New Arrivals – Updated 11/11/17

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For additional information please call  (908) 301-0001 or email us at info@goldenageguitars.com

We carry the following lines of guitars and amps: James Tyler Guitars, John Suhr Guitars, Tom Anderson Guitarworks, Larrivee Guitars, K-Line Guitars, LsL Instruments, Teuffel Guitars, Bourgeois Guitars,  Acoustic Image Amplifiers,  Raezer’s Edge Speaker Cabinets, AER Amplifiers,  Gitane Gypsy Jazz Guitars,  JazzKat Amplifiers and Bill Comins Guitars,JG2 Guitars, Louis Electric Amplifiers, Custom Audio Amplifiers and Buzz Feiten Guitars. We also carry all brands of quality pre-owned instruments.  We are constantly updated this “New Arrivals” page, so please check regularly.

To view the fine instruments we recently sold click here: Recently Sold Instruments

 

Used 1956 Gibson ES-125, Tobacco Sunburst

16 1/4″ laminate Maple body, 1- piece Mahogany neck, Brazilian Rosewood fretboard, 1 P90 single-coil pickup in neck position, “Dot” position markers, single-ply binding top and back, Grover Rotomatci tuners added, 1 11/16″ nut width, 24 3/4″ scale, black single-ply raised plastic pickguard, plain trapeze tailpiece, includes newer chipboard case (worn)

Used 2006 Fender Time Machine Series ’51 Reissue Nocaster Relic, Trans Butterscotch

Lightweight Ash Body, 1 piece Maple neck, Nocaster “U” neck profile (.950-1.000), 9.5″ radius, 1 5/8″ nut width, 25 1/2″ scale, 6105 frets, 3-way switch, volume / tone controls, Custom Shop Vintage Nocaster pickups, Fender thermoplast hardshell case included, ashtray and Custom Shop decal included

Used 1975 Gibson SG Standard, Trans Cherry

Mahogany body, 1-piece Mahogany neck, Rosewood fretboard, twin sharp cutaway, 1 5/8″ nut width, 24 3/4″ scale, twin Gibson humbucking pickups, 3-way, 2 volume, 2 tone, unbound fretboard, chrome plated hardware, Gibson tuners, stop tailpiece with Tune-o-matic style bridge, pearl small block position markers, small 3-ply plastic pickguard, original hardshell case included

Used 2016 Bourgeois OMC DB Signature, Natural

New Tom Anderson Guitarworks Drop Top Quilt, Natural Arctic Blue

Used 2014 Heritage H-555, Trans Cherry

Laminate flamed Maple body, 1-piece Mahogany neck, Ebony fretboard, pearl “Block” position markers, twin humbucking pickups, 3-way, 2 volume, 2 tone, 24 3/4″ scale, 1 11/16″ nut width, 16″ lower bout, 1 1/2 ” body depth, 5-ply top binding, single-ply binding fretboard headstock back pickguard and f-holes, gold plated hardware, Tune-o-matic style bridge with stop tailpiece, Grover Imperial tuners, abalone diamond and arrow headstock inlay, original hardshell case included

Used 1979 Fender Stratocaster, Sunburst

Used Bad Cat Tone Cat Custom, Black

New Magnatone Varsity Reverb, Black

15 watts powered by EL84’s, high sensitivity and low sensitivity inputs, volume treble bass reverb controls, remote speaker out, line out, feedback cut switch – activates negative feedback loop, tube driven 4 counter wound spring long pan reverb, power, standby, dual 12AX7 preamp tubes, 18.5″ 21″ x 9.5″, 33 lbs, custom Magnatone 12″ speaker, Magnatone cover included, boost/reverb footswitch included, 20′ Magnatone cable included

Used Fender Super Sonic 22, White

22 watts , 8 ohms , 12″ speaker, 50-watt Fender Lightning Bolt Speaker by Eminence , 2 channels (vintage and burn) spring reverb effect, black textured vinyl covering, 2 x 6V6 3 x 12AX7 and 2 x 12AT7 tubes, amplifier cover and 4-button footswitch included 

Used Billy Penn Pennalizer 1 x 12″ Combo, Purple

Volume treble and bass controls., optional tube driven spring reverb, ll hand-wired, point to point, tube circuitry, fiberboard with eyelet circuit board, solid core push back cloth covered hookup wire, Precision Electronics Mil Spec RV4 Potentiometers, 16-gauge steel chassis, ¾” finger-jointed pine cabinet with 1/2″ plywood baffle, resistors are carbon composition and metal oxide, capacitors are ceramic disc, Mallory 150 coupling, and CE Electrolytics, transformers are manufactured by Mercury Magnetics, 12″ Eminence Patriot Series Cannabis Rex speaker, 8 and 4 ohm output jacks, GZ34 rectifier, Winged C 6L6’s, Sovtek 12AX7LPS and NOS 12AT7, dimensions: 18” high x 20” wide x 9” deep, weight: 39lbs

Used 2011 Gibson Custom shop ES-175D, Vintage Sunburst

Figured Maple body, multi-ply binding on Top, single-ply binding on back, one-piece Mahogany Neck, Rosewood Fretboard, 24-3/4″ scale, 1-11/16″ nut width, .870″, neck – .950”, pearl split parallelogram inlays, ’57 Classic humbucking pickups, two volume and two tone controls, 3-way switch, ABR-1 Bridge, trapeze tailpiece, vintage tulip style tuners, nickel hardware, 16″ lower bout, 20″ body length, 3″ body depth, original hardshell case and COA included

Used Henriksen JA110ER, Black & Blue

14″ X 14″ X 8″, 23 lbs., volume, 5-band graphic equalizer, reverb with on/off switch and wet/dry mix control, 120 watts at 8 ohms Speaker, Eminence Beta-A 10., 11-ply Finland Birch, steel chassis, Tolex covering with metal corners., Line Out, Extension Speaker Jack, 230v/115v Selector Switch, tweeter

Used 1959 Danelectro Shorthorn Standard 1 pickup, Copper

Formica and Poplar body, “Coke Bottle” headstock, 1 lipstick tube pickup, vinyl body edging, open back strip tuners with plastic buttons, 24 3/4″ scale, 1 5/8″ nut, metal nut, “Seal” shaped pickguard, fully hollow body, volume and tone control

Used ca. 1965 -1969 Premier Reverb, Brown

This was one of the more desirable reverb units of it’s day not named Fender. It has a deep lush reverb that reeks of the 1960’s. Recently serviced and working perfectly. It one of the best ones you’ll ever come across.

Used 2006 Paul Reed Smith Custom 22 Twentieth Anniversary, Cherry Sunburst

Carved Maple 10 top flame top, Mahogany body, 1-piece Mahogany neck, Wide-Fat neck carve, 22 frets, 10″ radius, Rosewood fretboard, abalone “Birds in Flight” inlays, PRS tremolo, 14:1 low-mass locking tuners, chrome plated hardware, 2 Dragon II humbucking pickups, 5-way rotary pickup selector, volume and tone control, original hardshell case and tags included

Used Music Man Steve Morse Signature Model, Black

12-1/2″ wide, 1-3/4″ thick, 36-7/8″ long, Poplar body, high gloss polyester body finish, Tuneomatic bridge with thumbwheel height adjustment & individual saddles with Music Man® chrome plated, solid brass tail block, black pickguard, 25-1/2″ (64N.8 cm) scale, 12″ neck radius, 22 – high profile wide fret, 1-5/8″ (41.3 mm) at nut, 2-1/4″ (56.9 mm) at last fret, select Birdseye Maple neck, Rosewood fretboard, gunstock oil and hand rubbed special wax blend neck finish, Schaller M6-IND locking tuners, adjustable – no component or string removal truss rod5 bolt neck, sculpted neck joint allows smooth access to higher frets, graphite acrylic resin coated body cavity and aluminum lined pickguard, 250k ohm volume and tone – .047µF tone capacitor, 2-way toggle, 3-way toggle pickup selector; 3-way lever pickup selector, 2 single coil – DP-108 Vintage single coil  proprietary custom wound pickups , 2 DP-200 Morse Signature humbucking pickups, 7 lbs. 14 oz., original hardshell case included

New Suhr Classic Antique Pro SSH, Candy Apple Red over 3-Tone Sunburst

Alder body, arm, hand and tummy contours, lacquer finish – heavy aging, face jack, chrome plated hardware, Gotoh 510 bridge 2-post, bent saddles, steel block, V60LP single-coil pickups (Middle and neck) SSV humbucking pickup (bridge) 5-way, volume, tone, tone, Silent Single Coil System II, Maple neck, tint and light aging on neck, Even C Medium neck shape (.840″ – .920″) Indian Rosewood fretboard, 9″ -12″ compound radius, gold decal logo, Suhr locking tuners, deluxe gig bag included

New Suhr Classic Antique Pro SSS, Surf Green over 3-Tone Sunburst

Alder body, arm, hand and tummy contours, lacquer finish – heavy aging, face jack, chrome plated hardware, Gotoh 510 bridge 2-post, bent saddles, steel block, three V60LP single-coil pickups, 5-way, volume, tone, tone, Silent Single Coil System II, Maple neck, tint and light aging on neck, Even C Medium neck shape (.840″ – .920″), Indian Rosewood fretboard, 9″ – 12″ compound radius, 22 medium stainless steel frets, clay face and side dots, 1.650″ nut width, gold decal logo, Suhr locking tuners, deluxe gig bag included

Used 2009 Gibson Custom Shop CS 336, Sunburst

Semi-hollow body, figured Maple top, solid Mahogany body, ’60s SlimTaper Standard neck shape, 1-piece Mahogany neck, set-in neck joint, 24.75″ scale, Rosewood fretboard, 12″ radius, 22 medium frets, dot position markers, 1.687″ (42.8mm) nut width, 2 ’57 Classic humbucking pickups, 3-way, 2 volume, 2 tone , ABR-1 bridge, stopbar tailpiece, Vintage Kluson style tuners with tulip buttons, nickel plated hardware, original hardshell case and certificate of authenticity included

New suhr Modern Antique Pro, 2-Tone Sunburst

Basswood body, plain Maple top, arm hand and tummy contours, no binding, lacquer finish, light aging, Gotoh 510 bridge, 2-post, bent saddles steel block recessed, side jack, chrome plated hardware, rear rout, no pickguard, SSV humbucking pickup (neck) ML Standard single coil pickup (middle) SSH+ humbucking pickup (bridge) 5-way, volume, tone, black speed knobs, roasted Maple neck and fretboard, satin neck finish, Modern Elliptical neck shape (.800″ – .850″), 10″ – 14″ compound radius, 24 jumbo stainless steel frets, black dots, 1.650″ nut width, deluxe gig bag included

Used Suhr Custom Classic Antique, Faded Sonic Blue

Alder body, quarterswan Maple neck, Hybrid headstock, 21 Frets, 7.5″ – 9.5″ radius, medium frets, Gotoh 510 bridge, 2 posts, bent saddles, steel block, 1.650″ nut width, 25 1/2″ scale, chrome plated hardware, Gotoh Kluson style tuners, black satin pickguard, 5-way, volume, tone, NM push-pull, tone B, SSC II, FL single-coil pickups (neck and middle) SSV humbucking pickup (bridge), original hardshell case

Used 2013 Suhr Custom Classic, Daphne Blue

Alder body, 1-piece roasted Maple neck, 50’s Round neck shape .860″ -.980″, 9″ – 12″ radius, 1.650 nut width, heavy stainless steel frets, 22 frets, 510 Gotoh bridge 2-post, bent saddles, steel block, chrome plated hardware, Suhr locking tuners, tortoise pickguard , white plastic knobs, face jack, 5-way, volume, tone, blend, p-p splits bridge pickup, ML single coil pickups (neck and middle), SSV humbucking pickup (bridge), gold decal logo, original hardshell case included

Used Gibson 1970 Johnny Smith, Natural. This is the one!

All solid, carved woods, Spruce top, Maple back and sides, 5-piece Maple neck, Ebony fretboard bridge and headstock overlay, floating Johnny Smith pick, reproduction faux tortoiseshell pickguard, gold plated hardware, 17″ lower bout, soft Venetian cutaway, 24 3/4″ scale, 1 11/16 nut width, 3″ body depth, L5 style tailpiece with “Johnny Smith” insert, Grover Keystone tuners, pearl “Split Block” position markers, bindings: , 7-ply top, 5-ply pickguard, 3-ply fretboard, headstock and back, single-ply f-holes, deluxe leather gig bag included

Used 2016 McCarty Model 10 Top, Birds, McCarty Sunburst

Mahogany body, flamed Maple 10 top, 1-piece Mahogany neck, Indian Rosewood fretboard, “Bird” position markers, chrome plated hardware, wrap around tailpiece, 25″ scale, 1 11/16″ nut width, “Pattern” neck carve, two 58/15 humbucking pickups, 3-way, volume, tone, push-pull coil split, PRS open back tuners with replaced cream colored buttons (originals provided), replaced cream pickup surrounds (originals provided), original hardshell case included

Used 1998 Tom Anderson Guitarworks Cobra T, Dark Honeyburst

Flamed Maple top, Mahogany body, scraped binding, 1-piece Mahogany neck, Rosewood fretboard, matching headstock, satin neck finish, gloss body finish, 1 11/16″ nut width, heavy stainless steel frets, gold plated hardware, non-tremolo fixed bridge, HO1- HO1+ humbucking pickups, 5-way volume tone, pull on tone knob splits middle position, Feiten Tuning System, original hardshell case included

Used 1963 Gibson SG Special, Trans Cherry

Mahogany body, Brazilian Rosewood fretboard, pearloid trapezoid position markers, 1-piece Mahogany neck, 4-ply B/W/B/W pickguard, 3-way, 2 volume, 2 tone, stop tailpiece, tremolo, 2 black soap bar P90 pickups, 24 3/4″ scale, 1 11/16″ nut, bound fretboard, original strip tuners with white plastic buttons, black bonnet knobs with silver inserts, original faux alligator chipboard case included, pearl Gibson logo

Used 1996 Gibson Super 400 CES, Vintage Sunburst

All solid carved woods, flamed Maple back and sides, Spruce top, 5-piece Maple neck, Ebony fretboard, 18″ lower bout, 25 1/2″ scale, 1 11/16″ nut width, soft Venetian cutaway, two humbucking pickups, 3-way, 2 volume, 2 tone, pearl “split block” position markers, 5-piece pearl “Split Diamond” headstock inlay, gold plated hardware, raised faux tortoiseshell pickguard, Keystone tuners with metal buttons, Tune-o-matic two-way adjustable bridge on Ebony base, bindings: 7-ply top, 5-ply headstock, fretboard and pickguard, 3-ply f-holes. original hardshell case included

Used Gibson Custom Shop 2012 Pat Martino Custom, Trans Caramel

Carved figured maple top, carved-out mahogany back and sides, 1-piece Mahogany neck, Ebony fretboard, compound radiu, 2 – ’57 Classic humbucking pickups, gold , 24 3/4″ scale, 1 11/16″ nut width, 3-way, 2 volume, 2 tone, plain fretboard (side dots only), original black hardshell Gibson Custom Shop case included

Used 2001 Taylor K-55 Jumbo Koa 12 String, Natural Koa

All sold carved woods, highly figured Koa top, back and sides, o-piece Mahogany neck, Ebony fretboard bridge and headstock overlay, 1 7/8″ nut width, 17″ lower bout, 12″ upper bout 4 1/2″ body depth at endpin, pearl top purfling and rosette, faux tortoiseshell binding top, back and fretboard and heel cap, gold plated Grover tuners and strap pin, on board active piezo pickup, original brown Taylor hardshell case included