom wound single coil pickups, original hardshell case included

 

Used Valley Arts (USA) 1991 Larry Carlton Standard Ltd. Ed., Trans Cream

91 of 100, hand signed and numbered by Larry Carlton, Trans Cream finish (essentially a Mary Kaye) Mahogany body, birdseye Maple neck, thick Rosewood fretboard (looks like Brazilian to me) 2 P-100 pickups, six-on-a-side tuners, chrome plated hardware, stop tailpiece, Tune-o-matic style bridge, 3-way volume tone, arm and tummy contours, pearl dot position markers,  7/8 body size, 1 5/8″ nut width, 24 3/4″ scale, 7 lbs. 8 oz. $2495

Used 2010 Martin SWOM-GT, Natural

Solid sustainable Cherry blocks/simple dovetail neck joint, 000-14 fret body, solid Sitka Spruce body, tortoise color w/, ivoroid, blue and white rosette, A-Frame ”X”, solid Sitka Spruce 5/16” top bracing, solid sustainable Cherry back and sides, 1-piece sustainable Cherry neck , mModified Low Oval neck carve, white Corian nut, faux tortoiseshell pickguard and headstock overlay, solid sustainable Katalox fretboard and bridge, 25.4” scale, 20 frets (14 clear of body, 1-3/4” nut width, 2-1/4” string spacing, imitation Pearl dots, satin finish back, sides and neck, gloss top finish, belly bridge, gold plated tuners (enclosed) w/ small buttons, original 630 molded hardshell case. $1195

Used ca. 1980’s Mesa Boogie Studio 22, Black

Front Panel: volume, master, lead master, bass, treble, middle, reverb, presence, 5 band EQ. $695 

Used Collings City Limits Deluxe, Iced Tea Sunburst

Premium figured Maple top over mahogany body and neck •grained ivoroid top/neck/peghead binding •high gloss nitrocellulose lacquer finish single bound “Haircut” headstock •15 degree headstock angle •Ebony or rosewood peghead overlay with inlaid Collings logo •Rosewood fingerboard •long mortise and tenon neck joint w/contoured heel •22 frets, neck joins the body at the 16th fret •Medium-Fat “C” neck shape •12″ fingerboard radius •1 11/16″ bone nut •24 7/8″ scale length •medium 18% nickel-silver fretwire •mother of pearl dot fingerboard inlays •fully adjustable truss rod •custom ivoroid pickup rings and top hat knobs – See more at: https://www.gbase.com/gear/collings-city-limits-deluxe-iced-tea-sunburst#sthash.0aw5IGDT.dpuf

New Tom Anderson Guitarworks Classic Shorty, Translucent White

Swamp Ash body, chocolate Maple neck, 24 3/4″ scale, natural satin neck finish, gloss body finish,  1 11/16″ nut width, medium stainless steel frets, Even Taper neck carve, Buzz Feiten Tuning System, white pearloid pickguard, SC1 single-coil pickups (neck and middle) H2 humbucking pickup (bridge) 5-way add bridge with splitter, VA booster – See more at: https://www.gbase.com/gear/tom-anderson-guitarworks-classic-shorty-trans#sthash.uiOLo7Gx.dpuf

Used 1977 Ibanez Model 2681 Bob Weir Signature Professional, Natural

$1995

Used Gibson Custom Shop 2007 ES355 Mono, Cherry

$3595

Used 1994 Epiphone (Korea) Emperor Regent, Natural

Laminate Maple back and sides, laminate Spruce top, Rosewood fretboard and bridge, Maple neck, 17″ lower bout, 3″ body depth, 25 1/2″ scale, 1 11/16″ nut width, gold plated hardware, Frequensator tailpiece, floating humbucking pickup with pickguard mounted volume and tone, faux tortoiseshell raised pickguard, pearl and abalone “notched V” position markers, bindings: 6-ply top, 5-ply pickguard 4-ply fretboard headstock and top, single-ply f-holes – See more at: https://www.gbase.com/gear/epiphone-korea-emperor-regent-1994-natural#sthash.XdEWwWe1.dpuf

New James Tyler Studio Elite HD, Cherry Red Schmear PRE-SOLD

Alder body, quartersawn Maple neck, Indian Rosewood fretboard, standard ’59 neck backshape, 1 11/16″ nut width, narrow/tall frets, MOP “dot” position markers, Hipshot locking tuners, 3-ply black pickguard, master volume master tone mid-boost with bypass button, 5-way “super switch” pickup selector, G6H Gotoh bridge, chrome hardware, black headstock, white Retro humbucker (neck) white  JTS Stingray 500 single coil (middle) Super Humbucker (bridge) – See more at: https://www.gbase.com/gear/james-tyler-studio-elite-hd-red-cherry-schmea#sthash.79O6hYB0.dpufS Stingray 500 single coil (middle) Super Humbucker (bridge) – See more at: https://www.gbase.com/gear/james-tyler-studio-elite-hd-red-cherry-schmea#sthash.79O6hYB0.dpuf

Used 2010 Brian Monty Blues Queen, Tobacco Sunburst

Laminate Maple body, 1-piece Mahogany neck, Rosewood fretboard, 24 3/4″ scale, 1 11/16″ nut width, Nickel plated hardware, pearloid “dot” position markers, single-ply bindings top, back fretboard, Gold plated Grover tuners, stop tailpiece with Tune-o-matic bridge, 2 humbucking pickups, 3-way pickup selector switch, 2 volume, 2 tone controls. $2195 

Used Brian Monty ’58 Gibson Flying V Replica made for Steven Segal

Korina body and neck, Brazilian Rosewood fretboard, 5 lbs. 11 oz., 24 3/4″ scale, 1 11/16″ nut width, gold plated hardware, Kluson style tuners, Pearloid dot fretmarkers, Tune-o-matic bridge, Gibson black V hardshell case with white interior – See more at: http://www.gbase.com/gear/brian-monty-58-gibson-flying-v-repli-1992-nat#sthash.VdrKB1j4.dpuf

Used Tony Nobles Zemaitis / Les Paul style solid body, Black

Mahogany body, 1-piece Mahogany neck, Brazilian Rosewood fretboard, 3-way switch 2 volume 2 tone, Pearloid top edge headstock edge  and headstock binding Abalone and Pearl fretmarkers and headstock inlay, Abalone purfling on fretboard, Nickel plated hardware, Tune-o-matic style bridge, Zemaitis style bridge, 24 3/4″ scale, 1 11/16″ nut width – See more at: http://www.gbase.com/gear/tony-nobles-zemaitis-les-paul-style-black#sthash.tX90TFLo.dpuf

New Suhr Modern, Blue Chill PRE-SOLD

Basswood body, Maple top, Gotoh 510 bridge (2 post, stainless block) Chrome hardware, Tremol-No, Roasted Maple neck, Roasted Maple fretboard, Modern Elliptical .800″ – .850″) 1 687″ nut width, 24 stainless steel frets, jumbo MOP inlaid logo, Suhr, locking tuners, MOP face and side dots, 5-way blade mega volume and tone, DSV humbucking pickup (neck) and SSH + humbucking pickup (bridge).

 

New Louis Electric Columbia Reverb, Black

Classification: AB1, fixed bias, Power output: 18 watts with 6V6, 28 watts with 6L6, Speaker: Celestion G12H30, Speaker load: 8 ohms, Single Channel, 2 input, Controls: volume, treble, middle, bass, reverb, speed, intensity, Pre Amp Tubes: 3-12AX7, 1-12AT7, Rectifier: 5AR4, Height:18.5″, Width: 20″, Depth: 10″ Weight: 30lbs., Eyelet Terminal board construction, Hand Selected caps and resistors, Custom designed hand built transformers, Belton tube sockets, Switchcraft and Carling input jacks and switches, High quality machine grade fasteners, Moisture free circuit board – See more at: http://www.gbase.com/gear/louis-electric-columbia-reverb-black#sthash.eWo3Yj3k.dpuf

Used 2009 Tom Anderson Guitarworks Hollow Classic T, Black

Hollow Alder body, Swamp Ash top, 1-piece Rosewood neck, Rosewood fretboard, satin finish neck, gloss finish body and headstock, 1 5/8″ nut width, medium stainless steel frets, Even Taper neck carve, Feiten Tuning System, TD1 neck SA1 middle TD3 bridge singe coil pickups, 5-way pickup selector switch, pull adds bridge, vintage voicing, 6 saddle hardtail bridge, gold plated hardware – See more at: http://www.gbase.com/gear/dr-z-maz-38-senior-combo-with-air-black#sthash.5Y70Jn5r.dpuf

Used 1995 Ibanez GB 10 George Benson, Natural

Laminate Maple back and sides, Spruce top, 3-piece Maple neck, Ebony fretboard, soft Venetian cutaway, 2 floating Johnny Smith style humbucking pickups, 3-way pickup selector, 2 volume and, 2 tone controls (top mounted), Ebony adjustable bridge, tailpiece adjustable for tension, gold plated hardware, Abalone and Pearl block fretmarkers, bindings: 5-ply top and pickguard 3-ply back and headstock, single-ply fretboard and f-holes, faux Tortoisesell pickguard.

Used Dean Markley Ultrasound Pro-250, Tan

250W triamped power, 10″ Eminence driver, 4″ midrange speaker, unique “supertweeter” with active crossover and dedicated volume control, dual DSP effects processors, mic/instrument channels with independent EQs, 3 balanced XLR outs, 3 – 1/4″ line outs, independent effects loops for each channel, tilt-back design for enhanced projection, stereo input for CD/MP3 player or other devices – See more at: http://www.gbase.com/gear/dean-marley-ultrasound-pro-250-2013-tan#sthash.5uZoBoiP.dpuf

Used Klein Electrics BF-96, Trans Black Cherry

Hum-single-hum pickup configuration, Barden pickups, chambered body, 3-way switch volume tone, 1-piece Rosewood neck, Steinberger S-Trem, 25 1/2″ scale, 1 5/8″ nut width – See more at: http://www.gbase.com/gear/klein-electrics-bf-96-trans-wine-red#sthash.Sns7oCer.dpuf

Used Godin Montreal Premium, Sunburst

Canadian wild cherry top back and sides, “Breathe-through” carved spruce core, 1-piece Mahogany set-neck, Rosewood fingerboard, high-gloss black headstock, custom polished high-gloss finish, single-ply binding top and back, Graphtech ResoMax bridge system, two custom Godin humbucking pickups, 3-way toggle switch, volume and tone controls, original gig bag included – See more at: http://www.gbase.com/gear/godin-montreal-premier-hg-2013-sunburst#sthash.k3nEUg7r.dpuf

Used 2011 Sadowsky Jimmy Bruno Model, Sienna Burst

Laminate body construction, Arched flamed Maple top, flamed Maple back and sides, 1-piece Mahogany neck with adjustable truss rod, solid ebony fingerboard, 5-ply bound body, 3-ply bound headstock, single-ply bound fingerboard, top mounted Sadowsky/DiMarzio humbucking pickup in neck position, top mounted volume and tone controls, solid ebony pickguard, compensated bridge and tailpiece, Schaller tuners with ebony buttons, gold plated hardware,24 3/4″ scale, 1 11/16″ nut width, 14 3/4″ lower bout, 2 3/4 body depth, “football” shaped Pearl position markers

Used 2009 Marchione Neck-Through, Trans Amber

Quilted Maple body wings, Mapleneck-through section, 2 Marchione custom designed hand wound humbucking pickups, Ebony fretboard, gold plated hardware, 3-way volume tone, 25 1/2″ scale, 1 11/16″ nut width, bone nut, Sperzel locking tuners, original red Calton hardshell case, Marchione adjustable hardtail bridge – See more at: http://www.gbase.com/gear/marchione-set-neck#sthash.zb7ZLeXW.dpuf

New Tyler Tylerbaster, Hazmat Schmear SOLD

Swamp Ash body, Maple neck, Maple fretboard, 1 5/8″nut width, wide/tall frets, black dot fretmarkers, Hipshot locking tuners, 5-way, volume, tone, Area T single-coil (neck) Area 61 (middle) Area T Hot (bridge), black pearloid pickguard, 25 1/2″ scale, super deluxe hardshell case.

Used Eastman AR805CE, Vintage Natural

16″ lower bout, 3 1/4″ body depth, Venetian cutaway, solid hand carved Spruce top, hand carved Maple back and sides,
7-ply ivoroid/black body binding, Maple neck, 1 3/4″ nut width, 25″ scale, 22 Nickel – Silver frets, Ebony tailpiece, fretboard, bridge, fretboard, floating pickup, piezo acoustic pickup installed in bridge, pickguard mounted volume and tone controls, compensated adjustable bridge, 2 3/32″ string spacing trapeze-style tailpiece, Gotoh tuners w/ ebony buttons, original hardshell case included

 

 

 

Used Dr. Z Z Wreck head, Quantum Silver

Used 2014 Fender Custom Shop 1960 NAMM Stratocaster Heavy Relic, Seafoam Green over 3-Tone Sunburst

Heavy Relic , nitrocellulose lacquer finish, 7.90 lbs., select Alder body, AAA flame Maple neck, mid 60s Oval “C” neck shape (780″ – .900″) Indian Rosewood fingerboard, 9.5″ radius,  25.5″ scale, 1.650″ nut width, 6105 frets, 3 Custom Shop Fat 50’s Strat pickups, master volume 2 Tone 5-way switch, vintage bridge, American Vintage Synchronized Tremolo Tuners,  3-ply mint pickguard, original Fender Hardshell Case, case candy: strap, cable, polish cloth, certificate, tags, picks – See more at: http://www.gbase.com/gear/fender-custom-shop-namm-60-stratocaster-hea-2#sthash.P97nf6Xq.dpuf

Used Fender American Vintage Series ’62 Reissue Custom Telecaster, 3-Tone Sunburst

Alder body, Maple neck, Rosewood fretboard, “C” neck shape, 7. 25″ radius, 25 1/2″ scale, twin Barden pickups, after market six saddle bridge, 3-position pickup selector, switch, volume, tone, single bound body front and back, original brown hardshell case.

Used 2006 Gibson Historic Les Paul SG Standard VOS, Polaris White

Solid mahogany body, Mahogany neck with long tenon, 22-fret rosewood fingerboard, Holly headstock veneer
1960s slim taper neck profile, acrylic trapezoid inlays, , single-ply cream neck binding, nickel hardware, vintage tulip tuners, 24-3/4″ scale, 1-11/16″ nut width, 2 Burstbucker pickups, 2 volume, 2 tone, 3-way selector switch, original hardshell case, hang tags, warranty, instruction papers and certificate included.

Used 2105 Epiphone Les Paul Custom Prophecy Plus EX, Trans Black

Body: Mahogany Top: Quilt Maple Neck: 1-piece Mahogany Neck Shape: SpeedTaper™ D-Profile Satin Finish Neck Joint: Glued-in set neck Scale: 24.75″: Frets: 24, jumbo Fingerboard: Rosewood Fingerboard Radius: 14″ Binding: Mother of pearl Mother of pearl and abalone block and triangle position markers Nut Width: 1.68 Nut Material: graphite Machine Heads: Grover® 14:1 Neck Pickup: EMG-85 humbucker Bridge Pickup: EMG-81 humbucker Controls: 1-neck volume 1-neck tone 1-bridge volume 1-bridge tone Pickup selector Epiphone all-metal 3-way toggle Knobs: Metal barrel with mother of pearl inlaid tops Bridge: LockTone™ Tune-o-matic Tailpiece: LockTone™ Stopbar Straplocks: Epiphone exclusive Original hardshell case – See more at: http://www.gbase.com/gear/epiphone-prophecy-les-paul-custom-trans-black#sthash.ueSlV7La.dpuf

Used 2015 Paul Reed Smith SC245, Charcoal Burst

Mahogany body, figured Maple top, single cutaway body, twin 58/15 pickups, Pattern neck profile, ardshell case included, urethane finish, single-piece Mahogany neck, 24.5″ scale, bound Rosewood fretboard, 10″ radius, Bird fingerboard inlay, 22 frets, 1.6875″ nut width, stop tailpiece,  Tune-o-matic style bridge, PRS Phase III locking tuners, 2 x volume, 2 x tone,  3-Way toggle pickup selector, original hardshell case included – See more at: http://www.gbase.com/gear/paul-reed-smith-sc245-2015-trans-charcoal-bur#sthash.gXlGwflq.dpuf

Used Paul Reed Smith McCarty Korina w/ Brazilian Board, Trans Amber

Korina body, Korina neck, Brazilian Rosewood fretboard, wide/fat neck profile, old style Abalone bird fretmarkers, 3-way switch, volume, tone, push-pull coil split on tone pot, stop tailpiece, Kluson style tuners, nickel plated hardware, 1 11/16″ nut width, 25″ scale, OHSC included. Also included, hang tag, warranty card, Case key and truss rod adjustment tool – See more at: http://www.gbase.com/gear/paul-reed-smith-mccarty-black-limba-natural#sthash.IYRJnvRf.dpuf

New Suhr PT-100 Pete Thorn Signature Edition 2 x 12″ Deep Cabinet, Black

2 x 12″ Celestion Creamback speakers, black Tolex grille piping, script logo – See more at: http://www.gbase.com/gear/suhr-pt-100-2-x-12-deep-cabine-black#sthash.w1hZpiXo.dpuf

New Suhr PT-100 Pete Thorn Signature Edition Head, Black

Output: 100 watts RMS, Tubes: 4xEL34 & 6x12AX7, front panel: input, (CH1) crunch switch, bright switch, gain 1, bass, middle, treble, level 1, (CH 2/3): bright 2/3 switch, gain 2, gain 3, bass, middle, treble, level 2, level 3, boost switch, channel select switch, back panel: power select switch, fuse / power entry module, standback/standby switch, H.T. fuse, speaker outputs, (16Ω, 8Ω, & 4Ω), feedback, presence, depth switch, effects loop return level, in/active Switch, inst. switch, send and return jacks, series/mix switch, MIDI IN, MIDI THRU.

New Tyler White Classic, White with Pearloid Pickguard

Alder body, Standard ’59 neck shape, 1 5/8″ nut width, quartersawn Maple neck, Rosewood fretboard, wide/tall frets, black dot fretmarkers, Hipshot locking tuners, white Pearloid pickguard, straight, white JTS2500 single coil pickups (neck and middle) Secret Humbucker (bridge) chrome plated hardware, volume tone tone 5-way, Gotoh G6H bridge, 25 1/2″ scale, Super Deluxe hardshell case – See more at: http://www.gbase.com/gear/tyler-white-classic-white-2#sthash.14ynx732.dpuf

Used 1969 Gibson Super 400C, Natural with double Johnny Smith pickup rig

All solid carved woods, Spruce top, highly figured Maple back and sides, 5-ply Maple neck, Ebony fretboard, Brazilian Rosewood bridge, twin floating Johnny Smith humbucking pickups, 3-way pickup selector, 2 volume, 2 tone controls (pickguard mounted) gold plated hardware, 18″ lower bout , 3 1/4″ body depth, 25 1/2″ scale, 1 11/16″ nut width, soft Venetian cutaway, Pearl “split-block” position markers, Grover “Keystone” tuners, Bindings: 7-ply top, 5-ply head and fretboard, 3-ply back and f-hole.

Used 1959 Fender Jazzmaster, 3-Tone Sunburst

Maple neck, Alder body, Brazilian Rosewood “Slab” fretboard, twin single-coil Jazzmaster pickups, 3-way pickup selector, anodized pickguard, 25 1/2″ scale, 1 5/8″ nut width, clay dots, thin finish crazing, chrome plated tremolo bridge, Nickel plated Kluson 6-in-a-line tuners – See more at: http://www.gbase.com/gear/fender-jazzmaster-1959-3-tone-sunburst-1#sthash.dCbkj7TO.dpuf

New Tyler Burning Water, Mamywo

Mamywo body, quartersawn Maple neck, Indian Rosewood fretboard, standard ’59 neck shape, 1 11/16″ nut width, wide tall frets, MOP fretmarkers, Secret humbucker, JTS 2500 single-coils, 3-ply black pickguard, 5-way, volume, tone, tone, bare wood arm contour, Hipshot locking tuners, Gotoh G2RV bridge, super deluxe hardshell case.

Used 2014 Martin 000-18, Natural

Auditorium body style and premium tonewoods, solid spruce top and mahogany back and sides, select hardwood neck, modified low-oval profile with Performing Artist taper, 24,9″ scale,1 11/16″ nut width, Ebony fretboard and belly bridge, faux Tortoiseshell binding and pickguard, Abalone dot fretmarkers, Nickel plated open back Waverly tuners with butterbean buttons.

 

 

New Tyler White Classic

Alder body, quartersawn Maple neck, Indian Rosewood fretboard, s’59 neck shape (.845″ – .975″) .090″ x .055″ frets, compound 9.5″ – 12″ radius, 1 5/8″ nut width, natural headstock (with “Herman”) white Pearloid pickguard, chrome plated hardware, JTS 5500 single-coil pickups (neck and middle) Super Humbucker (bridge) 5-way volume tone, tone, Hipshot locking tuners, Gotoh G2H tremolo, 7 lbs. 6 oz. Super Deluxe hardshell case – See more at: http://www.gbase.com/gear/tyler-white-classic-white-1#sthash.ZbWAP7HJ.dpuf

Used ca. 1994 Gibson Les Paul Classic, Vintage Sunburst

Mahogany body, Maple top, Mahogany neck, Rosewood fretboard, Pearloid trapezoidal fretmarkers, Nickel plated hardware, twin humbucking pickups (one replaced with Duncan – original present) 3-way, 2 volume 2 tone, push-pull coil tap added to tone pot, 24 3/4″ scale, 1 11/16″ nut width, single-ply binding top and fretboard – See more at: http://www.gbase.com/gear/gibson-les-paul-classic-1994-vintage-sunburst#sthash.6PR1PjqA.dpuf

New Tyler Black Classic, Black with Tortoise Pickguard

Alder body, quartersawn Maple neck, Indian Rosewood fretboard, standard ’59 neck shape (.845″ – .975″) compound 10″ 12″ radius, .090″ x .055″ frets, 1 5/8″ nut width, JTS 5500 single coil pickups (neck and middle) Secret humbucker (bridge) 5- way volume tone tone, chrome plated hardware, Kluson style tuners G2RV bridge, tortoise pickguard, Abalone dot position markers, super deluxe Tyler hardshell case. – See more at: http://www.gbase.com/gear/tyler-black-classic-black-3#sthash.0cxMsk3e.dpuf

New Tyler White Classic

Alder body, quartersawn, Maple neck, Indian Rosewood fretboard, Standard ’59 neck shape (.845″ – .975″) .090″ x .055″ frets, compound 9.5″ – 12″ radius, 1 5/8″ nut width, natural headstock (with “Herman”) white Pearloid pickguard, chrome plated hardware, JTS 5500 single-coil pickups (neck and middle) Super Humbucker (bridge) 5-way volume tone tone, Hipshot locking tuners, Gotoh G2H tremolo, 7 lbs. 6 oz., Super Deluxe hardshell case – See more at: http://www.gbase.com/gear/tyler-white-classic-white-1#sthash.3sEoc0Fk.dpuf

Used 1979 Ibanez FA-100, Natural

16″ laminate Maple body with a nice and flamey top, sharp Florentine cutaway, Maple neck, Rosewood fretboard, adjustable Ebony bridge, 24 3/4″ scale, 1 11/16″ nut width, 3 1/2″ body depth, twin humbucking pickups, 3-way, 2 volume, 2 tone, chrome plated hardware, 4-ply plastic pickguard (black/white/B/W), fancy Byrdland style tailpiece, hardshell case

New Suhr Modern Burled Maple, Faded Trans Blue Denim/Slate

Mahogany body, burled Maple top, scraped binding, Gotoh 510 bridge – 2 post, solid saddles, chrome plated hardware, 1-piece Mahogany neck, Pau Ferro Fretboard, 10″ – 14″ radius, Modern Eliptical neck carve (.800″ – .850″), matching headstock, Tusq nut, 1.650″nut width, volume tone  5-way, push-pull coil tap on tone pot, SSV humbucker (neck) ML Standard Ssingle-coil (middle) SSH+ humbucker (bridge)

New Tom Anderson Guitarworks Drop Top, Tiger Eye SOLD

Alder body,uper quilted Maple top, Maple neck, scraped binding, matching gloss headstock, 1 11/16″ nut width, satin neck finish, Feiten Tuning System, Even Taper neck carve, 25 1/2″ scale, chrome plated hardware, locking tuners, 5-way add bridge with splitter, VA Booster switching, HF1 humbucking pickup (neck) SF1 single coil pickup (middle) HF2 humbucking pickup (bridge) hardshell case – See more at: http://www.gbase.com/gear/tom-anderson-guitarworks-drop-top-tiger-eye#sthash.wXQK0IsE.dpuf

New Tyler Burning Water 2K, Mamywo Body SOLD

Mamywo body, quartersawn Maple neck, Indian Rosewood fretboard, standard ’59 neck carve .845″ – .975″, .110″ x .055″ frets, compound 10″ – 12″ radius, 1 5/8″ nut width, 5-way,, volume mid-boost tone, mid-boost preamp with bypass button, Hipshot locking tuners, Gotoh G2RV bridge (2 screw, solid saddles) chrome plated hardware Burning Water finish, matching headstock, JTS 2500 single coil pickup (neck) JTS 2500 single coil pick (middle) Secret humbucker (bridge) Abalone face and side dots Super deluxe hardshell case – See more at: http://www.gbase.com/gear/tyler-burning-water-2k-burning-water-2k-10#sthash.Gc9NgiFP.dpuf

Used Fender ca. 2011 American Telecaster Thinline ’72 Reissue, Candy Apple Red

Ash body, 1-piece Maple neck, 25 1/2″ scale, 1 5/8″ nut width, white pearloid pickguard, twin Fender humbucking pickups, 3-way switch volume tone, 6 saddle bridge 3-on-a-side tuners, chrome plated hardware, 6 lbs. 7 oz., mint original hard shell case, all tags (unopened packet) ashtray, cable and strap included – See more at: http://www.gbase.com/gear/fender-american-telecaster-thinl-2011-candy-a#sthash.L9gyVSGg.dpuf

Used D’Angelico (Vestax) NYL-2, Tobacco Sunburst

Flamed Maple back and sides Spruce top Ebony fretboard, and bridge 17″ lower bout 3 1/8″ body depth 3-piece maple neck Gold plated hardware Floating Johnny Smith style pickup Grover imperial Stairstep tuners Fancy deco style headstock with finial Deco style stairstep tailpiece Faux tortoiseshell stairstep pickguard 25 1/5″ scale 1 11/16″ nut width Pearl “split block” position markers Bindings: 7-ply top 5-ply pickguard 3-ply fretboard, headstock, f-holes and back – See more at: http://www.gbase.com/gear/dangelico-vestax-nyl-2-2000-tobacco-sunburst#sthash.CJseiXj6.dpuf

Used Tone King Comet 20, Tan & White

20 watts, 1 x 12? Tone King 1891 speaker, 2 channels (Lead with volume, tone and mid-bite. Rhythm with volume, treble, bass and reverb) channel switch footswitch, cover included.

New Tom Anderson Guitarworks Crowdster Plus 2, Tobacco Sunburst

SOLD

New Larrivee OMV-40, Natural Satin

All solid, carved woods African Ebony fretboard & bridge Single piece Mahogany neck Canadian Maple binding Indian Rosewood back and sides Canadian Sitka Spruce top 1 3/4″ nut width 25.5″ scale Soft Venetian cutaway Bone saddle, bone nut and bone bridge pins Mother of Pearl logo Grover 18:1 open back tuners Non-shrink tortoise pick guard Double action truss rod (easily adjusted at full string tension) Durable acrylic satin finish Bold rope purfling Larrivee arched top hard shell case. – See more at: http://www.gbase.com/gear/larrivee-om-40-natural#sthash.YqKnJWJL.dpuf

Used 2011 Taylor 714 ce, Sunburst

Grand Auditorium body with Venetian cutaway, gloss body finish, all solid carved woods, Sitka Spruce top, Indian Rosewood back & sides, forward shifted bracing with relief rout, Tropical American Mahogany 1-piece neck, Ebony fretboard and bridge, Ivoroid Heritage Diamonds position markers, Ivoroid binding, 20 frets, 25.5″ scale, chrome plated Taylor tuners, Tusq Nut, Micarta Saddle, 1.75″ nut width, 16″ lower bout, 4.625″ body dept,h Taylor Expression System 2,  original hardshell case – See more at: http://www.gbase.com/gear/taylor-714-ce-2011-sunburst#sthash.XWKO6H3g.dpuf

Used 2014 Sadowsky Semi-Hollow, Siennaburst

•14 3/4″ body width at the lower bout •Extended treble cutaway for maximum upper-register access •Full length, weight-reduced spruce center block •1 3/4″ body thickness •1 11/16″ nut width •1-piece Mahogany neck with Amazon Rosewood fingerboard and pearl position dots •24 3/4″ scale. 22 frets, 15 frets to the body •Nickel hardware (gears, tune-o-matic bridge and stop tailpiece) – See more at: http://www.gbase.com/gear/sadowsky-semi-hollow-2014-siennaburst-2#sthash.beiQ0pzN.dpuf

Used 2103 Tom Anderson Guitarworks Crowdster Plus 2, Natural Rosewood

Premium Rosewood top on Mahogany, 1 piece Mahogany neck, Rosewood fingerboard, matching headstock, satin neck, gloss body, 1.73-inch nut width,small frets, gold plated hardware, acoustic-style bridge with Anderson EQed LR Baggs Piezo, no pickguard, CMA Baggs acoustic pickup, volume volume treble middle bass 3-way for +2 twin humbucking pickups, original deluxe hardshell case. – See more at: http://www.gbase.com/gear/tom-anderson-guitarworks-crowdster-plus-2-ros#sthash.I3WF3Six.dpuf

Used 2007 Tom Anderson Guitarworks Crowdster Plus, Autumnburst Edge on Natural

Scraped binding, quilted Maple top on Mahogany, 1-piece Mahogany neck, Indian Rosewood fretboard, matching headstock, satin finished neck, gloss finished body, 1.73 in. nut width small frets,  chrome plated hardware, acoustic bridge, no pickguard, LR Baggs CMA pickup volume volume treble,, middle bass 3 Way, humbucker in bridge position, original deluxe hard shell case. – See more at: http://www.gbase.com/gear/tom-anderson-guitarworks-crowdster-plus-2007#sthash.iwgSZiFs.dpuf

Used 2010 Martin GPCPA Mahogany, Natural

Grand Performance 14 fret cutaway body, Certified European Spruce top,two ring rosette, Hybrid Scalloped ”X” European Spruce 5/16” top bracing, Certified Mahogany back and sides, grained Ivoroid bindings heelcap, one-piece Certified Mahogany neck, Performing Artist Profile neck profile, white Corian nut, Tusq saddle, solid/square taper headstock, Certified Mahogany headplate, black Richlite fretboard and bridge, 25.4” scale, 14 Frets clear of body, 20 frets, 1-3/4” nut width, offset dots position markers , plished gloss finish, Performing Artist belly bridge, 2-3/16” string spacing, 16” freboard radius, gold plated enclosed tuning machines w/ large buttons, Performing Artist Style faux tortoiseshell pickguard. Z70BU Molded Hardshell xase- Slate Gray Fishman F1 Aura electronis w/Tuner – See more at: http://www.gbase.com/gear/martin-gpcpa-mahogany-2010-natural#sthash.yaT30SsS.dpuf

New Tyler Burning Water, Swamp Ash

Swamp Ash body, matching headstock, black pickguard, straight pickups, JTS 5500 (in middle and neck) Tyler Secret Humbucker (in bridge) 5-way master volume master tone midboost with bypass, quartersawn Maple neck, Indian Rosewood fretboard, standard ’59 neck shape .845″ – .975″, fret size: .110″ x .055″, compound 12′ – 14′ radius, 1 5/8″ nut width, Hipshot locking tuners, Gotoh G2RV bridge, chrome hardware, Super Deluxe hard shell case – See more at: http://www.gbase.com/gear/tyler-burning-water-2k-burning-water-2k-8#sthash.QLqzfWyl.dpuf

New Tyler Burning Water 2K, Mahogany

Mahogany body, matching headstock, black pickguard, straight pickups (noiseless DiMarzio Area 61 single coils (in middle and neck) Tyler Secret Humbucker (in bridge) 5-way master volume master tone midboost with bypass, quartersawn Maple neck, Indian Rosewood fretboard, standard ’59 neck shape .845″ – .975″, fret size: .110″ x .055″, compound 12′ – 14′ radius, 1 5/8″ nut width, Hipshot locking tuners, Gotoh G2RV bridge, chrome hardware, super Deluxe hard shell case – See more at: http://www.gbase.com/gear/tyler-burning-water-2k-burning-water-2k-7#sthash.FVZKwhyP.dpuf

Used Hamer USA Newport Pro Custom, Sunburst

Double cutaway semi-hollow body, Honduran Mahogany body, 1-piece Honduran Mahogany neck, solid carved arched Spruce top, Ebony fretboard, twin F-holes, 2 Seymour Duncan “Seth Louver” humbucking pickups, Tone-Pros Tune-o-matic style bridge, Vintage Round neck carve .900″, harp tailpiece, 10 Victory Pearl fretmarkers, 14″ lower bout, 1 7/8″ body depth, 24 3/4″ scale, 1.650″ nut width, 14.5′ radius, Ivory nut, 1 volume, 1 tone, 3-way,single-ply grained Ivoroid bindings: top, fretboard and headstock Gold plated hardware Schaller Super Roto tuners – See more at: http://www.gbase.com/gear/hamer-newport-pro-sunburst#sthash.OTGimYN3.dpuf

Used 1985 Fender D’Aquisto Elite, Caramel Burst

Laminate Maple back and side,s Sitka Spruce top, 16″ body with soft Venetian cutaway, 2 3/4″ body depth, 24 3/4″ scale, 1 11/16″ nut width, Ebony fretboard pickguard bridge tailpiece control knobs and tuner buttons, top mounted humbucking pickup with top mounted volume and tone control,s gold plated hardware, Pearl block fretmarkers, bindings: 5-ply top and back, 3-ply fretboard, pickguard and headstock single-ply f-holes – See more at: http://www.gbase.com/gear/fender-daquisto-elite-1985-caramelburst#sthash.9N65ic7n.dpuf

Used Voyage Air Trans Axe Belair VER-1, TV Yellow

Solidbody single cutaway electric guitar that folds in half, extremely portable – it fits into a backpack-style Dura-Trans case, Voyage-Air’s patented hinge technology allows it to fold and unfold easily, 2 Custom Tonerider Vintage 90 Soap Bar pickups, 3-position toggle switch, Alder body, Canadian maple neck, Rosewood fingerboard, Pearl “dot” fretmarkers. 24 3/4″ scale, 1 11/16″ nut width, Tortoise pickguard, chrome plated hardware.

Used 2007 Gibson ES-175, Tobacco Sunburst

Laminate flamed Maple body One piece Mahogany neck Rosewood fretboard 16″ lower bout 24 3/4″ scale 1 11/16″ nut width 3 3/8″ body depth Florentine cutaway Twin humbucking pickups 3-way, 2 volume, 2 tone Laminate plastic pickguard Double parallelogram Pearl fretmarkers Nickel plated hardware Trapeze tailpiece Tune-o-matic bridge Bindings: 3-ply top Single-ply back and fretboard Kluson style tuners – See more at: http://www.gbase.com/gear/gibson-es175-2007-tobacco-sunburst#sthash.NKK7i8TV.dpuf

Used 2009 Sadowsky Jim Hall Signature, Caramelburst

Specifications: 16″ Body 2 3/4″ Side Depth Lightweight 5-ply Premium Flame Maple body Maple neck Ebony fingerboard Dovetail neck joint shaped to Jim Hall’s specifications Custom designed Sadowsky Ebony tailpiece with string ground 24 3/4″ scale 1 3/4″ nut width Custom-wound Sadowsky pickup with gold cover Switchcraft Jack Weight: 6 lbs. 2 oz. – See more at: http://www.gbase.com/gear/sadowsky-jim-hall-2009-caramelburst#sthash.03rwmFRx.dpuf

Used 2014 Sadowsky Semi-Hollow, Siennaburst

• 14 3/4″ body width at the lower bout • extended treble cutaway for maximum upper-register access • full length, weight-reduced spruce center block  1 3/4″ body thickness • 1 11/16″ nut width • Mahogany neck with Amazon Rosewood fingerboard and pearl position dots • 24 3/4″ scale, 22 frets, 15 frets to the body  •Nickel hardware (gears, tune-o-matic bridge and stop tailpiece) – See more at: Sadowsky Semi-Hollow Siennaburst

Used 2011 Sadowsky Jimmy Bruno Model, Siennaburst

5-ply maple laminate body construction •14 3/4″ Body Width at Lower Bout •2 3/4″ Body Thickness •1 11/16″ Nut Width •Mahogany Neck with Ebony Fingerboard and Cat’s Eye Pearl Inlays •24 3/4″ Scale, 22 Frets, 15 Frets to the Body •Ebony Bridge, Tailpiece and Pickguard •Gold Hardware – See more at: http://www.gbase.com/gear/sadowsky-jimmy-bruno-model-2011-siennaburst#sthash.02B5S8Cw.dpuf

Used Ibanez Joe Pass JP20, Sunburst

16″ lower bout, 25 1/2″ scale, 1 3/4″ nut width, 2 3/4″ body depth, bookmatched arched laminate Spruce top and bookmatched arched laminate flame Maple back and sides, three-piece solid maple neck with adjustable truss rod, 22 fret solid Ebony fingerboard, mother of pearl fingerboard and peghead inlay, multi-bound body, headstock and fingerboard, bound f-holes, gold plated hardware, Maccassr Ebony tailpiece, Ebony bridge, pickguard,

Used Crook Telecaster with McVay “G Bender”, Red Paisley

McVay G Bender APC Adder neck pickup Voodoo bridge pickup Swamp Ash body 25 1/2″ scale 1 5/8″ nut 3-way, volume, tone Maple neck with Maple fretboard 7 lbs. 13 oz. (remember, it has a G Bender) – See more at: http://www.gbase.com/gear/crook-telecaster-with-mcvay-b-b-red-paisley#sthash.oAqUZGFi.dpuf

Used 2013 Martin OM-1 GT, Natural

Mortise & tenon neck joint, all solid woods, Sitka Spruce top, Modified Hybrid “X” scalloped top bracing, Sitka Spruce 5/16″ top braces, Sapele back & sides, Rust Stratabond neck  Modified Low Oval neck shape, white Corian nut : Richlite fretboard,  25.4″ scale, 14 Of Frets clear of body,  1-3/4″ nut width, 2 1/4″ fingerboard width at 12th Fret, Pearl “dot” fretmarkers, satin finish back sides and neck, gloss finish top, Richlite belly bridge style, 2-1/4″ string spacing, 16″ radius, compensated Tusq nut,  Chrome enclosed tuners with Small buttons, black pickguard, original 330 hardshell case.

New Tom Anderson Guitarworks Drop Top, Trans Plum

Flamed Maple top, Basswood body, scraped binding, chocolate Maple neck, 25 1/2″ scale, natural gloss headstock, natural satin finish neck, 1 11/16″ nut width, jumbo stainless stell frets, Happy Medium neck carve, Buzz Feiten Tuning System,chrome plated hardware, vintage tremolo, locking tuners Hum-Single- Hum, H1 – SF1 – H3,  5-way add bridge splitter and VA Boost – See more at: http://www.gbase.com/gear/tom-anderson-guitarworks-drop-top-trans-plum#sthash.f5eGl0Q4.dpuf

New Tyler Studio Elite Burning Water – SOLD

Swamp Ash body, Maple neck, Indian Rosewood fretboard, Hipshot locking tuners, 3-ply black pickguard, JTS 2500 single coil pickups (neck and middle) Secret Humbucker (bridge) G2RV bridge, chrome plated hardware, Burning Water finish with bare arm cut, 25 1/2″ scale, 1 5/8″ nut width, ’59 neck carve.

Used 2013 Martin Custom Shop 00-42 Madagascar Custom, Aging Toner

All solid carved woods, premium Madagascar Rosewood back and sides, premium Engelmann Spruce top, Mahogany neck, Ebony bridge and fretboard, dovetail neck joint, hide glue construction, scalloped 5/16″ top bracing, grained Ivoroid bindings heelcap and endpiece, 42 style Abalone top purfling, low profile neck carve, bone nut and saddle, 24.9″ scale, 20 frets (14 clear of body) 1 11/16″ nut width, 45 Style “Snowflake” fret markers, Nitrocellolose lacquer finish (gloss body, satin neck) 2 1/8″ string spacing, gold plated Waverly tuners with “butterbean” buttons, white bridge and end pins with Paua dots, Baggs Lyric active acoustic mic system, Custom Shop 5-ply hardshell case.

Used 2013 Martin Custom Shop 000-14F, Aging Toner

All solid, carved woods, Centuries old “Sinker” Mahogany from Belize, Adirondack Spruce top, Black Ebony fretboard and bridge, 1-piece Mahogany neck, forward shifted scalloped Adirondack Spruce bracing, 24.9″ scale, 1 11/16″ nut width, bone nut and saddle, highly playable modified low oval profile/Performing Artist-taper neck, Ivoroid binding, Herringbone “28” rosette, nickel plated Waverly tuners with “butterbean” tuners,  Abalone “diamond and squares” fretmarkers, faux tortoiseshell pickguard, belly bridge with long “through” saddle, limited edition guitar part of Martin’s August 2013 Custom promotion.

New Suhr Classic Antique SSH, Sonic Blue

Alder body, light aging, Gotoh 510 bridge (2-post, bent saddle, steel block) chrome plated hardware, aged green pickguard, roasted Maple neck (satin finish) Indian Rosewood fretboard, Even C Medium neck carve .840″ – .920″, Tusq nut, 1.650″ nut width, Suhr Locking tuners, 22 heavy nickel frets, clay face and side dots, 5-way switch , volume tone tone, ML Standard single coil pickups, (middle and neck) SSV humbucker (bridge).

Used Lipe Virtuoso 24, Mango Top, Brown Sunburst

Mango top, Mahogany bod,y Rosewood neck and fretboard, single-single-hum, scraped binding, Hipshot locking tuners, 25 1/2″ scale, 1 11/16″ nut width, 5-way volume tone, 7 lbs. 4 oz.

Used 1995 Paul Reed Smith Custom 22, Trans Amber

Carved Maple Quilt top Mahogany back 22 frets Abalone and Pearl “Moon” fretmarkers 10″ radius Rosewood fretboard PRS stop Tailpiece 14:1 low-mass locking tuners Gold plated hardware 3-way pickup selector, volume, tone Coil tap on tone pot Scraped binding, 7 lbs. 6 oz.

New Tom Anderson Guitarworks Drop Top Quilted, Red Surf

Quilted Maple top on Alder body, 25 1/2″ scale, matching gloss headstock, natural satin neck back, 1 11/16″ nut width,  heavy stainless steel frets, Happy Medium neck backshape, Buzz Feiten Tuning System, chrome plated hardware, vintage tremolo. locking tuners, H1 humbuckers (neck) HN2+ humbucker (bridge) 5-way, push-pull for two pickups switching.

Used Fender American Deluxe Stratocaster, Sunset Metallic

Select alder body with contoured heel and body, Maple neck with Rosewood fretboard, C-shaped neck profile, 22 medium-jumbo frets, compound radius fretboard (9-1/2″ at the nut, 12″ at the 12th fret, and 14″ at the 15th fret) three N3 Noiseless single-coil pickups, S-1 switching system, high-mass tremolo block, locking tuning keys, upgraded molded hard shell case.

Used GJ2 Arete 5 Star FR, Mango Pearl

Basswood body • 3-piece Basswood neck, Ebony fretboard with grained Ivoroid binding, 1 5/8″nut width, Pearl “Infinity” inlays, 25.5” scale length, compound neck radiusa 10″ – 14″, 2 humbucking “Habanero™” pickups, controls include: volume, tone and 3-way toggle, Hipshot staggered locking tuners, no pickguard rear rout recessed, original Floyd Rose locking tremolo bridge with locking nut, chrome plated hardware, custom GJ2 hardshell case included.

Used 2009 Fender Custom Shop NOS ’52 Reissue Telecaster HB, Trans Butterscotch

Swamp Ash body, 7 lbs. 5 oz., 1-piece Maple neck, Duncan Humbucker in neck position, 3-way switch, volume, tone, Nickel plated hardware, Kluson style tuners, Nitrocellulose lacquer finish, black Bakelite pickguard, 3 saddle bridge (brass saddles) 25 1/2″ scale, 1 5/8″ nut width, V shaped neck, original tweed hardshell case, strap, certificate and other case candy.

Used 2014 Taylor 816ce, Natural

Grand Symphony body shape, Venetian Cutaway,gloss finish, solid Sitka Spruce top, solid Indian Rosewood back and sides, Tropical Mahogany neck (one-piece) Smoked Ebony fretboard, 15′ radius, MOP fret markers, Pale Maple binding, 20 frets, 25-1/2″ scale, Nickel plated Taylor tuners, Smoked Ebony bridge, Tusq nut, Micarta saddle, 1-3/4″ nut width, 16-1/4″ lower bout, 4-5/8″ body depth, Taylor Expression System 2 electronics.

Used 2010 Benedetto Bravo, Opulent Brown

16″ lower bout, 2 ½” body depth, Venetian cutaway, laminated select Spruce top, laminated flamed maple back, solid flamed Maple sides, parallel Spruce bracing, binding: 3-ply top and back, single-ply fretboard and headstock, Ebony fretboard, 12′ radius, 12th fret abalone floral inlay, 1 ¾” nut width, bone nut, 25″scale, 22 frets, Ebony bridge tailpiece and pickguard, top mounted Benedetto A–6 pickup  (gold) top mounted volume and tone controls, Gotoh gold plated tuners with ebony buttons,gloss nitrocellulose lacquer finish.

New Suhr Classic Antique SSH, Black SOLD

Alder body, light aging, Gotoh 510 bridge (2-post, bent saddle, steel block) chrome plated hardware, aged green pickguard, roasted Maple neck (satin finish), Indian Rosewood fretboard, Even C Medium neck carve .840″ – .920″, Tusq nut, 1.650″ nut width, Suhr locking tuners, 22 heavy nickel frets, clay face and side dots, 5-way switch , volume, tone, tone, ML Standard single coil pickups (middle and neck) SSV humbucker (bridge).

Used 1972 Fender Thinline Telecaster, Mahogany

Semi-hollow Mahogany body with open F-hole, Maple neck with Maple fretboard, 6 saddle bridge, chrome plated hardware, twin Fender® humbucking pickups, 3-way volume tone, 25 1/2″ scale, black dot fretmarker, s 1 5/8″ nut.

Used 2006 Sadowsky LS-17, Caramel Burst

17″ lower bout, 2 3/4″ body depth, 5-Ply laminate flame Maple construction, 25 1/2″ scale,, 1-piece Maple neck, Ebony fingerboard, 1 11/16″ nut width, Ebony bridge pickguard and tailpiece, single-ply binding top and fretboard, black hardware, custom wound vintage PAF style pickup,  black hardware,  original hardshell case.

New Suhr Classic Antique SSH, Surf Green

Alder body, light aging, Nitrocellulose lacquer finish, Gotoh 510 6 screw bent saddles bridge, Chrome plated hardware, aged green 3-ply pickguard, Roasted Maple neck Indian Rosewood fretboard, 9′ – 12′ comp[ound radius, Even C Medium neck carve .840″ – .920″, 1.650″ nut width, Suhr locking tuners,Clay face and side dots, 5-way volume tone tone, ML Standard single coil pickups (neck and middle) SSV humbucker (bridge) deluxe padded gig bag.

Used 2010 Martin GPCPA1, Natural

Mortise/tenon neck joint, Grand Performance 14 fret cutaway body, solid Sitka Spruce top, Abalone soundhole rings, solid Spruce Hybrid ”X” 5/16″ scalloped bracing, solid East Indian Rosewood back and sides, select hardwood neck, bone nut,  solid black Ebony fretboard and bridge,  25.4” scale, 20 frets (14 clear of body) 1-3/4” nut width, ‘ Abalone “Arrow and Squares” position markers, Performing Artist Belly Bridge,  2-3/16” string spacing, 16” radius, gold plated enclosed w/ large buttons tuners, Fishman F1 Aura w/Tuner.

Used 1947 Martin 000-18, Natural

All solid carved woods, Mahogany back and sides Spruce top, 1-piece Mahogany neck, Brazilian Rosewood fretboard and bridge, 24.9″scale, 1 11/16″, Pearl dot fretmarkers.

Used 2006 Sadowsky Jimmy Bruno Model, Sienna Burst

5-ply maple laminate body construction •14 3/4″ Body Width at Lower Bout •2 3/4″ Body Thickness •1 11/16″ Nut Width •Mahogany Neck with Ebony Fingerboard and Cat’s Eye Pearl Inlays •24 3/4″ Scale, 22 Frets, 15 Frets to the Body •Ebony Bridge, Tailpiece and Pickguard •Gold Hardware Gotoh 510 tuners with Ebony buttons Nitrocellulose lacquer finish.

New Tom Anderson Guitarworks Drop Top, Quilted, Trans Caramel

Alder body, quilted Maple top, Chocolate Maple neck (gloss headstock and satin back) 1 11/16″ nut width, heavy stainless steel frets, Feiten Tuning System,, Chrome plated hardware, locking tuners, scraped binding, SC1 (neck) SC1 (middle) H2+ (bridge) 5-way add bridge with splitter, VA Boost25 1/2″ scale, vintage tremolo.

Used 2013 Martin D-18 Golden Era 1934, Natural

Dovetail neck joint, 14 Fret body, solid Adirondack Spruce top, bracing: standard ”X” scalloped (Golden Era Style) forward shifted solid Adirondack Spruce 5/16″, solid Mahogany back and sides, one-piece select hardwood neck, modified V neck shape, bone nut & saddle, solid Brazilian Rosewood headplate, solid Black Ebony fretboard, 25.4” scale, 20 frets, 1-3/4” nut width, Abalone “dot” position markers, Old Style 18 fingerboard binding, Nitrocellulose finish (gloss body, satin neck)solid Black Ebony bridge, 1930s style belly bridge w/ long saddle, 2-5/16” string spacing, 16’’ radius, Waverly Nickel plated tuners w/ Butterbean knobs, interior label signed by CFM IV.

New Tom Anderson Guitarworks Drop Top, Burnished Orange

Quilted Maple top, Basswood body, Chocolate Maple neck and fretboard, Black headstock, 1 11/16″ nut width, Jumbo stainless steel frets, Even Taper neck profile, Feiten Tuning System, Locking tuners, Vintage tremolo, Chrome plated hardware, Single-single-hum pickup configuration, SC1 (meck and middle) H2+ (bridge) 5-way volume tone, Coil tap and VA Booster, G & G deluxe hardshell case.

Used Headstrong Verbovibe 2 x 10″ Combo, Brown

Based on 1963 Vibroverb, 35 Watt Tube powered, 2 channel (Normal/Bright), 100% Hand wired, tube reverb and tremolo, finger jointed pine cabinets, 2 x 12″ Weber Speakers, 2-Button footswitch Control Panel: Normal Channel: Hi/Lo inputs, volume, treble, bass Bright Channel: Hi/Lo inputs, volume, treble, bass, reverb, speed/ intensity (both channels) Back Panel: Power cord, bias Pot, 2A Fuse, power Switch, stand-by switch, 8 ohm speaker jack, 8 ohm X speaker jack ,reverb FS jack, tremolo FS jack, reverb out, reverb in.

Used 2012 Top Hat Super Club Deluxe 1 x 12″ Combo, White

Controls: Fat-Off-Bright Switch, Volume, Treble, Mid & Bass Cut, Master Volume Specifications: 33 Watts – Class A,  Back Lit Top Hat Logo, Tube Rectified- GZ34/5AR4 2 EL 6L6 Power Tubes (EL34 or 6V6 can be used without biasing) 3 Tung Sol 12AX7, Custom Heyboer Transformer,  Celestion G12H30 8 Ohm speaker.

New Tyler Black Classic

Alder body, 2 JTS 5500 single coil pickups, Secret Humbucker in bridge position, 5-way, volume tone, standard ’59 neck shape, .845″ – .975″, .090″ x .055″ frets, 9.5′ – 12′ radius, 1 5/8″ nut width, Quartersawn Maple neck, Indian Rosewood fretboard, Kluson style tuners, Gotoh G2RV bridge, chrome plated hardware, faux Tortoiseshell bridge.

New Suhr Classic T Burled Maple, Bengal Burst

Arm hand and tummy contours, Burled Maple top, Basswood body, black back, scraped bindings, no pickguard – rear rout, Gotoh hardtail six-saddle bridge, Suhr locking tuners, gold plated hardware, Roasted Maple 1-piece neck, Even C Slim neck carve .800″ – .880″, hybrid headstock, Tusq nut, 1.650″ nut width, 22 stainless steel jumbo frets,gloss headstock, Abalone face and side dots, 5-way volume tone, 2 Aldrich humbuckers.

Used 2010 Sadowsky Jim Hall, Caramel Burst

Laminate flamed Maple body, 17″ lower bout, soft Venetian cutaway, single top mounted DiMarzio pickup with top mounted volume and tone controls,  single-piece Maple neck, Ebony fretboard bridge pickguard  tailpiece and headstock overlay, gold plated Gotoh 510 tuners, bindings: 8-ply top 5-ply headstock 4-ply back Single-ply fretboard and F-holes.

New Suhr Antique Classic T, 2-Tone Sunburst

Swamp Ash body, hand contour, light aging, white single-ply pickguard, Wilkinson 3 saddle bridge, chrome hardware, Suhr locking tuners, 1-piece Roasted Maple neck, even C medium neck carve .840″ – .920, 1.650″ nut width, 22 medium stainless steel frets, black face and side dots 3-way switch, volume, tone, Classic T single coil pickups, deluxe padded gig bag

New Suhr Standard Pro, S-S-H, Maple Board, Aged Cherry Burst

Basswood body, arm hand & tummy cuts,  3 1/16″ flamed Maple top, scraped binding, black back, white pearl pickguard, Gotoh 510 bridge with steel block 2 posts, chrome hardware, Suhr locking tuners, Maple neck with Maple fretboard, 10′ – 14′ radius, even C slim neck carve .800-.880″, 1.650″ nut width, 22 heavy stainless steel frets, black face dots and side dots, 5 way volume tone, ML Standard (Neck) ML Standard (Middle) SSH Plus (Bridge) deluxe padded gig bag.

Used Louis Electric KR12, Red

Classification: AB1, fixed bias, output power: 40 watts, speaker:  Celestion Vintage 30,  load 8 Ohms, controls:  Volume, Master Volume, Treble, Bass, Middle, Presence  4 input /4 different gain inputs, damping control, tubes: 2 EL34s 3 12AX7s 1 5AR4​.

New Suhr Classic T Chambered with F-Hole, Trans Butterscotch

Swamp Ash body, chambered with F-hole, black satin pickguard, Wilkinson 3 saddle Classic T bridge, Suhr locking tuners, chrome plated hardware, Maple neck with Maple fretboard, 9′ – 12′ radius, 60’s C Vintage Standard neck carve, 1.650″ nut width, 21 medium nickel frets, black side and face dots, Silent Single Coil II System, 3-way switch volume tone, Classic T single coil pickups.

Used 2009 Fender Custom Shop John 5 Telecaster Yuri Shishkov, Black

New Tom Anderson guitarworks Drop Top, Tiger’s Eye

Used 1999 Gibson Chet Atkins CEC, Natural

Used Gibson Custom Shop ES330L, Tobacco Sunburst

Used ca. 1960’s Ampeg B-15N, Blue Tolex

Used 1966 Guild Starfire Bass Special , 3-Tone Sunburst

Laminate Maple body, 16″ lower bout, 1 3/4″ body depth, 30 3/4″ scale, 1 11/16 nut width, 3-piece Mahogany/Maple/Mahogany neck, double cutaway, 3-ply bindings top and back, Brazilian Rosewood fretboard,  Ebony pickup surrounds and thumb rests, 1 Hagstrom single coil pickup in bridge position, volume and tone controls, Nickel plated hardware, Pearloid “dot” inlays, “Chesterfield” motif and logo. Nitrocellulose lacquer finish.

New Tyler Studio Elite HD, Purple Schmear

Alder body, quartersawn Maple neck with Indian Rosewood fretboard, standard ’59 neck carve, .845″ – .975″, compound 9.5′ – 12′ radius, 1 11/16″ nut width, white pearloid pickguard, Gotoh G6H bridge, mid-boost preamp with bypass, volume tone 5-way, JTS2500 single coil pickups neck and middle, Super humbucker bridge. CUSTOM ORDER, PRE SOLD

New Tyler White Classic

Alder body, quartersawn Maple neck with Indian Rosewood fretboard, standard ’59 neck carve, .845″ – .975″, compound 9′ – 14′ radius, 1 5/8″ nut width, Hipshot locking tuners, Gotoh G2H bridge, chrome plated hardware, JTS2500 single coil pickups neck and middle, Super humbucker bridge.  CUSTOM ORDER, PRE SOLD.

Used D’Angelico (Korea) EX-1 Excel, Natural

Figured Maple back and sides, Spruce top, 3-piece Maple neck, Ebony fretboard bridge and headstock overlays, Abalone and Pearl “split block” fretmarkers, floating humbucking pickup with pickguard mounted volume and tone controls, D’A “stairstep” tailpiece, 25 1/2″ scale, 1 11/16″ nut width, 17″ lower bout, 3″ body depth, Grover “Stairstep” Imperial tuners, bindings:  6-ply top and fretboard , 4-ply back, 3-ply headstock, single-ply f-holes gold plated hardware.

Used 2013 Crook Telecaster, Pink Paisley

New Suhr Modern Pro, H-S-H, Pau Ferro, Whale Blue Burst

Basswood Body, flamed Maple top, Maple neck, Pau Ferro fretboard, scraped binding, no pickguard – rear rout, Gotoh 510 trem – 2 post, stainless steel, chrome plated hardware, 10′ – 14′ compound radius, modern elliptical neck carve .800″ – .850″, 24 stainless steel jumbo frets, black face and side dots, 5-way, volume, tone, SSV humbucker (neck), ML single coil (middle), SSH+ humbucker (bridge).

Used 1966 Gibson ES120T, Iced Tea Sunburst

Used Fender Custom Shop 1995 ’50’s Stratocaster Relic, Mary Kaye Blonde

First year of issue for Fender Relics! Relic job by Vince Cunetto, 1-piece figured Maple neck, Swamp Ash body, 5-way, Volume, tone, tone, single-ply white pickguard, Nitrocellulose lacquer finish, gold plated hardware, Kluson style tuners, 25 1/2″ scale, 1 5/8″ nut width.

Used 2011 Gibson J-200 New Vintage, Sunburst

Hide glue construction, Adirondack spruce top, figured Maple back and sides, 3-piece Maple neck, rounded profile, 1.725″ nut width,
mother of Pearl logo and crown in headstock, aged bone nut and saddle, faux Tortoise shell pickguard with dots and flowers, hand sprayed Nitrocellulose lacquer finish, compound dovetailed neck joint, Rosewood fretboard, 25 1/2″ scale, 12′ radius
Mother of Pearl “Crown” fretmarkers, gold plated Gotoh “Keystone” tuners with 14:1 ratio, Rosewood “Moustache” bridge, OHSC with all case candy and COA.

Used Martin 2008 000-42M Eric Clapton Ltd. Ed., Natural

All solid carved woods, Madagascar Rosewood back and sides, Carpathian Spruce top, 1-piece Mahogany neck, Rosewood fretboard, 24.9″ scale, 1 3/4″ nut width, Bone nut and saddle, compensated saddle, faux tortoiseshell pickguard, 42 Style Abalone top, Abalone fretmarkers, Clapton signature at 12th fret and headstock “torch”, Ebony “belly” bridge, grained Ivoroid binding top back fretboard and headstock, open back nickel plated Waverly tuners with grained Ivoroid buttons, factory installed Fishman Eclipse electronics.

Used Gibson 1967 ES330 TD, Cherry

Thinline (fully hollow) Maple body, 1-piece Mahogany neck, Brazilian Rosewood fretboard, Pearloid block markers, single bound top back and fretboard, 2 chrome covered P-90 single coil pickups, 4-ply plastic pickguard, 3-way, 2 volume 2 tone, Tune-o-matic bridge with nylon saddles, chrome plated hardware, trapeze tailpiece, 24 3/4″ scale, 1 9/16″ nut width, Gibson Kluson style tuners, recent black hardshell case included.

Used Fender 1964 Jaguar, 3-Tone Sunburst

Alder body, 1 piece Maple neck, Brazilian Rosewood fretboard, 2 single coil Jaguar® pickups, 24″ scal,e 1 11/16″ nut width, Kluson style tuners, Nitrocellulose lacquer finish, Clay dot fretmarkers.

Used Fender Custom Shop Robben Ford Elite, Trans Black

Sold quick-fast

Used Suhr 2010 Michael Landau Clasic, 3-Tone Sunburst

Alder body, Maple neck with Indian Rosewood fretboard, 21 medium nickel frets, 60’s C Vintage neck carve .830″ – .950″, 7.25′ radius, Tusq nut Fender 6 screw bent saddles trem, 1.650″ nut width, chrome plated hardware, tortoise pickguard, Gotoh Kluson style tuners, volume tone tone Rear/bridge and bridge/middle no cap/resistor, 5-way, Silent Single Coil System, 3 JST Fletcher Landau single coil pickups, gloss headstock.

New Tyler Studio Elite HD, Burning Water

SOLD

Used Fender 1974 Stratocaster Hardtail, Sunburst

6 lbs. 11 oz., Alder body, Maple neck with Rosewood fretboard, “dot” fretmarkers, 25 1/2″ scale, 1 5/8″ nut width, chrome plated hardware, Peter Florence pickups, back of neck refinished.

New Tyler Custom Order Studio Elite HD, Psychedelic Vomit

SOLD

Used Stromberg Monterey, Trans Amber

Laminate Maple back and sides, laminate Spruce top, 1-piece Maple neck, Rosewood fretboard, adjustable Ebony bridge, 24 3/4″ scale, 1 11/16″ nut width, 16 1/2″ lower bout, 11 3/4″ upper bout, 2 7/8″ body depth, 14′ radius, bound faux tortoiseshell pickguard, floating Kent Armstrong pickup, gold plated hardware, pearloid “block” fretmarkers, bindings:     5-ply top, back, fretboard, headstock, pickguard, single-ply f-holes.

Used 1994 Fender (Japan) Telecaster Custom with Bigsby, 3-Tone Sunburst

Ash body, I-piece Maple neck, Rosewood fretboard, Fender Bigsby, 2 single coil pickups, 3-way volume tone, single-ply binding top and back, 25 1/2″ scale, 1 5/8″ nut width, nickel plated Kluson style tuners.

Used Crook Telecaster, Silver Sparkle

Swamp Ash body, Nitro finish, Maple neck with Maple fretboard, 25 1/2″ scale, 1 11/16″ nut width, bone nut, black “dot” position markers, 6 lbs. 5 oz., black & white checkered binding, 3-saddle bridge, two Tele pickups, 3-way switch volume tone.

Used Klein Electrics, Trans Black Cherry

Ergonomic body shape, Swamp Ash body, Rosewood neck and fretboard, twin humbucking pickups, 3-way switch, single volume and tone controls, 25 1/2″ scale, 1 5/8″ nut width, Steinberger S-Trem, black MOTS pickguard, headless design.

Used 2013 Godin Multiac SA Nylon, Natural

High-gloss finish, solid spruce top, chambered mahoganybody,  1-piece Mahogany neck, Ebony fingerboard, 16″ radius,  25-1/2″ scale, 1-7/8″ nut width,  1/4″ analog and 13-pin synth outputs, custom RMC electronics, made in Canad, Acrylic Lacquer finish,  22  frets,  mini dots  fretmarkers, original Godin Gig bag.

Exceptional Deal on Two Hand Crafted Archtops – Napolitano Primavera, McKerrihan Monks Model

Either one of these two hand crafted archtops can be purchased for the crazy low price of $2795. They are both 17″cutaways, blonde and feature all solid hand carved woods, nitro finish and floating pickups.

New Sadowsky NYC Standard “S” Style, Natural

Mahogany body, flamed Spruce top, Amazon Rosewood fretboard on Maple neck, Sadowsky preamp, 25 1/2″ scale, 1 5/8′ nut, hum-single-hum, Sperzel locking tuners.

Used Gibson ca. early 1950’s L50, Sunburst

Laminate body, Maple back and sides, Spruce top, 1-piece Mahogany neck, Brazilian Rosewood fretboard and bridge, 16″ lower bout, single-ply binding top back and fretboard, replaced tuners and added Bigsby (all else original with OHSC) 24 3/4″ scale, 1 11/16″ nut width.

Used 2012 Martin HD-28V, Natural

All solid carved woods, Sitka Spruce top, scalloped forward shifted bracing, Indian Rosewood back and sides, Ebony fretboard and bridge, 25.4″ scale, 1 3/4″ nut width, bone nut and saddle, Abalone diamond and square fretmarkers, herringbone purfling, nickel plated open back Waverly tuners.

New Suhr Custom Classic T, Spalted, Natural

Alder body with Spalted Maple top, 1-piece Maple neck with Rosewood fretboard, contoured body, 25 1/2″ scale, 1 5/8″ nut, 2 Suhr ML Classic pickups (middle and neck) Classic T pickup (bridge) Hipshot locking tuners, gold plated hardware, 5-way volume tone, black pickguard, black back. This one sold immediately. I left it up because it’s too darn pretty to delete.

Used 2010 Martin Custom Shop 00 Indian Rosewood

14 fret body, all solid carved woods, Indian Rosewood back and sides, Sitka Spruce top, Ebony fretboard and bridge, 1-piece Mahogany neck, pyramid style bridge, compensated saddle, bone nut and saddle, grained Ivoroid binding on top back and fretboard, small pearl “dot” position markers,24. 9″ scale, 1 11/16″ nut width, herringbone soundhole ring nickel plated open back Waverly tuners.

Used Sadowsky 2005 Jim Hall Signature, Vintage Natural

16″ laminate flamed Maple body, soft Venetian cutaway, one-piece Maple neck, Ebony fretboard bridge tailpiece and pickguard, Nitrocellulose lacquer finish, gold plated hardware, propietary DiMarzio humbucking pickup (top mounted) top mounted volume and tone controls, Gotoh tuners with Ebony buttons, 1 11/16″ nut, 25″ scale, bindings: 6-ply top     4-ply back     2-ply headstock     1-ply fretboard.

New Suhr Pro Series M6 Modern, Bengalburst

2-piece Basswood body, flame Maple top, Maple neck, Maple fretboard, Modern Elliptical neck carve, .880″ .850″, compound 10′ – 14′ radius, jumbo stainless steel frets, Gotoh 510 2-post bridge with solid saddles and steel block, chrome hardware, side jack, no pickguard – rear rout, volume tone 5-way, SSV humbucker (neck), ML Standard single coil (middle), SSH+ humbucker (bridge), scraped binding.

New Tyler Burning Water 2K

Mamywo body, Maple neck, Rosewood fretboard, 2 JST 5500 single coil pickups, Secret humbucker in bridge position, 5-way volume tone midboost with bypass, standard ’59 neck carve, .845″ – .975″, compound 9.5′ – 12′ radius, 1 5/8″ nut, .110″ x .055″ fretschrome plated hardware, Hipshot locking tuners, Gotoh G6RV bridge.

Used 2003 Engel 15″ Archtop, Sunburst

Laminate Spruce top, laminate flamed Maple back and sides,  5-piece flamed Maple neck with Mahogany inserts, Ebony fretboard, 2 humbucking pickups, 3-way, 2 tone, 2 volume, Venetian cutaway, stop tailpiece, Tune-o-matic style bridge, 15″ lower bout, 25 1/2″ scale, 1 11/16″ nut, 2 3/8″ body depth, chrome plated hardware, Schaller tuners, 3-ply w/b/w binding on top and  fretboard, single-ply binding on back, 22 jumbo frets.

New Tyler Burning Water 2K

Mamywo Body, 6 lbs. 13 oz. ! quartersawn Maple neck, Indian Rosewood fretboard, black/white/black pickguard, single-single-hum, 2 JTS5500 single coil pickups, 1 Super humbucker in bridge position, 5-way switch master volume midboost control master tone, midboost preamp with bypass button, standard ’59 neck shape .845″ – .975″, 110″ x .055″ frets, 9.5′ – 12′ compound radius, 1 5/8″ nut width, Hipshot locking tuners, Gotoh G6RV bridge.

Used Music Man John Petrucci JP6 Limited Edition, Dargai Green

Basswood body, custom John Petrucci floating hardened steel tremolo with solid steel saddles, piezo bridge with solid steel saddles, 25-1/2″ scale, 15′ radius, 24 stainless steel frets, 1-11/16″ at nut, 2-1/4″, Maple neck with Rosewood fretboard, dot fretmakers, gunstock oil and hand-rubbed special wax blend neck finish, Schaller M6-IND locking tuners with pearl buttons, 5 bolt neck, 3-way toggle pickup selector,  3-way toggle piezo/magnetic selector, neck pickup: DiMarzio LiquiFire, bridge pickup: DiMarzio Crunch Lab.

Used 2010 Paul Reed Smith Starla Limited Edition, Gold Metallic

Bigsby B5 tail piece,  Grover Tune-O-Matic bridge, exclusive Starla Treble and Bass pickups, solid mahogany body, 24.5” scale, rosewood fingerboard, a solid mahogany neck, dot fretmakers, uniquely shaped black plastic pick guard, tone and volume controls and a three-way pickup selector.

New Suhr Andy Wood Modern, Infernoburst

Quilted Maple top, Mahogany body, 1-piece Mahogany neck, Pau Ferro fretboard, Modern Eliptical neck shape, .780″ – .830″, 16′ radius, matching figured headstock, 1.650″ nut width, Gotoh 510 2-post bridge with steel block, jumbo stainless steel frets, Sperzel locking tuners, 5-way, volume, tone, push-pull for parallel bridge pu, DSV humbucker (bridge) DSH+ humbucker (neck), scraped binding, Mother of pearl logo on gloss headstock, D-Thing.

New Guitarcraft by Comins GCS-1AE Spruce Top, Violinburst

14 5/8” lower bout width, 1 5/8” body depth, laminated Spruce top, laminated Sapele back and sides, 1-piece Eastern Mahogany neck, Rosewood fretboard,  12” radius, 24.75” scale, 1.70” nut width, dot position markers, medium C neck shape, 2 custom wound Kent Armstrong humbucking pickups, 3 way toggle switch, (2) volume and (2) tone controls, push/pull pot converting both pickups to single coil, chrome hardware, Wilkinson tuners, smooth 19:1 gear ratio, multi-ply ivory/black bindings on peghead neck top and back.

Used Steve Andersen ca. 2003 Streamline, Natural

All solid hand carved woods, flamed Maple back and sides, Spruce top, 3-ply flamed Maple neck with Ebony insert, Ebony fretboard bridge and pickguard, metal tailpiece, floating humbucking Armstrong pickup with pickguard mounted volume   control, single-ply black binding on top back and fretboard, 17″ lower bout, 2 13/16″ body depth, 25 1/2″ scale, 1 11/16″ nut width, black Schaller tuners.

Used Heritage 1987 H-207 DD, Sunburst

A rare model for all you Heritage heads out there. Carved flamed Maple cap on Mahogany body, 1-piece Mahogany neck, Rosewood fretboard, stop tail with Tune-omatic style bridge, single-single-hum pickup configuration, single-ply top binding
, raised plastic pickguard, sharp “poke you in the eye” headstock, Pearl dot fretmarkers, 6-on-a-side tuners, Schaller tuners, , 12 1/2″ lower bout, twin Florentine cutaways.

Used Harmony ca. 1965 H75, Sunburst

Beautiful all original condition with OHSC, 3 DeArmond pickups, flamed laminate Maple body, on/off toggle for each pickup, volume and tone for each pickup, adjustable Brazilian Rosewood bridge, open back Grover tuners, Brazilian Rosewood fretboard with pearloid “block” fretmarkers, 1-piece Maple neck, bindings: 6-ply top, single-ply fretboard and back, 16″ lower bout, 2″ body depth, 24″ scale, 1 3/4″ nut width, faux tortoiseshell pickguard and headstock overlay.

Used Fender 1988 Telecaster (Corona) Blonde

Alder body, 4-bolt neck, one-piece Maple neck, white dot fretmarkers, 6 saddle bridge, OHSC (thermoplast).

New Suhr Guthrie Govan Modern Set Neck, Brown Stain

Mahogany body and neck, Pau Ferro fretboard, modern eliptical neck carve .800″ – .850″, 16′ radius, 1.650″ nut width, 24 jumbo stainless steel frets, 510 2-post bridge with solid steel saddles, chrome plated hardware, side jack, no pickguard (rear rout) volume tone 5-way blower switch push-pull coil tap, SSV humbucker in neck, ML Standard single coil in middle, SSH+ in neck, mother of pearl logo, Tremol-No, GG laser engraved signature

Used Gibson 2011 J-45 Standard, Sunburst

All solid carved, Mahogany back and sides, Sitka Spruce top, 1-piece Mahogany neck, Rosewood fretboard and bridge, pearl dot position markers, slope shouldered dreadnaught body, 24 3/4″ scale, 1 11/16″ nut width, nitrocellulose lacquer finish.

New Tom Anderson Guitarworks Crowdster 2 Plus, Roswewood

Mahogany Body with Indian Rosewood top, 1-piece Mahogany neck with Indian Rosewood fretboard, 1.73″ nut width, acoustic style Ebony bridge with Anderson EQed LR Baggs piezo pickup, Kluson style split shaft tuners, gold hardware, CMA-N and CMA-B magnetic pickups, 3-way electric acoustic both, electric and acoustic volume, treble middle and bass controls.

New Teuffel Antonio, White

Yes Antonia is finally here! Honduran Mahogany body and neck, single interior tone chamber, six external sound chambers, 12′ radius, 24 3/4″ scale, Ziricote fingerboard headstock cover jack plate cover bridge and binding, Gotoh Stealth tuners, The pickup is 7.3 k ohms with AWG 42 wire and an Alnico 2 magnet which is hand-weakened to make the tone more mellow, volume tone push-pull pickup splitter, neck through.

Used 2010 Adamas by Ovation, 2080 NWT, Black

25 1/4″ scale, 1 11/16″ nut, Ebony bridge and fretboard, 1-piece Mahogany neck, Schaller tuners brushed metal with Ebony buttons, VIP-5 preamp, Deep Bowl, Cutaway.

Used 2006 Sadowsky Jim Hall Signature, Vintage Natural

16″ laminate flamed Maple body, soft Venetian cutaway 1-piece Maple neck, Ebony fretboard bridge tailpiece pickguard, Nitrocellulose lacquer finish, gold plated hardware, proprietary DiMarzio humbucking pickup (top mounted), top mounted volume and tone controls, Gotoh tuners with Ebony buttons, 1 11/16″ nut, 25″ scale.

New Tyler Burning Water 2K

Mamywo body, quartersawn Maple neck with Indian Rosewood fretboard, Mid-boost preamp with bypass button, standard ’59 neck carve, 1 5/8″ nut width, 9.5′ – 12′ compound radius, Super humbucker, JTS5500 single coils, black pickguard, volume tone and midboost, Hipshot locking tuners, G6RV bridge, chrome hardware, .110″ x .055″ frets.

Used Cook Esquire with G Bender, Paisley

25 1/2″ scale, 1 5/8″ nut width, clear pickguard, Maple neck with Maple fretboard, black dot fretmarkers, Macy G bender, 3-position switch, volume, tone.

New LsL Instruments Bad Bone 1 Korina with Binding, Trans Amber

Korina body, LsL humbucker in neck position, LsL T pickup in bridge position, single-ply grained Ivoroid binding top and back, 1 5/8″ nut width, 25 1/2″ scale, single-ply white pickguard, 9.5′ radius, 1-piece Korina neck, Rosewood fretboard, large C neck, push-pull coil tap, minimal aging.

Used 2012 Gibson Custom Shop Les Paul Custom, Black

Used 2007 Benedetto Benny, Honey Blonde

Carved-top chambered solid body, 14 ½” lower bout, 2″ body depth, Florentine cutaway, select, carved Spruce top, Mahogany body, Ivoroid bindings, Ebony fretboard, 12′ radius, 12th fret Abalone floral inlay, 1 piece Mahoany neck,  25″ scale, 1 11/16″ nut, 22 frets, tune-o-matic style bridge with stop tailpiece, gold hardware, 2 Benedetto A-6 pickups, 3-way tone volume, Gotoh tuners with Ebony buttons, Nitrocellulose lacquer finish.

 

Used 2005 Taylor T5 C1, Tobacco Sunburst

Sapele back and sies, flamed Maple top, Saplele neck, 5-way switch volume ton tone, Ebony fretboard and bridge, Pearl and Abalone “Spires” fret markers, bone nut and saddle, gold plated Taylor tuners, Venetian cutaway, gloss finish, 24 3/4″ scale, 1 11/16″ nut.

Used 2002 Martin 000-16S RGT

All solid woos, Mahogany back and sides, Sitka Spruce top, Ebony fretboard and bridge, 24.9″ sale, 1 3/4″ nut width, chrome plated tuners, pearl dot fretmarkers, slotted headstock, upgraded with bone nut and pearloid tuner buttons.

New Comins Guitarcraft GCS-1 Maple Top, Vintage Natural

Laminate Sapele back and sides, laminate Spruce top, sides/internal block structure are routed from a solid wood core, Mahogany neck, Macassar Ebony fretboard, 14 1/2″ lower bout, 1 3/4 body depth, twin humbucking pickups, chrome plated hardware, 3-way 2 volume 2 tone, stop tailpiece with Tune-o-Matic style bridge, 3-ply plastic pickguard, multi-ply binding top & back, sinle-ply binding, fretboard headstock & f-holes.

New Comins Guitarcraft GCS-1 Spruce Top, Violinburst

Laminate Sapele back and sides, laminate Spruce top, sides/internal block structure are routed from a solid wood core, Mahogany neck, Macassar Ebony fretboard, 14 1/2″ lower bout, 1 3/4 body depth, twin humbucking pickups, chrome plated hardware, 3-way 2 volume 2 tone, stop tailpiece with Tune-o-Matic style bridge, 3-ply plastic pickguard, multi-ply binding top & back, sinle-ply binding, fretboard headstock & f-holes.

Used ca. 1998 Steinberger GM-7SA, Trans Amber

Alder body, figured Maple top, double cutaway, H-S-H pickup configuration, EMG pickups, active electronics, S trem, 25 1/2″ scale, 1 5/8″ nut width, 24 frets.

Used 1976 Gibson Johnny Smith, Tobacco Sunburst

All solid carved woods, Spruce top, flamed Maple back and sides, 5-piece Maple neck, Ebony fretboard, pearl split diamond headstock inlay and split block fretmarkers, 25″ scale, 1 11/16″ nut width, 17″ lower bout, soft Venetian cutaway, gold plated hardware, Kluson “Keystone” tuners, floating Johnny Smith pickup with pickguard mounted volume control, faux tortoiseshell pickguard, multi-ply bindings, Ebony bridge with pearl inlay.

Used 2012 Tom Anderson Guitarworks Classic, 2-Tone Sunburst

Alder body, Maple neck with Indian Rosewood fretboard, chrome plated hardware,  25 1/2″ scale, 1 5/8″” nut width,  Feiten tuning system, medium stainless steel frets, 60’s Vibe neck carve, Vintage Tremolo bridge, VA7 VA7R VA7+ single coil pickups, 5-way, add bridge with splitter, VA Booster.

Used 2006 Sadowsky LS-17 prototype, Caramelburst

17″ laminate Maple body,  2 13/16″ body depth, soft Venetian cutaway, 1 piece Maple neck,  Ebony fretboard bridge tailpiece pickguard and headstock overlay, 1 proprietary DiMarzio  humbucking pickup in neck position (black) gold plated Gotoh tuners with Ebony buttons, Bindings:   8-ply top   1-ply fretboard and f-holes   5-ply headstock   3-ply back,  25 1/2″ scale, 1 21/32″ nut width, bone nut.

New Ribbecke Guitar Corp. Chambered Solid Body Halfling, Amberburst

SOLD Lacewood body, Cedar top, 3-piece Maple neck, Ebony pickguard and headstock overlay, Lacewood rear headstock overlay, 14″ lower bout, 1 19/32″ body depth, 25″ scale, 1 3/4″ nut width, 1 25/32″ width at 12th fret, Florentine cutaway, Grover Rotomatic tuners, Tune-o-Matic bridge, stop tailpiece,  chrome hardware, 3-way volume tone.

Used Gibson Custom Shop 2006 ES355, Black

Laminate Maple 16″ double cutaway body, one-piece Mahogany neck, Ebony fretboard, 24 3/4″ scale, 1 11/16″ nut width, twin humbucking pickups, gold hardware, Grover tuners, stop tailpiece, Tune-o-matic bridge, 3-wat switch 2 volume and 2 tone controls, faux tortoiseshell pickguard, pearl block fretmarkers and split diamond headstock motif.

Used Gibson 1976 Les Paul Standard, Wine Red

Duncan Pearly Gates pickups, replaced tuners, Maple body, one-piece Mahogany neck, Indian Rosewood fretboard, pearloid trapezoidal position markers, 24 3/4″ scale, 1 11/16″ nut width, nitrocellulose lacquer finish.

New Larrivee OM-03 Walnut, Natural

All solid carved woods, Walnut back and sides, Canadian Sitka Spruce top, 1-piece Mahogany neck, Indian Rosewood fretboard, 25.4″ scale, 1 3/4″ nut width, chrome plated tuners, satin finish.

Used Gibson 1980 ES175 CC, Sunburst

16″ laminate Maple body, 3-ply laminate Maple neck, Indian Rosewood fretboard, 24 3/4″ scale, 1 11/16″ nut width, pearloid double paralellogram fretmarkers, chrome hardware, trapeze tailpiece, Guild replacement tuners, wooden replacement bridge, bound fretboard.

 

Used Fender 2001 American Hot Rodded Precision Bass, Sunset Orange Transparent

Swamp Ash body, Rosewood fretboard 34″ scale, 1.625″ nut width, 20 frets, Bartolini pickups, 4-ply faux tortoisesell pickguard, 2 volume and master tone, rolled fretboard edges, dleuxe top loaded bridge.

Used Tone King Imperial, White & Red

20 watts, 1 x 12″ speaker, (2) 6V6, (4) 12 AX7, (1) 5AR4, 2 channels (lead and rhythm), volume trable bass on lead and volume tone and mid-bite on rhythm, tube driven full sized 2 spring reverb, dovetail jointed Birch cabinet, 30 lbs, 22 wide x 10: deep x 19″ tall.

Used Alessando 2008 Italian Reverb w/ Mahogany Cabinets

All tube amplifier tweaked for jazz players, 1 x 12″ Celestion Bulldog speaker, open back cabinet, 60 watts, (2) 6550, (2) 6SL7, (1) 6ls7 for reverb, Black Gate caps.

Used Taylor 2006 T5 S1, Red Edgeburst

Sapele back, sides and neck, figured Maple top, T-5 bracing, Ebony fretboard and headstock overlay, gloss finish, chrome tuners, Venetian cutaway, pearl dot position markers, bone nut and saddle, top mounted magnetic pickup and piezo, side mounted 5-way switch, top mounted volume bass and treble controls, chambered body.

Used Comins CGS-1, Tobacco Sunburst

Laminated flamed Maple body, 1-piece Mahogany neck, Rosewood fretboard, twin humbucking pickups, chrome hardware, 3-ply plastic pickguard, pearl dot position markers, Wilkerson tuners with Ebony buttons, 24 3/4″ scale, 1 11/16″ nut, 3-way with 2 volume and 2 tone, stop tailpiece, Tune-o-matic style bridgebound fretboard.

Used Collings Model 290 DC, Trans Cherry

Solid Mahogany Body, high Gloss Nitrocellulose Lacquer Finish, Rosewood Fingerboard, Ebony Peghead Veneer, grained Ivoroid Dot Fingerboard Inlays, “Dog Ear” P90-style Pickup by Jason Lollar, hand set mortise and tenon neck joint, 24 7/8″ Scale Length, 50’s Style Wiring, 12″ Fingerboard Radius, Tone Pros bridge and tailpiece, Gotoh SG301 Tuners with Ivoroid buttons.

Used JazzKat JP-100 John Pizzarelli Model Prototype, Tweed

2 channel, 1 x 8″ speaker, 16 preset effects, effects level, gain bass middle treble per channel, master volume, 23 lbs, phone line out stereo, send and return, XLR out,  switchable voltage,  recessed handle.

Used Taylor 2000 914ce, Natural

Grand Auditorium, all solid, carved woods, Indian Rosewood back and sides, Spruce top, 1-piece Mahogany neck, Ebony fretboard and bridge, 25.4″ scale, 1 3/4″ nut width, fancy “Cindy” Abalone inlays, 42 style top Abalone, Florentine cut.

Used Fender Custom Shop 1992 Custom Esquire Ltd. Ed., Sherwood Green

# 6 of 100, super birdseye Maple neck, slab cut Rosewood fretboard, 3 saddle bridge, 25 1/2″ scale, 1 5/8″ nut, Nitro finish, comes with: 2nd pickguard for conversion to Tele, ashtray, polish cloth, strap, cable, certificate, hang tags, O Brown HSC.

Used Rickenbacker 1990 Model 325, Jetglow (Black)

Semi-hollw body, short scale (21″), 3 Hi-Gain pickups, Rosewood fretboard, 3-way, 2 volume, 2 tone, blend.

Used LsL Saticoy Sugar Pine, Surf Green

6 lbs. 7 oz., Sugar Pine body, Rosewood fretboard, thin Nitro finish, medium Relic, hand wound LsL pickups, hand carved neck, 7.25″ radius, 25.5″ scale.

New Tom Anderson Guitarworks, Drop Top Classic, Tiger’s Eye

Basswood body with quilted Maple top, Chocolate Maple neck, gloss headstock, satin back, 1 5/8″ nut, jumbo frets, even taper neck profile + .30″, Feiten tuning system, locking tuners, SC1, SC1 single coils, HC3 humbucker in bridge position, 5-way, add bridge, splitter, VA booster.

Used Fender 1969 Thinline, Natural

Insanely light 5.5 lbs., Ash body, one-piece Maple neck with skunk stripe, 3 saddle bridge, 25.5″ scale, 3-ply MOTS pickguard, 3-way switch, volume, tone 4-bolt neck.

Used Fender Telecaster Elite, White

Alder body, maple neck with Rosewood fretboard, active electronics, 3-way switch, 2 volume, 2 tone, 6 saddle bridge, drop in string loading, bound top, 25 1/2″ scale.

Used 2002 Fender Custom Shop Telecaster, 3-Tone Sunburst

Birdseye Maple neck with Rosewood fretboard, 7 lbs. 8 oz., modern 6 saddle bridge, 3-ply white pickguard, 25 1/2″ scale, chrome plated hardware.

Used 2002 Fender Custom Shop Esquire Reissue, Ice Blue Metallic

One-piece flamed Maple neck with skunk stripe, Nitro finish, single-ply white pickguard, 3 saddle bridge, 25 1/2″ scale, Kluson style tuners, original tweed hard shell case.

Used Martin 2003 5-15, Natural

Tiny 11 1/8″ body, all solid woods, Mahogany body, 1-piece Mahogany neck, Indian Rosewood fretboard and bridge, 12 fret body, solid headstock, 21 1/4″ scale, 1 3/4 nut, no pickguard, no binding, pearl dot markers.

Used Martin 2002 000-17S, Natural

All solid woods, Mahogany body, one-piece Mahogany neck, Ebony fretboard and bridge, 12 fret body, slotted headstock, faux tortoise pickguard and binding, gold plated tuners with pearloid buttons, 1 3/4″ nut, 24.9″ scale.

Used Taylor 2008 714ce, Sunburst

All solid carved woods, Indian Rosewood back and sides, Sitka Spruce top, single-piece Mahogany neck, Ebony fretboard and bridge, 16″ lower bout, soft Venetian cutaway, 25.4″ scale, 1 3/4″ nut width, Abalone soundhole ring, gold plated tuners, wood binding, Pearl dor position markers.

Used Gibson 2011 Ltd. Ed. Short Scale Thunderbird IV Bass, Matte Black

Mahogany body and neck, Rosewood fretboard, black hardware, two pickups, black hardware, reverse body

Used Epiphone (Korea) Casino Tobacco Sunburst

Laminate Maple double cutaway body, 16″ lower bout, one-piece Mahogany neck, Rosewood freboard, 24 3/4″ scale, 1 11/16″ nut, 2 chrome P90 pickups, trapeze tailpiece, tune-o-matic style bridge, chrome plated hardware, pearl paralellogram position markers, 3-way, 2 volume, 2 tone, single-ply binding front back and fretboard.

 

New LsL Topanga, Trans Butterscotch

Swamp ash body, Maple neck with Indian Rosewood fretboard, 2 P90 pickups, stop tailpiece, 3-way pickup selector switch, 2 tone, 2 volume, Kluson style tuners, nickle plated hardware, set dovetailed neck,
nitrocellulose lacquer finish, 24 3/4″ scale, 1 11/16″ nut, bone nut, white dot position markers, 6 lbs. 9 oz.

Used Paul Reed Smith 1988 Custom 24, Dark Amber Violin

Old style “solid” bird fretmarkers, twin humbuckers, flamed Maple 10 top on Mahogany body, one -piece Mahogany neck, Indian Rosewood fretboard, stop tailpiece, nickle plated hardware, Schaller tuners.

Used Sadowsky 2006 LS-17 Prototype, Caramel Burst

17″ laminate flamed Maple body with soft Venetian cutaway, 1-piece Maple neck, Ebony fretboard, bridge, pickguard and tailpiece, 25 1/2″ scale 1 23/32″ nut, 2 3/4″ body depth, Vintage PAF style top mounted humbucker, black hardware, original blue hardshell case.

Used Crescent Moon 2005 Hollow Body, Natural

Mahogany body with Sitka Spruce top, one-piece Maple neck, Ebony fretboard, nitrocellulose lacquer finish on body, hand-rubbed tung oil finish on neck, Sperzel locking tuners, gold plated hardware, 2-way truss rod, 2 graphite reinforcement bars, string-through body, twin Duncan Seth Louver pickups, 3-way, volume andf tone with push-pulls to split coils, 25″ scale 15′ radius,.

Used Tom Anderson Guitarworks Crowdster Plus, Tiger’s Eye Burst

Hollow Mahogany body with quilted Maple top, scraped binding, belly bridge, single piece Mahogany neck, Indian Rosewood fretboard, matching headstock, Anderson EQ’d L.R Baggs piezo, small stainless steel frets, 24 3/4″ scale, 1.73″ nut width, split shaft tuners, chrome plated hardware, 3-way switch (acoustic/Electric A & E), volume acoust., volume electric, bass, middle and treble acoust.,stereo/mono

Used Benedetto 2008 Benny, Honey Blonde

Chambered Mahogany body with Spruce top, Ebony fretboard, one-piece Mahogany neck, 1 11/16″ nut, 25″ scale, single bound top, stop tailpiece, twin top mounted Benedetto A6 humbucking pickups, gold plated hardware, 3 way pickup selector switch, volume and tone controls, Ebony knobs, Gotoh tuners with Ebony buttons.

Used Epiphone ca. 1967 Triumph Regent, Sunburst

100% original, insane 9.5 condition, 16″ Maple body with Spruce top, Brazilian Rosewood fretboard, 1 piecew Mahogany neck, pearl diamond position markers, soft Venetian cutaway, floating Johnny Smith pickup, 24 3/4″ scale, 1 11/16″ nut, 3 3/8″ body depth, nickle plated hardware, Kluson double line double ring tuners,

New Suhr Hollow Classic T with F-Hole, Trans Butterscotch

Ash body (hollow with F-Hole), Roasted Maple neck, Even C Fat neck carve, 9′ – 12′ radius, heavy frets, 1.687″ nut, chrome plated hardware, black matte pickguard, side jack, P90 neck, T bridge pickup, Silent single coil System.

New Suhr Modern Spalted Maple Top, Honeyburst

Basswood body with Spalted Maple top, 1 piece Roasted Maple neck, moder eliptical neck carve, Floyd Rose trem, jumbo stainless steel frets, 1.650″ nut, chrome hardware, Sperzel locking tuners, no pickguard – rear rout, JST ML single coil, JST Aldrich pickup in bridge position, scraped binding, 24 fret neck.

Used 2012 Martin OMJM John Mayer Signature Model, Natural

All solid, carved woods, Indian Rosewood back and sides, Sitka Spruce top, Ebony fretboard, single piece Mahogany neck, Abalone soundhole ring, pearl position markers with pearl John Mayer signature at 12th fret, herringbone top purfling, nickle plate open back Waverly tuners, 1 3/4″ nut, 25.4″ scale.

Used Gibson Custom Shop 2004 Class 5 Les Paul Standard, Trans Cherry

Mahogany body with flamed Maple top, 1-piece Mahogany neck with Indian Rosewood fretboard, pearloid trapezoidal position markers, 24 3/4″ scale, 1 11/16″ nut, 3-way 2 volume 2 tone, nitrocellulose lacquer finish.

New Suhr Pro Series S3, Fireburst

Basswood body, Flamed Maple top, Maple neck with Indian Rosewood fretboard, Even C Slim neck carve,heavy frets, Gotoh 510 2 post solid saddle trem with steel block, 1.650″ nut, Hipshot locking tuners, Fletcher-Landau single coils (20, SSH+ humbucker in bridge position, scraped binding.

 

New Suhr Pro Series S4, Trans Whale Blue

Basswood body, 3/16 flamed Maple top, 1-piece Maple neck, Even C slim neck carve, heavy frets, 1 650″ nut width, Hipshot locking tuners, (2) JST Fletcher-Landau single coil pickups, JST SSH+ humbucker in bridge position.

New Suhr Landau Classic S-S-H, 3-Tone Sunburst

Alder body, Maple neck with Indian Rosewood fretboard, 2 Fletcher-Landau single coils, SSV humbucker, 60’s C vintage medium neck carve, medium frets, parchment pickguard, SSC II, gloss headstock, Fender 6-screw, bent saddle tailpiece.

Used Paul Reed Smith 2009 Hollow Body II, Amber Burst

Flamed laminate Maple body, Rosewood fretboard, Paua bird fretmarkers, twin humbucking pickups, chrome plated hardware, stop tailpiece.

Used L.R. Baggs Core 1 Acoustic Reference Amplifier

New, advanced Honeycomb speaker technology, wide sound stage dispersion

Used Raezer’s Edge Stealth 12

Tweaked specifically for jazz guitar, 12″ speaker in ported cabinet, 33 lbs.

Used Acoustic Image Clarus 1R Series II

400 watts in 5.2 lb. package, single channel, notch filter, 4 band EQ, level and master, super accurate sound reproduction

Used Martin 1949 00-18

Great condition, all original, fabulous sounding. That’s all she said!

Used Santa Cruz Guitar Company 1997 OM Indian

All solid, hand carved wood, Indian Rosewood back and sides, Sitka Spruce top, Ebony fretboard and bridge, herringbone purfling and rosette, bone nut and saddle, 1 3/4″ nut width, 25.4″ scale.

Used Gibson 1961 GA-5 Skylark, White

Insanely great condition, Replaced speaker with original Jensen provided (still works fine). New tubes and A/C cable.

Used Fender 1958 Champ, Tweed

Insane condition. Entirely original down to the tubes! One of the best examples I’ve run across. Screams too.

Used Fender ca. 2010 USA Precision Bass 5 String, 3-Tone Sunburst

Super clean with OHSC. Hey – it’s got an extra string!

New Tyler Black Classic

Alder body, JST 5500 single coils (2) Secret humbucker in bridge position, G2RV bridge, 9.5′  to 12′ compound radius, 1 5/8″ nut width, tortoise pickguard.

Used LsL 2009 Saticoy, Surf Green, Sugar Pine

Super lightweight Sugar Pine body, Indian Rosewood fretboard, LsL hand wound pickups, 7.25′ vintage radius, Nitro finish, light relic job.

Used Danelectro 1965 Vinnie Bell Hornet, Brown Burst

Two “lipstick tube” pickups, 3 knobs and 4 switches – ooooweee! With “Vincent Bell” emblazoned on the 3D plastic pickguard.

Used Sadowsky 2011 SS-15, Violin Burst

Flamed laminate Maple body, Ebony fretboard, bridge, tailpiece, headstock veneer and pickguard, 25 1/2″ scale, 1 3/4″ nut width, 1 3/4 body depth, single top mounted humbucker, Nitro finish.

Used Benedetto 16-B, Opulent Brown

Part of Bob’s Professional Series, made by Bob himself, hand carved solid woods, Spruce top, flamed Maple back and sides, 16″ lower bout, Nitro finish, 25 ” scale, 1 3/4″ nut width, 2 1/2 depth.

Used Rickenbacker 1998 Model 330, Jet Glow

Semi-Hollow body, 2 Hi Gain pickups, dot fretmarkers, hardtail “R” tailpiece

Used Reinhardt 18 head only, Charcoal

18 watts, Marshall style crunch

New Tyler Burning Water 2K

Mamywo body, quartersawn Maple neck with Indian Rosewood fretboard, Hipshot locking tuners, 2 JTS 5500 single coil pickups, Tyler Super humbucker in bridge, midboost preamp with bypass button, G6RV bridge, black pickguard.

Used Martin 2008 LX 175th Anniversary

A “Little Martin’ with cool stenciled graphics of CF and other Martin historiana. Also a pretty good little guitar.

Used Fender 2011 American Standard Jazz Bass, 3-Tone Sunburst

Maple neck with Rosewood fretboard, 3-ply tortoise pickguard, modern C shape neck, 20 medium jumbo frets, 9.5′ radius, 34″ scale 1.5″ nut, 2 Custom Shop 60’s Jazz Bass single coil pickups, chrome hardware.

Used Fender American Deluxe Stratocaster SSH, Sunset Metallic

Ash body, one-piece Maple neck, Abalone dot fret markers, S-S-H, 9 1/2′ to 12′ compound  radius, modern C neck shape, N3Vintage noiseless single coils, 21 medium jumbo frets, S-1 push button for 2 additional pickup combos, beveled heel, locking tuners, 2 point trem, LSR roller nut, mint 3-ply pickguard.

Used Nettuno Parlor Guitar ca. 1915

Restored by Phil Petillo, Mahogany back and sides, Sitka Spruce top, one-piece Mahogany neck, slotted headstock, Ebony fretboard, pearl dot position markers, passive piezo pickup.

New Bourgeois Ricky Skaggs Dreadnaught, Natural

Mahogany back and sides, Premium Sitka Spruce top, one piece Mahogany neck, Ebony bridge and fretboard, 25.5″ scale, 1 23/32″ nut width.

Used G & L ca. 1992 ASAT Classic Semi-Hollow, Natural

9.9 of 10 condition, Ash body with F-hole, birdseye Maple neck, 25 1/2″ scale, 1 5/8″ nut width.

Used Gibson ca. 1935 L-30, Black

Excellent all original condition, reglued braces reglued center seam and rim to back, all top notch professional work, 15″ lower bout, 24 3/4″ scale, 1 3/4″ nut width, bog ol’ V neck.

Used Martin 1994 000-28 EC

9.8 of 10 condition, 24.9″ scale, 1 3/4″ nut width, all solid carved woods, Sitka Spruce top, Indian Rosewood back and sides, one-piece Mahogany neck, Ebony fretboard and bridge.

Used Palen 2003 17″ Archtop, Tangerine Sunburst

9.9 of 10 condition, all solid, carved woods, flamed Maple back and sides, Spruce top, 5-piece flamed Maple and Ebony neck, Ebony fretboard, bridge, tailpiece, pickguard and headstock overlayfloating Palen pickup with pickguard mounted volume and tione controls, 25″ scale, 1 3/4″ nut width.

Used D’Aquisto Jazz Line, Vintage Natural

16″ laminate flamed Maple body with soft Venetian cutaway, Ebony fretboard, bridge, tailpiece pickguard and headstock overlay, top mounted humcker in neck position, pearl block fretmarkers, 24 3/4″ scale, 1 11/16″ nut width.

New K-Line Springfield, Dakota Red

Alder body, Indian Rosewood fretboard, Lollar Dirty Blonde single coil pickups, 10′ radius, medium C neck.

Used 2005 Sadowsky Jim Hall Signature, Vintage Natural

Dead mint condition, 16″ body with soft Venetian cutaway, laminate flamed Maple body, one-piece Maple nech, Ebony fretbard, bridge, tailpiece and pickguard, 1 3/4″ nut width, 24 3/4″ scale, top mounted DiMarzio humbucker.

Used ca. 1987 Steinberger GM7SA, Trans Amber

9.5 of 10 condition, Alder body with flamed Maple top, bolt-on carbon graphite neck, stainless steel frets, H-S-H configuration, EMG pickups, S-trem.

Used Guild M-20

9.9 of 10 condition, Mahogany back, sides and top, 1-piece Mahogany neck, Indian Rosewood fretboard and bridge, 24.9″ scale, 1 11/16″ nut widthfaux tortoise pickguard, open back nickle plated Waverly tuners.

Used Martin 2012 D-28

Mint condition save for some superficial scratching on pickguard, all solid woods, Indian Rosewood back and sides, Sitka Spruce top, 1-piece Mahogany neck, Ebony fretboardsand bridge, 24.9″ scale, 1 11/16″ nut width.

Used Soloway Gosling, Trans Orange

Dead mint condition, chambered Ash body with flamed Maple top, 1-piece Maple neck with flamed Maple fretboard, flamed Maple heastock overlay, 27″ scale, 1 11/16″ nut width, Lollar Firebird pickups.

New LsL Bad Bone 2, Black

Nitrocellulose lacquer finish, twin LsL humbuckers, Swamp Ash body, 1 piece Maple neck, cut bridge, 7.25′ radius.

Used Sadowsky 2008 Jim Hall Signature, Sienna Burst

Dead Mint condition, 16″ flamed laminate Maple body with soft Venetian cutaway, neck slimmed to 1 5/8″, 24 3/4″ scale, Ebony fretboard, bridge, pickguard and tailpiece, nitrocellulose lacquer finish, top mounted DiMarzio humbucker.

Used Suhr 2011 Pro Series S3 Honey Amber Burst

Dead mint condition, Basswood body with flamed Maple top, Maple neck with Indian Rosewood fretboard, even C slim neck carve, SSH+ and SSV humbucking pickups, Sperzel locking tuners, Gotoh 510 bridge, 1.65″ nut width.

New Tom Anderson Guitarworks Drop Top, Natural

Basswood body with flamed Maple cap, Maple fretboard, rear rout (no pickguard)

Used 2008 Breedlove C25 Custom Master Class Flamed Koa, Cedar

Dead mint condition, All solid, hand carved woods, flamed Koa back and sides, Cedar top, one piece Mahogany neck, Ebony fretbaord and bridge, Bloodwood bindings, 41 style top Abalone, Abalone “Sea Leaves” fret markers.

New Tyler Black Classic

Alder body, quartersawn Maple neck with Indian Rosewood fretboard, 1 5/8 nut, ’59 standard neck carve.

Used Martin 1999 HD28, Natural

9.8 of 10 condition, invisibly repaired side crack, a few minor scratches, all solid, carved wood, Indian Rosewood back and sides, one-piece Mahogany neck, Ebony fretboard and bridge, 25.4″ scale, 1 11/16″nut, bone nut and saddle.

Used Gibson 2001 ES135 WR, Wine Red

Used Sadowsky 2010 Jimmy Bruno, Vintage Natural

Used Martin 2010 000-28 EC

New Andrew White Model E65 Indian Rosewood, Adirondack Spruce

Used Guild D55

9.9 of 10 condition. All solid woods, Indian Rosewood back and sides, Spruce top, one-piece Mahogany neck, Ebony fretboard and bridge, Abalone soundhole ring, fancy Abalone and Pearl “block V” fretmarkers.

Used Bourgeois JOMC Claro Walnut Engelmann

Dead mint condition, all solid hand carved woods, Claro Walnut back and sides, Engelmann Spruce top, soft cutaway, 15 1/2″ lower bout, single-pice Mahogany neck with Ebony fretboard, diamond and square fretmarkers.

Used Gitane DG300 John Jorgensen

Dead mint condition. Laminte body construction, Indian Rosewood back and sides, Spruce top, petite Bouche soundhole.

New Tom Anderson Guitarworks Drop T, Jack’s Pacific Blue

Quilted Maple top on Basswood body with scraped binding, hard rock Maple neck with satin finsh, even taper neck profile, 1 5/8″ nut width, 25 1/2″ scale, jumbo nickle frets, Feiten tuning system, HF1, SF1, H1+ pickups.

Used Fender Eric Johnson Stratocaster, 2-Tone Sunburst

Dead mint condition with all case candy. 2 piece Alder body, thin Nitro finish, 12′ radius, Custom Shop designed pickups.

Used Heritage 1997 H535, Almond Sunburst

9.8 of 10 condition (a few small nicks and scratches) 16″ laminate Maple body, 24 3/4″ scale, 1 11/16″ nut width.

Used Rickenbacker 2000 Model 330, Fireglow

Dead Mint condition, Hi-Gain pickups, original hard shell case

Used Gibson ES335 TD ca. 1974,75 TD, Cherry

Excellent condition, original except for Grover tuners, with newer hard shell case.

New Tom Anderson Guitarworks Drop Top Sweet and Sour Sauce Red

S Style guitar, flamed Maple top on Alder body, Hard Rock Maple neck, scraped binding, 1 5/8″ nut, jumbo frets, even taper oversized neck (add .030″) locking tuners, SC1, SC! HC3 (bridge position) 5 way, add bridge, VA Boost.

Used Nash S63 2011 Sonic Blue

Dead mint condition (it’s a relic so you have to trust me on this) Rosewood fretboard, 10″ radius, Alder body, medium Relic, mint pickguard, OHSC.

Used Gibson Memphis Custom Shop ES 355 B.B. King Lucille 2008, Cherry

Dead Mint condition, Varitone disconnected and rewired for Mono, all original parts are present and can easily be returned to fully original condition, 24 3/4″ scale, 1 5/8″ nut width, Ebony fretboard with pearl block position markers, semi-hollow body construction, 16″ laminate Maple body, fancy pearl “Lucille” logo inlay on headstock, gold hardware.

Used Gibson les Paul Jr. 2001 Tobacco Sunburst

8.9 of 10 condition, after market gig bag, 24 3/4″ scale, 1 11/16″ nut width, 1 P90 pickup in bridge position

Used Silvertone Mahogany Small Jumbo, Sunburst

Very Good + Condition, crack free, great neck angle, straight neck, finish crazing overall, Mahogany back and sides, Spruce top, one-piece Mahogany neck, Brazilian Rosewood fretboard and bridge, 16″ lower bout, 25″ scale, 1 3/4″ nut width.

Used D’Aquisto Jazz Line, Violin Burst

16″ laminate flamed Maple body with Venetian cutaway, one piece Maple neck, Ebony fretboard, bridge, tailpiece, pickguard and headstock overlay, pearl block fret markers, gold plated hardware, 1 top mounted humbucking pickup in neck position, 24 3/4″ scale , 1 11/16″ nut width, single-ply binding top, back, fretboard and headstock.

New Unger Instrument Co. Model TD, Black

Twin Lollar humbuckers, Bigsby Tailpiece, one-piece Mahogany neck, Ebony fretboard,  Tone Pros Tune-O-Matic style bridge, pearl dot fretmarkerschrome plated hardware, Gotoh 510 tuners.

Used Tom Anderson Guitarworks 2003 Hollow T Drop Top, Trans Black

Quilted Maple on Alder, Hardrock Maple neck with Madagascar Rosewood fretboard, matching headstock,  1 11/16″ nut width, heavy frets, chrome plated hardware,  5-way switch, mini splits 1 – 4, pull adds bridge, vintage voicing, pickups = SA1R, SA1, H2+.

Used Fender (Mexico) Custom Telecaster Sonic Blue

9.8 of 10 condition, humbucker in neck position, white pickguard, original gig bag

New Unger Instrument Co. Model TD, Seafoam Green

One piece Mahogany neck, birdseye Maple fretboard, angled headstock, twin Lollar P90 pickups, Tone Pros stop tailpiece and Tune-O-Matic style bridge, chrome plated hardware, Gotoh 510 tuners, 6 lbs. 6 oz.

Used G & L Legacy

Strat style body, “Finger paint” style finish, matching headstock, locking tremolo, Rosewood fretboard, with pearl dot fretmarkers, 25.5″ scale, 1 11/16″ nut width.

Eastwood Airline Tuxedo, Copper

Twin P90 pickups, 13″ lower bout, Rosewood fretboard with pearloid block fretmarkers, open back Waverly style tuners, trapeze tailpiece with Tune-o-matic style bridge.

Used D’Angelico (Vestax) NYL-4 Sunburst

Made in Japan, 19″ lower bout, solid Spruce top, flamed Maple back and sides, Ebony fretboard with pearl split block fret markers, floating pickup, fancy DA headstock with finial, stairstep tailpiece.

Used Roland Jazz Chorus 77

Excellent condition, wheels included, manual too

Used Breedlove C25 CRH

All solid, carved woods, Indian Rosewood back and sides, Cedar top, one-piece Mahogany neck, Ebony fretboard and bridge, herringbone top purfling, Abalone soundhole ring, 15 1/2″ lower bout, 1 3.4″ nut width, 25.4″ scale, pinless 2 piece bridge, onboard elctronics with soundhole mounted volume and tone controls, strap pin added

Used Gibson Custom Shop Class 5 Les Paul Standard, Trans Cherry

Weight reliefed, flamed Maple cap on Mahogany body, Rosewood fretboard, 24 3/4″ scale, 1 11/16″ nut width

Used Fender 1956 Stratocaster, 3-Tone Sunburst

Refretted, all else original, Swamp Ash body, Maple neck, well worn but not abused

New Suhr Guthrie Govan Antique Modern, Two-Tone Tobacco Sunburst

Basswood body, 3/16″ plain Maple top, roasted Maple neck with Maple fretboard (satin finish), modern eliptical GG neck carve, .800″ – .850″, 16″ radius, Tusq nut, jumbo stainless steel frets, Gotoh 510 2 post, bent saddle bridge with steel block, 1.650″ nut width, Chrome hardware, Sperzel locking tuners, no pickguar (rear rout), Volume, tone, 5-way (both hums split), p/p neck split, Blower Switch, side jack, JST SSV  neck, JST ML single coil middle, JST SSH+ hum bridge, medium aging, Tremol-No

New Comins GCS-1 Spruce Top Autumn Burst

14 1/4″ laminate mahogany body, pressed Spruce top, semi-hollow, Ebony fretboard,  1 3/4″ body depth, twin humbuckers, Tune-o-matic style bridge with stop tailpiece

New Comins GCS-1 Natural

Mahogany body, laminate flamed Maple top, twin humbuckers, 14 1/8″ lower bout, 1 1/2″ deep

Used Raezer’s Edge NY8 Speaker Cabinet

Near mint condition, 8″ speaker, lightweight and portable, great with Acoustic Image heads, amde in 2003 by Rich Raezer

Used AER Compact 60

Excellent plus condition, 60 watts, 14 lbs. coaxial 8″ speaker, incredibly clean acoustic sound reproduction

Used Acoustic Image Clarus 2R Series 2

Excellent plus condition, 800 watts of power in a 5 1/2 lb. box, 2 channels with reverb

Used Bogner Goldfinger 45 Head

Head only, 45 watts, black covering, footswitch, cable and custom cover included, Mint condition

New Suhr Classic Burgundy Mist

Alder body, AAAA Roasted Birsdeye Maple neck, gold hardware, Abalone logo and dots, 3 JST ML single coil pickups

New Comins GCS-1 Tangerine Burst

The latest fom Bill Comins. Designed by Bill, executed in Korea by Comins trained builders, 14 1/2″ body, 1 11/16″, 24 3/4″ scale, push-pull coil tap, laminate body, Mahogany back and sides with flamed Maple top, single-piece Mahogany neck, Rosewood fretboard

New Rasmus by Suhr Guthrie Govan Signature Modern

Mahogany body and neck, hum-single-hum, Indian Rosewood fretboard

Used Gibson 1974 L5S, Cherry Sunburst

8.6 of 10 condition, all original, solid, three piece flamed Maple body, L5 tailpiece, L5 appointments

Used Gibson 1979 L5S, Natural

8.6 of 10 condition, all original, solid, 3 piece flamed Maple body, TP6 tailpiece, L5 appointments

Used Gibson 1972 Les Paul Deluxe Goldtop

8.3 of 10 condition, refretted, tuners replaced with Grovers, two plugged midi pickup holes, OHSC

Used Gibson 1974 20th Anniversary Les Paul Custom Natural

8.6 of 10 condition, all original, OHSC

Used Gibson 2002 Faded SG Brown

Satin, “faded” finish, super lightweight, twin humbuckers, early cersion with “Crescent Moon” fretmarkers

Used Gibson 2003 SG Supreme Lava Burst

Fancy “Custom” style split diamond headstock inlay, Ebony fretboard, cool sideways sunburst

New Tyler Studio Elite HD Quilt-Top, Jimburst

Alder body, Maple neck and fretboard, Hipshot locking tuners, white pearl pickguard, JTS5 single coil picksups, Super Humbucker, mid-boost preamp with bypass button, G6H bridge, quilted Maple bent top, scraped binding.

Used 2008 Benedetto Bambino Antique Sunburst

9.9 of 10 condition, laminate Maple body, twin A6 Benedetto humbuckers, no soundholes, Ebony fretboard, bridge, tailpiece and pickguard

Used Galloup Borealis

9.9 of 10 condition, Indian Rosewood, Bearclaw Spruce, 16″ body, beveled armrest

New Tyler Studio Elite HD Hazmat Schmear

Mamywo body, Maple neck and fretboard, Hipshot locking tuners, JTS5 Single coil pickups, Supercharged Studebaker humbucker, mid-boost preamp with bypass button, G6H bridge.

Used Gretsch 1978 Roc Jet Mercedes Black

Mahogany body, 1-piece Mahogany neck, Rosewood fretboard, neo classical fret markers, twin DiMarzio humbuckers, Badass bridge, chrome plated hardware, 1 11/16″ nut width, zero fret.

Used Fender (Mexico) Standard Telecaster

Dead mint condition (paper still on pickguard), Swamp Ash body, faux Tortoise pickguard, non-original gig-bag

Used Galloup Borealis Indiian Rosewood

All solid, hand carved woods, Indian Rosewood back and sides, bearclw Sitka Spruce top, 1-piece Mahogany neck, Ebony fretboard, bridge and headstock overlay, bone nt, saddle and bridge pins, soft cutaway, Chrome plated Gotoh 510 tuners, beveled arm rest, 16″ lower bout, 4 7/8″ body depth, radial back bracing, active piezo pickup.

Used Martin 2004 D42

9.5 of 10 condition, Indian Rosewood back and sides, Spruce top, abalone trim on top, fretboard extension and soundhole, 1 11/16″ nut width, 24.5″ scale.

Used Moll Express Bari-Bass 8 String

All solid, hand carved woods, flamed Maple back and sides, Spruce top, 5-piece Maple/Ebony neck, Ebony fretboard, bridge, pickguard and headstock overlay, 18″ lower bout, soft cutaway, “Solo” style sound holes, 28″ scale, Honey Blonde finish, 9.3 of 10 condiion.

Used Tom Anderson Guitarworks Cobra Tiger’s Eye Burst

Flamed Maple top on Mahogany body, one-piece Mahogany neck with Indian Rosewood fretboard, matching headstock, 1 11/16″ nut width, low rise frets, happy medium neck carve, Feiten Tuning System, fixed bridge, GC1 and HC2 humbuckers, V Boost, push pull to splt middle positions

Used 1967 Fender Telecaster Black

Replaced pickguard, 2 saddles, 5 string ferrules, all else original, cool Black finish with lot’s of checking

Used 2006 Gibson Reverse Firebird V Polaris White

Dead mint condition. Reverse Mahogany body with neck through construction, chrome hardware, twin Firebird pickups, Rosewood fretboard with pearloid trapezoid al fretmarkers.

Used 2010 Benedetto Bravo Opulent Brown

Custom color, 16″ laminate Maple body, one piece Maple neck, Ebony fretboard, bridge, pickguard, tailpiece and headstock overlay, 25″ scale, 1 3/4″ nut widthgold plated tuners with Ebony buttons, 3-ply binding top and back and single-ply binding on fretboard and headstock

Used 2002 Langejans Grand Concert Koa Cedar

Langejans also makes guitars for Thom Bresh! One of the best players on ther planet. All solid, hand carved woods, flamed Koa back and sides Cedar top , L.R. Baggs pickps system, Abalone soundhole ring, Abalone Rose inlaid in headstock

Used Sergei De Jonge 2002 Standard Steel String Flamed Redwood, Burled Bubbinga

This one warrants two photos!

Used Sergei De Jonge 2006 Standard Steel String Figured Bubbinga with Flamed Redwood

Talk about insane wood! You mustn’t gaze upon this one for too long for fear you will struck sightless by it’s beauty. Flamey Redwood top and crazy burled Bubbinga back and sides. All solid and hand carved by one of the most highly respected builders.

Used Stephen Andersen 2002 Silver Line One Off

This is the Prototype for Andersens Gold Line, 17″ archtop, natural finish with slightly darker edges, Maccassar Ebony trim

Used 2008 Benedetto Benny, Honey Blonde

Mint Condition, Savannah made, twin Benedetto humbuckers, Honey Blonde nitro finish, Maple top on Mahogany body, one piece Mahogany neck

Used 2008 Gibson SG Special

Dead Mint Condition, 2 p90’s, all Mahogany body and neck

Used Santa Cruz 2008 OM PW Mahogany/ Alpine Spruce

The PW stands for “Pre War” so it’s got advanced X bracing and V neck. Also, beautifully grained Mahogany back and sides, Alpine Spruce top, 1 3/4″ nut, 25.4″ scale, Ebony fretboard on a single piece Mahogany neck.

Used Fender Custom Shop ’63 Relic

Sherwood Green, large frets, 10′ radius, Rosewood freboard, mint pickguard, with all case candy

New Tyler Black Classic

Alder body, Rosewood fretboard on quartersawm Maple neck, JTS 5500 single coil pickups, Tyler Secret humbucker, deluxe Tyler HSC

Used Fender 1964 Jazz Bass 3-Tone Sunburst

All original save for missing bridge cover, well worn original finish.

Used Gibson 1992 ES350T Sunburst

9.6 of 10 condition (a few light scratches, a tiny bit of plating wear on metal parts)Laminate Flamed Maple body, 3 piece Mahogany neck, Indian Rosewood freboard, twin humbucking pickups, 16″ single cutaway body, 1 11/16″ nut width, 25 1/2″ scale

Used Langejans Koa Grand Concert

Dead mint condition, all solid, hand carved woods, Cedar top, Flamed Koa back and sides, non-cutaway, Purpleheart bindings, Mahogany neck, Ebony fretboard and bridge, active Baggs Duet 2 electronics, Abalone soundhole ring, Abalone rose inlay on headstock, Pearl rose inlays on bridge, 1 3/4″ nut width, 25.4″ scale

New Tyler Studio Elite HD Jimburst

Quilted Maple top on Alder body, an insanely light 6 lbs. 9 oz., Maple neck and freboard, Hipshot locking tuners, white M.O.T.S pickguard, JTS5 Hot Laura single coils, Super Humbucker in bridge position, mi-boost with bypass, Scraped binding, G6H bridge

Used Rickenbacker 1971 Model 450 Mapleglo

Stunning 9.9 condition, all original with original hard shell case, 2 toaster top pickups, “cresting wave” body, neck through design

Used Victoria Double Deluxe amplifier Tweed

30 Watts RMS into 4 ohm load, 2 x 12″ Eminence Legends, (4) 6V6, (1) 5Y3 recifier tube, (1) 5AR4, (1) 12AX7, (1) 12AY7, 9.9 condition

 

New Tom Anderson Guitarworks Classic Ice Blue Metallic

Alder body, Maple neck, small 50’s V neck carve, 1 5/8″ nut, Feiten tuning system, locking tuners, vintage tremolo, VA7, VA7R, VA7 single coil pickups, 5-way, add bridge, VA boost

New Suhr Andy Wood Modern Dark Inferno Burst

Super quilted Maple top on Mahogany body, one piece Mahogany neck, Pau Ferro fretboard, DSV and DSH+ humbuckers, Sperzel locking tuners, Sperzel “D Thing” for drop D tuning, 16′ radius, Modern eliptical neck carve

Used G & L ASAT Classic Blues Boy Semi-Hollow

Semi-hollow Swamp Ash body, Duncan Seth Louver humbucker in neck and G & L single coil in bridge, Maple fretboard, “as new” condition (paper still on pickguard)

Used Gibson 1968 LG0

Excellent player, all original condition, all Mahogany body, Brazilian Rosewood fretboard, adjustable ceramic saddle

Used 1988 Paul Reed Smith Custom 24, Dark Anber Violin

“10 top” (but I call it an 11), birds, tremolo, double black humbuckers

Used 2010 Benedetto Americana, Antique Sunburst

One of Bob’s “Flagship”, all solid, hand carved and graduated, nitrocellulose lacquer finish, top mounted Benedetto B6 pickup, deluxe binding package

Used Fender (Japan) Mustang Bass, Olympic White

The Japanese made version of the old standby

Used Taylor 2000 955 12 String, Natural

Top of the line Taylor 12, Spruce top, Indian Rosewood back and sides, “Cindy” inlay, Abalone top purfling

Used 2008 Benedetto Bravo Honey Blonde

Mint condition, 16″ laminate body archtop with soft Venetian cutaway, top mounted Benedtto A6 humbucking pickup, 1 3/4″ nut width, 25″ scale

Used 2008 Benedetto Bravo

Honey Blonde, 16″ laminate Maple body, soft Venetian cutaway, top mounted Benedetto A6 pickup

Used Benedetto Bravo

Honey Blonde, laminate Maple body, top mounted Benedetto A6 Humbucking pickup, soft Venetian cutaway

Used Ibanez Pat Metheny PM20

Natural finish, 16″ laminate Maple body with nice figure, one piece mahogany neck, soft Venetian cutaway, top mounted Super 58 humbucking pickup, Ebony fretboard and bridge base

Used Ibanez Pat Metheny PM100

16″ laminate Maple hollow body, one piece Mahogany neck, top mounted Super 58 humbucker, Black finish, Ebony fretboard and bridge, 24 3/4″ scale

Used 1999 Galloup Big Mitten Maple

Slope shouldered dreadnaught, all solid, hand carved woods, flamed Maple back and sides, Bearclaw Sitka Spruce top, one piece Mahogany neck, Ebony fretboard and bridge, 25.4″ scale, 1 23/32″ nut width

New L.R. Baggs Acoustic Reference amplifier

200 watt aoustic instrument amplifier, 9″ flat honeycomb-diaphagm speaker, 4-band EQ, Garrett-Null notch filter,

Used Sadowsky Vintage S-Style

Surf Green, Ash body, Maple neck with Maple fretboard, Sadowsky preamp (mid-boost and gain-boost), Sperzel locking tuners

New Rasmus by Suhr Guthrie Govan Signature

Based on Suhr’s Modern body style. African Mahogany body and neck, natural satin finish, H-S-H (SSH+, FL SSV) 16′ radius, push-pull coil tap

Used Comins Chester Avenue

2001, dead mint condition, hand crafted, all solid carved woods, 17″ archtop, Violin Sunburst, Venitian cutaway

New LsL Saticoy

Sugar Pine body, 1-piece Maple neck, 2-Tone Sunburst

New Unger Instrument Company Model TD

Mahogany body, One piece Mahogany neck, Ebony fretboard, Lollar Imperial Humbuckers, Bone nut, 22 frets, 1 11/16″ nut width, Scale: 24 3/4″, Nitrocellulose lacquer finish.

1966 Fender® Jazz Bass®

1966 Fender® Jazz Bass® Dakota Red finish in very good condition.  Missing thumb rest, tailpiece cover, pickup cover. All else original.  Comes with original hard case.

Gitane John Jorgensen DG 320 – New

Gitane John Jorgensen DG 320 in Vintage tint.  This unique and custom design guitar combines all the playability of a traditional long scale “petite bouche” instruments, with the power of the original Maccaferri large mouth D-hole design.

Tom Anderson Hollow Classic T – New

Tom Anderson Guitarworks Hollow Classic T in a Shoreline Gold finish. Most beautiful, super light, sounds like from heaven and imortal playabilty. Other than that it’s merely okay. Hard Rock Maple neck Tinted neck finish.

Tyler Studio Elite HD – New

Tyler Studio Elite HD in an Arctic Mint Schmear finish! Alder body Quartersawn Maple neck with Maple fretboard Abalone dot fret markers Hipshot locking tuners JTS 2500 single coil pickups Tyler Super humbucker Midboost preamp with bypass button.

2004 McCurdy Perfecta

2004 McCurdy Perfecta with a Tobacco Sunburst finish in Dead Mint Condition.  If you’ve never played a guitar made by New York City luthier Rick McCurdy you really have been deprived of one hell of a playing experience.

K-Line Springfield – New

K-Line Springfield 3-Tone Sunburst with Alder body, Lollar Dirty Blonde pickups and Maple neck with a rosewood fretboard.  Comes with a hard case.

1988 Fender® American Standard Telecaster®

1988 Fender® American Standard Telecaster® Blonde finish near mint 9.5 of 10 Condition (a few superficial scratches mostly on pickguard).  comes with a gig bag.

1996 Fender® 50th Anniversary Stratocaster®

1996 Fender® 50th Anniversary Stratocaster® black finish nearly mint 9.8 condition (entirely original condition, some normal scratching on pickguard)

1966 Fender® Mustang®

1966 Fender® Mustang®  Red in very good plus condition (finish checking, some clearcoat worn off – mostly around armrest area, normal scratches and dings overall)

1965 Fender® Stratocaster®

1965 Fender® Stratocaster®  Lake Placid Blue in Very Good Plus Condition (5-way switch, normal finish wear, some areas through finish, finish wear on neck and fretboard, missing trem arm, comes in newer tweed case)