New Arrivals – Updated 5/18/17

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For additional information please call  (908) 301-0001 or email us at

We carry the following lines of guitars and amps: James Tyler Guitars, John Suhr Guitars, Tom Anderson Guitarworks, Larrivee Guitars, K-Line Guitars, LsL Instruments, Teuffel Guitars, Bourgeois Guitars,  Acoustic Image Amplifiers,  Raezer’s Edge Speaker Cabinets, AER Amplifiers,  Gitane Gypsy Jazz Guitars,  JazzKat Amplifiers and Bill Comins Guitars,JG2 Guitars, Louis Electric Amplifiers, Custom Audio Amplifiers and Buzz Feiten Guitars. We also carry all brands of quality pre-owned instruments.  We are constantly updated this “New Arrivals” page, so please check regularly.

To view the fine instruments we recently sold click here: Recently Sold Instruments


Used Bill Moll 7 String Archtop

Used Kevin Peterson

Highly figured Koa body and headstock overlay, one-piece figured mahogany neck, PRS wide/fat neck carve, Macassar ebony fretboard tuner buttons pickup rings bridge base, knobs and tailpiece, 24 jumbo gold frets, Brazilian rosewood binding, Brazilian rosewood and rippled green abalone purflings throughout, Paua Abalone side dot markers, 2 Seymour Duncan pickups, 3-way switch, control X, split coil, gold plated hardware, Gotoh Delta Series 510  tuners, vintage bone (unbleached) nut and saddle, original hardshell case included

Used Gibson 2007 SG Standard ’61 Reissue, Trans Cherry

New Henriksen “The Bud”, Black

New Larrivee P-03R, Natural Satin

All solid carved woods, Indian Rosewood back & sides:, itka Spruce top, 1-piece Mahogany neck, Ebony fretboard, bridge and, atop hardshell case, 24″ scale, 9.5″ upper bout, 7.75″ waist, 13.25″ lower bout, 4.5″ body depth, 1-3/4″ nut width, 2-7/32″, tortoise pickguard, chrome plated Larrivee tuners

Used Gibson 2000 L5 CES Wes Montgomery, Vintage Sunburst

All solid, carved woods, flamed Maple back and sides, Spruce top, Ebony fretboard, 25 1/2″ scale, 1 11/16″ nut width, 17″ lower bout, top mounted humbucking pickup in neck position, soft Venetian cutaway, 3-way, 2 volume, 2 tone, pearl flower pot headstock motif and logo, multi-ply bindings, original hardshell case included

Used JazzKat Tom Kat, Black

Used Gretsch Model 6128T EE Duo Jet Elliot Easton Signature, Cadillac Green

Mahogany body, arched Maple top, Rock Maple neck, bound Ebony fretboard, 25″ scale, 13.25″ lower bout
1 3/4″ body depth, Neo Classical position markers, dual Filter-Tron pickups with ceramic magnets, 3-way pickup selector, , volume neck pickup, volume bridge pickup, master volume, 3-way tone switch, Sperzel locking tuners, Bigsby vibrato tailpiece, gold plated hardware, Tune-o-matic style bridge, graphite nut, original hardshell case included

Used Torres Amps, Champ Style, Tweed

New Tyler Amps JT46 Combo, Tweed

New Suhr Alt-T Pro, Black

Chambered Alder body, gloss body finish, satin neck finish, Wilkinson 3 saddle chopped T bridge, faux tortoiseshell, Classic T shorty pickguard, chrome plated hardware, Maple neck with extra tint, Even C Medium neck carve (.840″ – .920″), Indian Rosewood fretboard, 9″ – 12″ compound radius, 22 medium stainless steel frets, clay face and side dots, 1.650″ nut width, Suhr locking tuners, 2 Thornbucker pickups (raw nickel plating), 5-way blade pickup selector volume tone, deluxe padded gig bag

Used Bugera Vintage 22, Black

Used Taylor 2005 314ce Ltd. Ed. Cedar/Rosewood, Natural

25-1/2″ scale, Tusq nut/micarta Saddle, forward shifted bracing pattern with relief rout, Indian Rosewood truss rod cover, black pickguard, 20 frets, Taylor nickel plated tuners, Taylor deluxe hardshell case, 16″ lower bout, 4 5/8″ body depth, black binding (top, back, 2-piece, back no wedge, three ring rosette, satin finish on back sides and neck, gloss, one-piece tropical Mahogany neck, Ebony Fretboard, Indian Rosewood headstock overlay, Ebony bridge pins, brown original hardshell case

Used Martin 2004 CF-1, Blonde

Laminated alpine spruce to, Sitka spruce bracing, laminated European flamed maple back and sides, flamed maple U-shaped neck, Ebony fretboard, tailpiece, and pickguard, Kent Armstrong floating pickup, Gotoh gold tuners with  Ebony knobs, 25″ scale length, 1 3/4″ nut width, 17″ lower bout, 3″ body depth, original tweed hardshell case included

Used 2008 Paul Reed Smith McCarty Korina with Brazilian Board, Natural Burst

New Magatone Panoramic Stereo, Brown

Vintage brown and gold cosmetic, 2×10″ speakers or head powered by (4) EL84s, 12+12 watts all tube stereo power amp, 3 x 12AX7, 4 x EL84, 12AU7, True Pitch Shifting Varistor Stereo Vibrato (switchable to conventional stereo), 2 x 1″ Magnatone 10″ ceramic magnet speakers, 20 ” x 22.5″ x 10″, 36 lbs.

New Magnatone ’59 Super Mk II Combo, White

4 bridgeable inputs and 2 volumes with master volume, classic British 4 band tone stack, tube buffered effects loop, Varistor Pitch Shifting Vibrato (switchable to tremolo) (4) 12AX7, 12DW7, (2) EL34, high and low sensitivity normal and bright inputs, 45 Watts, push-pull class AB power, all tube buffered send and return effects loop, Magnatone Custom 12” ceramic magnet speaker

New Suhr Alt-T Pro, Three-Tone Sunburst

Alder body, hand contour only, chambered with F-hole, Wilkinson 3- saddle chopped T bridge, chrome plated hardware, tortoiseshell pickguard, gloss body and satin neck finishes, Maple neck, Indian Rosewood fretboard, extra tint on neck, Even C Medium neck carve (.840″ – .920″) 9″ – 12″ compound radius, 22 medium stainless steel frets, clay dots, 1.650 nut width, Suhr locking tuners, Suhr deluxe gig bag included

Used Fuchs Jazz Classic Combo, Tweed

Used Martin Custom Shop 000 12 Fret Mahogany Cutaway

Used 2015 Steve Andersen Fresh Fish, Custom Color

All hand carved woods, Spruce top, flamed Maple back and sides, Ebony fretboard, tailpiece, headstock overlay, bridge, Macassar Ebony rear headstock overlay, 1-piece flamed Maple neck, floating pickup with pickguard mounted volume control, soft Venetian cutaway, 16″ lower bout, 3″ body depth, 24 1/2″ scale, 1 3/4″ nut width, open back Waverly tuners with Ebony buttons, grained ivoroid pickguard volume knob truss rod cover and heel cap, gold plated hardware, bindings: 2-ply top and back, single-ply back fretboard headstock and F-holes

Used 2015 Rick Turner Custom M1 Deluxe amazon Rosewood Top, Natural

Mahogany body, Amazon Rosewood top, 5-ply neck (Maple/Purple Heart) gloss catalyzed poly finish, bound Ebony fretboard, abalone “dot” position markers, grained Ivoroid binding top back, fretboard and tailpiece, Turner “Hot Humbucking” pickup with a high-headroom 18 volt preamp (the D-TAR Eclipse) that has trim potentiometer adjustable gain which allows anywhere from 3 to 12 dB of additional gain and a buffered output, allows for blending of a piezo pickup, Larry Robinson Tiger inlay on top.

Used 2011 Comins Lyrist, Three-Tone Sunburst

Used Suhr 2016 Custom Standard Roasted Swamp Ash, Natural

2-piece roasted Swamp Ash body, arm, hand and tummy contours, satin finish, side jack, Gotoh 510 bridge – 2 post solid saddles with steel block, chrome plated hardware, two Thornbucker, three-way, volume, tone, push-pull to split bridge pickup, roasted Maple neck and fretboard, Even C slim neck carve (.800″ – .880″) 10″ – 14″ compound radius, black “dot” position markers, 1.650″ nut (bone) 22 medium stainless steel frets, Suhr locking tuners, original G & G hardshell case

Used Acoustic Image Corus Series 1, Black

Extended frequency range, high fidelity sound, light weight (<4 lbs.), small size (10.2 x 8.2 x 3.5), unique, slanted front chassis, mounts in cabinet using Cabrio Docking System, separate XLR and 1/4 inch inputs in each channel can be used simultaneously, 48V phantom power and 10 dB gain select for mic input, input level control per channel, four band EQ per channel, selectable phase reverse and sweepable low cut filter per channel (phase reverse can be converted to low pass speaker emulation filter with internal jumper option), effects loop per channel, selectable reverb and delay effects with level and rate controls and pseudo stereo output, direct out with selectable 10 dB pad, pre/post switch and ground lift, headphone output, switchable limiter, mute switch, mono or stereo output from the preamp section, selectable internal jumper options for gain and stereo operation, high fidelity, low noise operation: 110 dB SNR at direct out
Automatic voltage switching for universal AC mains operation, 650 watt output at 4 ohms (music power), dual speaker outputs with speakon connectors

Used Swart Space Tone

5W CLASS A ~ Even Order harmonics, single-Ended Output – zero negative feedback, 100% tube circuit – valve rectifier – noh-up wire, JJ 12AX7 – JJ 6V6GT – JJ GZ-34 (stock) or NOS 5Y3 rectifier, heaters referenced to ground, Swart Amplifiers employ star grounding, 4 ohm 1/4″ out – drive other speaker/cabinet, Switchcraft 1/4 inch input and output, CTS potentiometers, fuse protected, Weber ceramic 8″ speaker ~ 4 ohm, finger-jointed Pine cabinet ~ beautiful lacquered tweed, dimensions: 13 3/4T x 13W x 7 1/4 D  ~ 14lbs

Used Faith Venus, Natural

Solid Engelmann Spruce  top, solid Indonesian Rosewood ) back and sides, quarter-Sawn Spruce bracing, Patrick James Eggle X-Brace design, 2mm abalone rosette, 1-piece Mahogany neck, bolt-on Patrick James Eggle design neck joint, Indonesian Rosewood fretboard, 16″ radius, Mother of Pearl F’ at 12th fret, Faith precision Chrome tuning machines, 2-way truss rod, NuBone nut and saddle, 43mm nut width S, 55mm string spacing, Indonesian Rosewood bridge, Ebony with abalone dots bridge pins, 2 Stage Satin finish all over

Used Gretsch (Japan) Country Gentleman, Cadillac Green (Early Fender Version)

17″ single cutaway body, laminated body, Spruce to, Maple back and sides, gloss nitrocellulose finish, U neck shape, Maple neck, set-in neck, 24.6″ scale, Ebony fretboard, 12″ radius, 22 medium jumbo frets, pearl neo-classical thumbnail position markers, 1.69″ nut width, 2 TV Jones designed Filter-Tron humbucking pickups, 3-way pickup selector switch, 3-way tone switch, master volume volume neck pickup volume bridge pickup, roller bridge, Bigsby B6 tailpiece, Grover Imperial Stairstep tuners, gold plated hardware, original hardshell case included

Used 2007 Gretsch (Japan) G6119, Western Red

Laminate Maple body, soft Venetian cutaway, 3-piece Maple neck, Ebony fretboard, 24 1/2″ scale, 16″ lower bout, 1 11/16″ nut width, 1 TV Jones Filter-tron in bridge position, pearl neo-classical position markers, trestle-bracing, bone nut, zero fret
Chrome plated hardware, 2-py binding top, single -ply binding back, black Chet Atkins “signpost” logo pickguard, straight bar bridge, B6C Gretsch Bigsby tailpiece, Gover Sta-Tite tuners, original hardshell case included

Used 1969 Gibson ES-175, Sunburst

Laminate Maple body, 1-piece Mahogany neck, Brazilian Rosewood fretboard and bridge, 16″ lower bout, 1 11/16″ nut width, 24 3/4″ scale, sharp Florentine cutaway, pearloid “double parallelogram” position markers, double line, double rin, Kluson tuners with tulip buttons, chrome plated hardware, single pat. # humbucker in neck position, volume and tone controls