New Arrivals – Updated 7/15/17

Scroll Down To See More

For additional information please call  (908) 301-0001 or email us at info@goldenageguitars.com

We carry the following lines of guitars and amps: James Tyler Guitars, John Suhr Guitars, Tom Anderson Guitarworks, Larrivee Guitars, K-Line Guitars, LsL Instruments, Teuffel Guitars, Bourgeois Guitars,  Acoustic Image Amplifiers,  Raezer’s Edge Speaker Cabinets, AER Amplifiers,  Gitane Gypsy Jazz Guitars,  JazzKat Amplifiers and Bill Comins Guitars,JG2 Guitars, Louis Electric Amplifiers, Custom Audio Amplifiers and Buzz Feiten Guitars. We also carry all brands of quality pre-owned instruments.  We are constantly updated this “New Arrivals” page, so please check regularly.

To view the fine instruments we recently sold click here: Recently Sold Instruments

 

Used Komet Nineteen 1 x 12″ Combo, Red

19 watts RMS, Control Panel: play/standby, power on/off, volume, saturation, tone, 3-way bright switch, single input, Celestion G12H 15 ohms rated for 30 watts 55 c/8 bass response, 2 – EL84/6BQ5 power tubes, 2 – 12AX7 pre amp tubes, military grade 2 Watt potentiometers, 4/8/16 – Ohm selector, two parallel outputs, cathode biased, solid state rectification, custom designed transformers, made in the U.S.A., internally hand wired and meticulously assembled with the finest of
components, silver tinned Teflon wire – completely hand wired point to point , laser cut aluminum welded chassis, audiophile grade ceramic, gold plated tube socket pins on silver plated sockets made by Azuma, all switches made by NKK
1/8th” laser cut & welded aircraft grade aluminum welded chassis made here in Louisiana, components assembled and mounted with stainless steel screws bolts washers and nuts, 20″ x 19″ x 10.25″,  Baltic Birch plywood cabinet – made in the U.S.A., levant style tolex, 53lbs, padded Tuki cover included

Used Victoria Silver Sonic 1 x 12″ Combo, Black & Cream

20 watts, classic SF6A circuit, cloth wire, Orange Drop caps, eyelet board, steel chassis, Front panel: volume, treble, middle, bass, reverb, tremolo speed and intensity, yield/ run switch, on/off switch, 2 inputs, 1 x 12″ Jensen Special Design C 12 N at 8 ohms, padded Tuki cover included

Used G & L ASAT Classic Semi-Hollow, Sonic Blue

Bolt-on construction, 25-1/2″ scale Leo Fender-designed G&L MFD single coils, semi-hollow Swamp Ash body (F-holes deleted) hard-Rock Maple neck with Maple fingerboard, 100% natural bone nut, 22 medium jumbo frets, nickel, Plek dressed, 12:1 ratio, sealed-back tuners, traditional boxed-steel bridge with individual brass saddles, 3-position pickup selector, volume, tone, neck profile #1, 1 5/8″ nut width, 12″ radius, .830″ – .960″, original hardshell case is included

SOLD

Used 2005 Sadowsky Jim Hall Signature, Vintage Natural

Laminate flame Maple body, 5-ply premium body, 16″ lower bout, soft Venetian cutaway, 2 3/4″ side depth
Maple neck, custom designed Sadowsky Ebony tailpiece with string ground, 1-piece Maple neck custom shaped to Jim Hall’s specifications, 24 3/4″ Scale Length, 1 3/4″ Nut Width, custom-wound Sadowsky humbucking pickup with gold cover, original hardshell case included, weight: 6 lbs. 2 oz.

Used 1965 Gibson ES330 with Factory Bigsby, Cherry

Laminate Maple fully hollow body with double cutaways, 1-piece Mahogany neck, Brazilian Rosewood fretboard, 16″ lower, 24 3/4″ scale, 1 3/4″ body depth, Gibson Deluxe Kluson style tuners (nickel), original Bigsby tailpiece, replacement tune-o-matic bridge (chrome), single-ply binding top, back and fretboard, pearloid “small block” position markers, 4-ply B/W/B/W plastic pickguard, 3-way, 2 volume, 2 tone, 2 chrome plated P-90 pickups, newer hardshell case included

New Tyler Studio Elite Burning Water 2K, Burning Water 2K Finish

Alder body, quartersawn Maple neck, Indian Rosewood fretboard, 1 5/8″ nut width, wide/tall frets, abalone dot position markers, 3-ply black pickguard, straight, black JTS5500 single-coil pickups (neck and middle, Super humbucker (bridge),, tone, G6TS bridge, chrome plated hardware, Explogo, 7 lbs. 9 oz., deluxe hardshell case included

Used Vero Twentieth Century Limited, Silver

25 watts RMS, on/off and standby, speed, depth, reverb, tone, volume, single input, Weber 15F150 15″ speaker, single input

Used Tom Anderson Guitarworks Cobra T, Dark Honeyburst

Used Fuchs Jazz Classic, Natural Maple Cabinet

Front panel: 2 inputs, Reverb = decay, level, tone. Low, mid, high, volume. On/off, single input. Rear panel: 8 and 4 ohm outputs, patch TRS out, standby

Used 2016 Paul Reed Smith McCarty 10 Top, Birds, McCarty Sunburst

Used Majestic Acoustic Flattop, Stained Top

Used Epiphone Elitist (Japan) SG Standard, Trans Cherry

Mahogany body, 1-piece Mahogany neck, Indian Rosewood fretboard, abalone “Crown” headstock inlay and logo, pearloid trapezoidal position markers, nickel plated hardware, stop tailpiece with Tune-o-matic style bridge, twin humbucking pickups, 24 3/4″ scale, 1 11/16″ nut width, bound fretboard (single-ply), Grover tuners, made in Japan sticker, 6 lbs. 4 oz., original hard shell case included

Used Bogner Shiva Combo, EL84, 1 x 12″ Combo, White

1 x 12″ closed-ported combo, footswitchable 2-channel all-tube design, footswitchable boost, variable on channel 2, tube-buffered series effects loop, channel 1 includes bass, treble, and volume controls; bright switch, channel 2 includes bass middle treble gain, and volume controls; bright switch, global master volume and presence controls, footswitch includes channel switch boost and reverb controls , 80-watt EL34 power amp section , reverb with independent reverb level controls for each channel

New Bourgeois Ltd. Ed. JOM DB, Brazilian Rosewood, Adirondack Spruce, Natural

All solid carved woods, Adirondack Spruce top, Brazilian Rosewood back, sides, headstock overlay, heel cap and endpin wedge, 24.9″ scale, Signature wood rosette, multicolor herringbone back strip and purfling, Koa body binding, 14 fret body
Ebony fretboard, long pattern, slotted squares and diamonds position markers (in bone), black fretboard binding, 1 23/32″ nut width, gold Waverly open back tuners with Snakewood buttons, bone bridge pins with black dots, faux tortoiseshell pickguard, gloss body finish, deluxe 5-ply hardshell case included

 

New Bill Danna Size 2 Bolivian Rosewood, Sitka Spruce, Natural

Used 2012 Gretsch (Japan) Chet Atkins Country Gentleman ’62 Reissue, Walnut

Double cutaway body, 24.6″ (625mm) scale, arched laminated Maple top, laminated Maple back and sides, 17″ lower bout, 2″ body depth,
3-Piece Maple neck, 2 high sensitivity Filter’tron pickups, 3-way togglepivkup selector, volume neck pickup, volume bridge pickup, master volume, 3-way tone switch, standby switch, 1-11/16″ (43mm) nut width, Ebony fretboard, 12″ Radius (305mm), Ebony-based Gold “Rocking Bar” bridge, Gretsch Bigsby B6G vibrato tailpiece, gold-plated hardware, gloss Urethane finish, 22 frets (plus “Zero Fret”), Grover Imperial “Stairstep” tuners, gold plated hardware, Pearl “Neo-Classical” position markers, original hardshell case included

Used Kanile’a K1T Premium Tenor Uke, Natural Koa

Premium Koa body, Rosewood fretboard & bridge, abalone position markers, chrome Kanile`a open geared tuners w/ black buttons, NuBone nut & saddle

New Kahn Audio Pak Amp, Dual Channel

Dual concentric gain and master controls, (3) 12AX7 and (2) 6AQ5 tubes, bright channel, presence and boost switches, channel and boost foot switchable, switchable 9 or 18 watts @ 5% THD, treble middle, bass tone stack, buffered FX Loop send and return, speaker response simulated balanced line out, silent operation with internal 8 ohm load resistor, speaker Impedance selector – 8 and 16 ohm, built in cooling fan with on/off switch, fully CNC front plate for striking visual aesthetic, made in USA custom Heyboer transformers, compact size: 9″ x 7″ x 2 1/2″ (including knobs and feet, 6.5 lbs total weight
 

Kahn Audio Pak Amp, Single Channel

Gain and master controls, (2) 12AX7 and (2) 6AQ5 tubes, bright and boost switches, boost foot switchable, switchable 9 or 18 watts @ 5% THD, treble, middle, bass tone stack, buffered FX Loop send and return, speaker response simulated balanced line out, silent operation with internal 8 ohm load resistor, speaker impedance selector – 8 and 16 ohm, built in cooling fan with on/off switch, fully CNC front plate for striking visual aesthetic, made in USA custom Heyboer transformers, compact size: 9″ x 7″ x 2 1/2″ (including knobs and feet)
6.5 lbs total weight

 

Used Larrivee P-01, Natural Satin

All solid carved wood, Sitka Spruce top, Mahogany back and sides, 1-piece Mahogany neck, Ebony fretboard, bridge and headstock overlay, 24″ scale, 1 11/16″ nut width, 15″ lower bout, 9 1/4″ upper bout, 3 1/4″ body depth at endpin, chrome plated Larrivee tuners, original gig bag included

Used Vega Style F Open Back Tenor Banjo

Used Fender (Mexico) Hot Rod Deluxe Ltd. Ed. Snakeskin

Used 1991 Gibson Firebird V, Trans Cherry

7-piece Mahogany neck-through design, Indian Rosewood fretboard, pearloid trapezoidal position markers, 24 3/4″ scale, 1 11 16″ nut width, 2 Mini-humbuckers, 3-way 2 volume, 2 tone, reverse headstock and body, bound freboard (single-ply), stop tailpiece with Tune-o-matic style bridge, nickel plated hardware, 3-ply w/b/w pickguard with Firebird emblem, 8 lbs. 2 oz., original hardshell case included (Brown)

 

Used Fender Custom Shop ’56 Reissue Relic Stratocaster, Fiesta Red

Swamp Ash body, 25 1/2″ scale, Nitrocellulose lacquer finish, one-piece Maple neck with “skunk stripe”, gold plated hardware, single-ply white pickguard, 5-way, volume, 2 tone, 1 5/8″ nut width, black dots, 7 lbs. 9 oz., original hardshell case (tweed) certificate and case candy included

Used Fuchs Blackjack 21 Mark II Combo, White

Dimensions: 19″ W, 11.5″ D, 21″ T, 2 x 6V6, 21-Watts, class AB , 3 x 12AX7 Preamp tubes, Front Panel: reverb decay, overdrive tone and master, gain Overdrive, gain clean, Back Panel: 4, 8 and 16 ohm speaker outs, audio patch, footswitch,
1 x 12″ Warehouse ET65 soeaker

 

New Magnatone Twilighter, Brown

Tubes: (4) 12AX7, (2) 6V6, 12AU7, GZ3, 22 watts @ 8 ohms, push-pull A/B, 12db range at60hz, tube driven reverb with 4 counter wound springs and long pan, pitch shifting vibrato switchable to conventional vibrato, 12″ Magnatone ceramic speaker, 22″ X 22.5″ X 10″, 40 LBS

New Larrivee D-09 Figured Walnut, Alpine Moon Spruce, Natural

All solid carved woods, figured Walnut back and sidse, Alpine Moon Spruce top, Ebony fretboard, bridge and headstock overlay, 1-piece Mahogany neck, figured Maple bindings, dreadnaught body, 25.4″ scale, 1 11/13″ nut width, 16″ lower bout, abalone headstock Vine headstock inlay and rosette, faux tortoiseshell pickguard, chrome plated Larrivee tuners

Used Bill Moll 7 String Archtop

All solid, carved woods, Spruce top, flamed Maple back and sides, 3-piece Maple neck, Ebony fretboard pickguard tailpiece bridge and front headstock overlay, floating W.E. Moll humbucking pickup, bindings: 11 ply top, back and headstock,6 ply fretboard, 4 ply f-holes, 16″ lower bout, 3 1/8″ body depth, 25 1/2″ scale, 2″ nut width, abalone “WE Moll” headstock logo, fancy Deco style headstock

Used Kevin Pederson

Highly figured Koa body and headstock overlay, one-piece figured mahogany neck, PRS wide/fat neck carve, Macassar ebony fretboard tuner buttons pickup rings bridge base, knobs and tailpiece, 24 jumbo gold frets, Brazilian rosewood binding, Brazilian rosewood and rippled green abalone purflings throughout, Paua Abalone side dot markers, 2 Seymour Duncan pickups, 3-way switch, control X, split coil, gold plated hardware, Gotoh Delta Series 510  tuners, vintage bone (unbleached) nut and saddle, original hardshell case included

Used Gibson 2000 L5 CES Wes Montgomery, Vintage Sunburst

All solid, carved woods, flamed Maple back and sides, Spruce top, Ebony fretboard, 25 1/2″ scale, 1 11/16″ nut width, 17″ lower bout, top mounted humbucking pickup in neck position, soft Venetian cutaway, 3-way, 2 volume, 2 tone, pearl flower pot headstock motif and logo, multi-ply bindings, original hardshell case included