New Arrivals – Updated 02/11/18

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For additional information please call  (908) 301-0001 or email us at

We carry the following lines of guitars and amps: James Tyler Guitars, John Suhr Guitars, Tom Anderson Guitarworks, Larrivee Guitars, K-Line Guitars, LsL Instruments, Teuffel Guitars, Bourgeois Guitars,  Acoustic Image Amplifiers,  Raezer’s Edge Speaker Cabinets, AER Amplifiers,  Gitane Gypsy Jazz Guitars,  JazzKat Amplifiers and Bill Comins Guitars,JG2 Guitars, Louis Electric Amplifiers, Custom Audio Amplifiers and Buzz Feiten Guitars. We also carry all brands of quality pre-owned instruments.  We are constantly updated this “New Arrivals” page, so please check regularly.

To view the fine instruments we recently sold click here: Recently Sold Instruments


Used 2013 Suhr Custom Modern Carve Top, Buckeye Burl, Natural

Black Limba body, Buckeye Burl top, natural gloss finish on body, no binding, Gotoh 510 2-post, steel block, solid saddle bridge, gold plated hardware, no pickguard, rear rout, Cocobolo control cavity plate, knobs, Black Limba neck, Maccassar Ebony fretboard, 10″ – 14″ compound radius, Modern Elliptical .800″ – .850″ neck carve, reverse headstock, 1.687″ nut width, 25.5″ scale, 24 stainless steel, jumbo frets, Suhr locking tuners, clay dots, 5-way blade switch, volume and tone, ML Standard single-coil pickups (neck and middle), SSH Plus humbucker (bridge), original rectangular G & G hardsell case included

New Comins GCS-16-1, Autumnburst

16” lower bout, 2 3/4” body depth, laminated Spruce Top, laminated flame Maple back and sides, 1-piece Eastern, Mahogany neck, Ebony fretboard, 25.0” scale, 1.70” nut width, dot position markers, Medium C shape neck comfortably contoured, single Kent Armstrong humucking pickup in neck position, chrome plated hardware, Wilkinson smooth 19:1 gear ratio tuners, multi-ply ivory/black bindings surround the peghead, neck and body, full fret dress and setup in Bill Comins shop.


New Tom Anderson Guitarworks Angel, Natural Coral

Flamed Maple top on Mahogany body, 25 1/2 scale, natural satin headstock and neck finish , 1 5/8″ nut width, 24 jumbo stainless steel fret, Even Taper – .020″ neck back shape, Buzz Feiten Tuning System, recessed floating tremolo. locking saddle, locking tuners, HF1 and HF3 humbucking pickups, 5-way selector, push/pull for 2 pickups switching, black hardware, black dots, scraped binding, hardshell case included

New Tyler Studio Elite HD, Arctic Schmear

Used Breedlove (Korea) C350/Sme, Natural Satin

Used 2011 Paul Reed Smith Angelus Figured Mahogany, European Spruce, Sunburst

All solid carved woods, European Spruce top, figured Mahogany back and sides, flamed Maple body binding and heel cap, 1-piece Mahogany neck, Cocobolo fretboard, proprietary formula of Nitrocellulose lacquer finish, McIntyre Acoustic Feather pickup, discreet high-end audio preamp, open back gold plated Keith Robson tuners with Ebony buttons, 25 1/4″ scale, 1 3/4″ nut 2 3/16″ string spacing, 15 1/2″ lower bout 4 1/2 body depth at endpin, abalone rosette bird outline position markers and PRS logo, original Ameritage hardshell case included

Used ca. 2006 Huss & Dalton CM Cutaway Brazilian Rosewood, Adirondack Spruce, Natural

All solid, carved woods, highly figured Brazilian Rosewood back and sides, Adirondack Spruce top, 1-piece Mahogany neck, Ebony fretboard and bridge, flamed Maple bindings and heel cap, b, abalone inlay at 12th fret, soft Venetian cutaway, compensated saddle, 25.4″ scale, 1 3/4″ nut width, 15 1/4 lower bout, 5″ body depth at endpin, original hardshell case included

Used ca. 2003 Steinberger GM4SA, Orange Burst

Used 1957 Fender Stratocaster Refined to Natural

Used Paul Reed Smith SE Angelus Custom, Natural

Solid Spruce top, PRS X-brace/classical hybrid bracing, solid Rosewood back and sides, PRS piezo pickup system, 15 1/2″ cutaway body, “Wide”, original hardshell case included

New Tom Anderson Guitarworks Crowdster Plus 2, Dark Tobacco Fade

Flame Maple top, Mahogany body, hollow chambered, 1-piece Mahogany neck, Rosewood fretboard, 24 3/4″ scale, matching gloss headstock, natural satin neck back, 1.73″ nut width, small frets, Crowdster Standard neck shape, Feiten Tuning System, gold plated hardware, split-shaft tuners, Piezo pickup in bridge, CMA-N, CMA-B humbuckers, controls: Electric and acoustic volume, treble, mid, bass, 3-way electric,, electric or acoustic selector, hardshell case included

Used Paul Reed Smith 2010 Custom 22 Semi-Hollow, Trans Charcoal Burst

Quilted Maple top, Mahogany body, 1-piece Mahogany neck, Rosewood fretboard, two 57/08 humbucking pickups, 5-way blade, volume, tone, scraped binding, double cutawat body, trem, gold plated hardwar, Paua “Bird” position markers, original hardshell case included

Used 2017 Martin Retro Series HD-28E, Natural

Dreadnought 14-fret non-cutaway body, aged natural finish, polished gloss (top, back, and sides), satin (neck) , solid Sitka Spruce top, solid East Indian Rosewood back and sides, scalloped, forward shifted, Solid Sitka Spruce top bracing , grained Ivoroid binding, 1-piece select hardwood neck , , Modified Low Oval neck profile with Performing Artist taper , solid Black Ebony fretboard & bridge, Diamonds & Squares – Long Pattern position markers , 20 frets, 25.4″ scale, nickel open-geared with Butterbean knobs , solid Black Ebony , 16″ radius compensated bone saddle, bone nut , 1.75″ nut width, Fishman Aura VT Enhance electronics, 15.62″ lower bout , 4.87″ body depth, original hardshell case Included

New Suhr Classic Antique Ltd. Ed. Metallic, Candy Apple Red

Alder body, thin Nitrocelluolose lacquer finish, light aging – Includes Checking & Light Ding, pParchment 3-Ply pickguard, extra Tinted Maple neck, Indian Rosewood fretboard, Even C Medium .840″-.920″ neck shape
9″-12″ compound fretboard radius, , 1.650″ Tusq nut, ML Standard single-coil pickups neck and middle, SSV Humbucker (black) bridge SSCII:, Suhr locking tuners, Gotoh 510 with bridgesteel block, chrome plated hardware, deluxe Suhr gig bag included

Used 2017 Gibson Historic Crimson Series L5CES, wine Red

Solid flamed Maple back and sides, solid carved Spruce top , 5-ply Maple/Walnut neck, Ebony fretboard, abalone blocks position markers , nitrocellulose lacquer finish, 20 frets , 25.5″ scale, 1.6875″ nut width, ABR-1 Bridge, L-5 trapeze tailpiece, Schaller M6 tuners, 2 ’57 Classic humbucking pickups, multi-ply bindings, gold plated hardware, original hardshell case included

Used 1961 Gibson L7C, Sunburst, Restored Condition

Used 2013 Engel 16″ Archtop, Cherry Sunburst

Used ca.1964 Silvertone Model 1484 Twin 12, Gray

60 watts, two 12″ Jensen speakers two 6L6GC, three 12AX7, two channels, 2 inputs per channel, volume bass treble per channel, reverb depth, tremolo speed and intensity

New Comins GCS-1, Vintage Natural

Laminate body (Spruce top, Sapele back and sides), single Venetian (soft) cutaway, 14 5/8″ lower bout, 1 5/8″ body depth, 1-piece Eastern Mahogany neck, Ebony fretboard, 12″ radius, 24 3/4″ scale, 1.7″ nut width, pearl “Dot” position markers, 2 top mounted Kent Armstrong custom wound humbucking pickups, 3-way, 2 volume and 2 tone controls, push-pull coil tap, chrome plated hardware, Wilkinson 19:1 ratio tuners, multi-ply binding, hardshell case included

New Larrivee L-03R, Natural Satin

All solid carved woods, Indian Rosewood back & sides, Sitka Spruce top, 1-piece Mahogany neck, Ebony headplate, chrome plated tunes, bone compensated saddle, bone nut, composite bridge pins with dots, 25.5″ scale, 16″ lower bout, herringbone top purfling, Maple bindings and heel cap , faux tortoise pickguard, Ebony fingerboard, Ebony belly bridge, , small pearl dot position markers, hardshell flat top case included

Used Martin 2015 OMC-35E, Natural

Single cutaway, all solid woods, Sitka Spruce top, Rosewood back and sides, standard X bracing, gloss nitrocellulose body finish, Modern Low Oval/PA taper neck carve, 1.75″ (44.45mm) nut width, Ebony fretboard and bridge, select hardwood neck, 25.4″ scale, 20 frets, satin neck finish, Fishman Aura VT Enhance electronics, undersaddle piezo, 1-band preamp EQ, East Indian Rosewood headstock overlay, nickel open gear tuners, Tusq nut and saddle , original hardshell case included

Used 2014 Paul Reed Smith Custom 24, Aquableux

Carved figured Maple top, Mahogany back, 1-piece Mahogany neck, 24 frets, 25″scale, Rosewood fretboard, Pattern Thin neck shape, bird position markers, nickel plated hardware, uncovered 59/09 Treble bridge humbucker, uncovered 59/09 Bass neck pickup, volume and tone control with 5-way blade switch, includes original hardshell case

Used 2017 Gibson Firebird Studio, Vintage Sunburst

Mahogany body, Slim Taper neck shape, 1-piece Mahogany neck, set Neck, 24.75 scale, single action adjustable truss rod, Rosewood fretboard, 12″ radius, 22 medium frets, dot position markers, 1.695″ nut width, 496R humbucking pickup (neck), 496T humbucking pickup (bridge) 3-way 2 volume 2 tone knobs, Tune-o- matic bridge, Stop Bar tailpiece, Mini-Grover tuning machines, chrome plated hardware, riginal gig bag included

New Tyler Burning Water 2K, Burning Water 2K Semi-Gloss Finish

Alder body, quartersawn Maple neck, Pau Ferro fretboard, 1 11/16″ nut width, narrow/tall frets, Hipshot locking tuners, 3-ply black pickguard, straight black JTS5500 single-coil pickups (neck and middle) Secret humbucker (bridge), 5-way, master volume, master tone, mi-boost level, mid-boost bypass, Gotoh G6TS bridge, chrome plated hardware, abalone dots, matching headstock, semi-gloss finish, deluxe hardshell case included

Used 1996 Gibson Ltd. Ed. ES-175 Figured, Vintage Natural

Used 2017 Gibson ES 335 Blockmarker, Lightburst

new Suhr Ltd. Ed. Classic Pro Antique Metallic SSH Rosewood Fretboard, Firemist Gold

Alder body, arm, hand and tummy cuts, nitrocellulose lacquer, light aging, face jack, chrome plated hardware, Gotoh 510 bridge, 2-post, 6 screws, bent saddle, steel block, parchment pickguard, knobs and pickups covers, ML Standard single-coil pickups (neck and middle), SSV humbucker (bridge), Silent Single Coil System II, 5-way, volume, 2 tone, Maple neck, Indian Rosewood fretboard, 9″ -12″ radius, Even C Medium neck carve (.840″ – .920″), 22 medium stainless steel frets, clay dots, 1.650″ nut width, Suhr locking tuners, Suhr gig bag included

Used 2006 Paul Reed Smith Custom 22, Goldtop

Used 2016 Gibson Les Paul Standard, Goldtop

New Suhr Custom Modern, Bahama Blue Burst

Basswood body, quilted Maple top, Pau Ferro neck fretboard cavity covers knobs, arm, hand and tummy cuts, scraped binding, black back, side jack, chrome plated parts, , SSV+ humbucker (bridge), Silent Single Coil II, 5-way volume tone, Modern Elliptical neck shape (.820″ – .870″) 9″ – 12″ radius, 24 jumbo stainless steel frets, abalone face and side dots, matching headstock, 1.650″ nut width, balone logo, Suhr locking tuners,  G & G hardshell case included