New Arrivals – Updated 1/13/17

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For additional information please call  (908) 301-0001 or email us at info@goldenageguitars.com

We carry the following lines of guitars and amps: James Tyler Guitars, John Suhr Guitars, Tom Anderson Guitarworks, Larrivee Guitars, K-Line Guitars, LsL Instruments, Teuffel Guitars, Bourgeois Guitars,  Acoustic Image Amplifiers,  Raezer’s Edge Speaker Cabinets, AER Amplifiers,  Gitane Gypsy Jazz Guitars,  JazzKat Amplifiers and Bill Comins Guitars,JG2 Guitars, Louis Electric Amplifiers, Custom Audio Amplifiers and Buzz Feiten Guitars. We also carry all brands of quality pre-owned instruments.  We are constantly updated this “New Arrivals” page, so please check regularly.

To view the fine instruments we recently sold click here: Recently Sold Instruments

 

Used Fuchs Jazz Classic Combo, Tweed

Used Peter Malinosky Fez Semi-Hollow, Natural Spalted

Used MartinCustom Shop 000 12 Fret Mahogany Cutaway

Used 2015 Steve Andersen Fresh Fish, Custom Color

Used 2015 Rick Turner Custom M1 Deluxe amazon Rosewood Top, Natural

Mahogany body, Amazon Rosewood top, 5-ply neck (Maple/Purple Heart) gloss catalyzed poly finish, bound Ebony fretboard, abalone “dot” position markers, grained Ivoroid binding top back, fretboard and tailpiece, Turner “Hot Humbucking” pickup with a high-headroom 18 volt preamp (the D-TAR Eclipse) that has trim potentiometer adjustable gain which allows anywhere from 3 to 12 dB of additional gain and a buffered output, allows for blending of a piezo pickup, Larry Robinson Tiger inlay on top.

Used 2011 Comins Lyrist, Three-Tone Sunburst

Used Suhr 2016 Custom Standard Roasted Swamp Ash, Natural

2-piece roasted Swamp Ash body, arm, hand and tummy contours, satin finish, side jack, Gotoh 510 bridge – 2 post solid saddles with steel block, chrome plated hardware, two Thornbucker, three-way, volume, tone, push-pull to split bridge pickup, roasted Maple neck and fretboard, Even C slim neck carve (.800″ – .880″) 10″ – 14″ compound radius, black “dot” position markers, 1.650″ nut (bone) 22 medium stainless steel frets, Suhr locking tuners, original G & G hardshell case

Used 2016 Campellone Standard, Two-Tone Sunburst

Used Eastman AR 371 CES (headstock repair) Sunburst

Laminate 16″ Maple body with Sharp Florentine cutaway, 3-piece Maple neck, Rosewood fretboard, 24 3/4″ scale, 1.6875″ nut width, single neck position top mounted humbucker, top mounted volume and tone controls, bindings: 5-ply top, 3-ply back, single-ply fretboard and f-holes, Kluson Style tuners with “Tulip” buttons, pearloid double parallelogram position markers, chrome plated hardware, hardshell case provided

Used Fender Custom Shop 2001 ’51 Nocaster Relic, Butterscotch

Swamp Ash body, 1-piece Maple neck with skunk stripe, 25 1/2″ scale, 1 5/8″ nut width, nickel plated hardware, nitrocellulose lacquer finish, black dots, black Bakelite pickguard, 3-way, volume, tone, 3 saddle bridge, 6 lbs. 14 oz.

Used Acoustic Image Corus Series 1, Black

Used Swart Space Tone

Used Faith Venus, Natural

Used Gretsch (Japan) Country Gentleman, Cadillac Green (Early Fender Version)

17″ single cutaway body, laminated body, Spruce to, Maple back and sides, gloss nitrocellulose finish, U neck shape, Maple neck, set-in neck, 24.6″ scale, Ebony fretboard, 12″ radius, 22 medium jumbo frets, pearl neo-classical thumbnail position markers, 1.69″ nut width, 2 TV Jones designed Filter-Tron humbucking pickups, 3-way pickup selector switch, 3-way tone switch, master volume volume neck pickup volume bridge pickup, roller bridge, Bigsby B6 tailpiece, Grover Imperial Stairstep tuners, gold plated hardware, original hardshell case included

Used 2016 Gibson Les Paul Traditional, Honeyburst

Used 2007 Gretsch (Japan) G6119, Western Red

Laminate Maple body, soft Venetian cutaway, 3-piece Maple neck, Ebony fretboard, 24 1/2″ scale, 16″ lower bout, 1 11/16″ nut width, 1 TV Jones Filter-tron in bridge position, pearl neo-classical position markers, trestle-bracing, bone nut, zero fret
Chrome plated hardware, 2-py binding top, single -ply binding back, black Chet Atkins “signpost” logo pickguard, straight bar bridge, B6C Gretsch Bigsby tailpiece, Gover Sta-Tite tuners, original hardshell case included

Used 1969 Gibson ES-175, Sunburst

Laminate Maple body, 1-piece Mahogany neck, Brazilian Rosewood fretboard and bridge, 16″ lower bout, 1 11/16″ nut width, 24 3/4″ scale, sharp Florentine cutaway, pearloid “double parallelogram” position markers, double line, double rin, Kluson tuners with tulip buttons, chrome plated hardware, single pat. # humbucker in neck position, volume and tone controls

Used ca. 2104 Engel 16″ Electric Archtop,Cherry Sunburst

Used 2006 Bill Moll Custom Classic, Natural

All solid hand carved woods, flamed Maple back and sides, Spruce top, 5-piece Maple neck, Ebony fretboard pickguard tailpiece bridge and headstock overlay, 16 3/4″ lower bout, 25 1/2″ scale, 1 11/16″ nut width, 2 1/2″ body depth, soft Venetian cutaway, top mounted Moll humbucking pickup with top mounted volume control, gold plated hardware, pearl slash block position markers, stairstep headtock shape, bindings: 9-ply top, back and headstock 7-ply pickguard 5-ply Fretboard 3-ply f-holes –

Used Ribbecke Custom 15″ Archtop, Sunburst

All hand carved solid woods, flamed Maple back and sides ,Spruce top, Ebony fretboard pickguard,tailpiece and bridge base, 3-piece Maple neck, Ribbecke floating humbucking pickup, pickguard mounted volume and tone controls ,Tune-o-matic bridge, 24 1/2″ scale, 1 11/16″ nut width, 15″ lower bout, 2 1/4″ body depth, Schaller tuners with Ebony buttons, block shaped position markers in Haitian chocolate pearl, rubber f-hole baffles, custom knee brace, original Calton hardshell case

Used 1970 Gibson Johnny Smith, Natural

All solid, carved woods, Spruce top, Maple back and sides, 5-piece Maple neck, Ebony fretboard bridge and headstock overlay, floating Johnny Smith pick, reproduction faux tortoiseshell pickguard, gold plated hardware, 17″ lower bout, soft Venetian cutaway, 24 3/4″ scale, 1 11/16 nut width, 3″ body depth, L5 style tailpiece with “Johnny Smith” insert, Grover Keystone tuners, earl “Split Block” position markers, bindings: 7-ply top, 5-ply pickguard, 3-ply fretboard, headstock and back, single-ply f-holes, deluxe leather gig bag included

 

 
 
 

– See more at: https://www.gbase.com/gear/gibson-johnny-smith-1970-blonde-1#sthash.abK6ABrC.dpuf

Used 2008 Collings City Limits Custom, Faded Crimson SOLD

Honduran mahogany body, premium flamed Maple top, Honduran Mahogany neck, grained Ivoroid binding, Kluson ABR-1(nickel-plated zinc w/ retaining wire) bridge, Kluson Stop Tailpiece (nickel-plated zinc, steel studs) bound Brazilian Rosewood fretboard w/ MOP long dots, Lollar Std Wind Imperial humbuckers ,CTS 500K pots, Jupiter Vintage Yellow caps, 1 11/16″ nut width, 24 7/8″ scale, extra long mortise & tenon neck joint, medium 18% nickel-silver frets, Ebony peghead veneer w/ MOP Collings logo, nickel Gotoh tuners w/ Collings logo, 50s style wiring, 12″ fretboard radius, high gloss nitrocellulose lacquer finish, deluxe Hardshell case by Ameritage ,”C” neck profile

Used Bob Bradshaw Custom Rack System

Furman SMP EVS Lift, Korg DTR-2000 Digital Tuner, Lexicon PCMA1, TC 2290 Dynamic Digital Delay & Effects Control Processor, TC 120 Spatial Expander, Stereo Chorus and Flanger, Custom Audio Electronics Custom series Audio Controller
   
  

Used 2008 Suhr Custom Standard, Trans Orange

Basswood body, flame Maple top, quartersawn, Maple neck, Brazilian Rosewood fretboard, Even C Medium neck carve, 1-” – 14″ compound radius, Tusq nut, jumbo stainless steel frets, Gotoh 510 2 post bridge with solid saddles and steel block, 1.650″ nut width, black hardware, black back, Sperzel locking tuners, no pickguard – rear rout, side jack, JST FL single coil pickups, scraped bindings, abalone face and side dots and logo, gloss headstock, signed headstock, original G & G hardshell case

Used ca. 1996 Epiphone (Korea) Joe Pass Emperor, Vintage Sunburst

Laminate body, Spruce top, figured Maple back and sides, 3-piece Maple neck, Rosewood fretboard and bridge, twin top mounted humbucking pickups, pearl block position markers, logo and “vine” headstock inlay, raised faux tortoiseshell pickguard, gold plated hardware, 3-way, 2 volume, 2 tone, “Byrdland” style tailpiece, 16 1/2″ lower bout, 3″ body depth, 25 1/2″ scale, 1 11/16″ nut width, 5-ply bindings top, back, fretboard, headstock, pickguard, single-ply binding on f-holes, original hardshell case included

Used Blue Ridge BR-160, Natural SOLD

New Suhr Classic Antique SSH, Maple Board, 3-Tone Sunburst

Alder body, arm, hand and tummy cuts, lacquer finish, light aging, face jack, chrome plated hardware, Gotoh 510 2-pst, bent saddles, steel block bridge, parchment pickguard, knobs and back plate, JST ML Standard single-coil pickups (middle and neck),, JST SSV humbucker (bridge), SSCII, Maple neck, Maple fretboard, Even C Medium neck carve (.840″ – .920″), 9″ – 12″ compound radius, standard fretboard roll, black face and side dots, Tusq nut, 1.650″ nut width, 22 medium stainless steel frets, Suhr locking tuners, deluxe padded gig bag

New Suhr Classic Pro SSH, Indian Rosewood Board, Sherwiood Green

Alder body, arm, hand and tummy contours, face jack, Gotoh 510, 2-post, bent saddles, steel block bridge, chrome plated hardware, parchment pickguard, knobs, backplate, Maple neck, Indian Rosewood fretboard, 9″ – 12″ radius, Even C Medium neck carve (.840″ – .920″), 22 medium stainless steel frets, clay face and side dots,1.650″ nut width, Suhr locking tuners, JST V70 single-coil pickups (middle and neck), JST SSV humbucker (bridge) SSCII, 5-way blade pickup selector, volume, tone, tone, deluxe padded gig bag