New Arrivals – Updated 1/13/17

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For additional information please call  (908) 301-0001 or email us at

We carry the following lines of guitars and amps: James Tyler Guitars, John Suhr Guitars, Tom Anderson Guitarworks, Larrivee Guitars, K-Line Guitars, LsL Instruments, Teuffel Guitars, Bourgeois Guitars,  Acoustic Image Amplifiers,  Raezer’s Edge Speaker Cabinets, AER Amplifiers,  Gitane Gypsy Jazz Guitars,  JazzKat Amplifiers and Bill Comins Guitars,JG2 Guitars, Louis Electric Amplifiers, Custom Audio Amplifiers and Buzz Feiten Guitars. We also carry all brands of quality pre-owned instruments.  We are constantly updated this “New Arrivals” page, so please check regularly.

To view the fine instruments we recently sold click here: Recently Sold Instruments


Used 2016 Gibson Les Paul Traditional, Honeyburst

Used 2007 Gretsch (Japan) G6119, Western Red

Used 1969 Gibson ES-175, Sunburst

Laminate Maple body, 1-piece Mahogany neck, Brazilian Rosewood fretboard and bridge, 16″ lower bout, 1 11/16″ nut width, 24 3/4″ scale, sharp Florentine cutaway, pearloid “double parallelogram” position markers, double line, double rin, Kluson tuners with tulip buttons, chrome plated hardware, single pat. # humbucker in neck position, volume and tone controls

Used ca. 2104 Engel 16″ Electric Archtop,Cherry Sunburst

Used 2006 Bill Moll Custom Classic, Natural

All solid hand carved woods, flamed Maple back and sides, Spruce top, 5-piece Maple neck, Ebony fretboard pickguard tailpiece bridge and headstock overlay, 16 3/4″ lower bout, 25 1/2″ scale, 1 11/16″ nut width, 2 1/2″ body depth, soft Venetian cutaway, top mounted Moll humbucking pickup with top mounted volume control, gold plated hardware, pearl slash block position markers, stairstep headtock shape, bindings: 9-ply top, back and headstock 7-ply pickguard 5-ply Fretboard 3-ply f-holes –

Used Ribbecke Custom 15″ Archtop, Sunburst

All hand carved solid woods, flamed Maple back and sides ,Spruce top, Ebony fretboard pickguard,tailpiece and bridge base, 3-piece Maple neck, Ribbecke floating humbucking pickup, pickguard mounted volume and tone controls ,Tune-o-matic bridge, 24 1/2″ scale, 1 11/16″ nut width, 15″ lower bout, 2 1/4″ body depth, Schaller tuners with Ebony buttons, block shaped position markers in Haitian chocolate pearl, rubber f-hole baffles, custom knee brace, original Calton hardshell case

Used 1970 Gibson Johnny Smith, Natural

All solid, carved woods, Spruce top, Maple back and sides, 5-piece Maple neck, Ebony fretboard bridge and headstock overlay, floating Johnny Smith pick, reproduction faux tortoiseshell pickguard, gold plated hardware, 17″ lower bout, soft Venetian cutaway, 24 3/4″ scale, 1 11/16 nut width, 3″ body depth, L5 style tailpiece with “Johnny Smith” insert, Grover Keystone tuners, earl “Split Block” position markers, bindings: 7-ply top, 5-ply pickguard, 3-ply fretboard, headstock and back, single-ply f-holes, deluxe leather gig bag included



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Used 2008 Collings City Limits Custom, Faded Crimson

Honduran mahogany body, premium flamed Maple top, Honduran Mahogany neck, grained Ivoroid binding, Kluson ABR-1(nickel-plated zinc w/ retaining wire) bridge, Kluson Stop Tailpiece (nickel-plated zinc, steel studs) bound Brazilian Rosewood fretboard w/ MOP long dots, Lollar Std Wind Imperial humbuckers ,CTS 500K pots, Jupiter Vintage Yellow caps, 1 11/16″ nut width, 24 7/8″ scale, extra long mortise & tenon neck joint, medium 18% nickel-silver frets, Ebony peghead veneer w/ MOP Collings logo, nickel Gotoh tuners w/ Collings logo, 50s style wiring, 12″ fretboard radius, high gloss nitrocellulose lacquer finish, deluxe Hardshell case by Ameritage ,”C” neck profile

Used Bob Bradshaw Custom Rack System

Furman SMP EVS Lift, Korg DTR-2000 Digital Tuner, Lexicon PCMA1, TC 2290 Dynamic Digital Delay & Effects Control Processor, TC 120 Spatial Expander, Stereo Chorus and Flanger, Custom Audio Electronics Custom series Audio Controller

Used 2008 Suhr Custom Standard, Trans Orange

Basswood body, flame Maple top, quartersawn, Maple neck, Brazilian Rosewood fretboard, Even C Medium neck carve, 1-” – 14″ compound radius, Tusq nut, jumbo stainless steel frets, Gotoh 510 2 post bridge with solid saddles and steel block, 1.650″ nut width, black hardware, black back, Sperzel locking tuners, no pickguard – rear rout, side jack, JST FL single coil pickups, scraped bindings, abalone face and side dots and logo, gloss headstock, signed headstock, original G & G hardshell case

Used ca. 1996 Epiphone (Korea) Joe Pass Emperor, Vintage Sunburst

Laminate body, Spruce top, figured Maple back and sides, 3-piece Maple neck, Rosewood fretboard and bridge, twin top mounted humbucking pickups, pearl block position markers, logo and “vine” headstock inlay, raised faux tortoiseshell pickguard, gold plated hardware, 3-way, 2 volume, 2 tone, “Byrdland” style tailpiece, 16 1/2″ lower bout, 3″ body depth, 25 1/2″ scale, 1 11/16″ nut width, 5-ply bindings top, back, fretboard, headstock, pickguard, single-ply binding on f-holes, original hardshell case included

Used Blue Ridge BR-160, Natural

New Suhr Classic Antique SSH, Maple Board, 3-Tone Sunburst

Alder body, arm, hand and tummy cuts, lacquer finish, light aging, face jack, chrome plated hardware, Gotoh 510 2-pst, bent saddles, steel block bridge, parchment pickguard, knobs and back plate, JST ML Standard single-coil pickups (middle and neck),, JST SSV humbucker (bridge), SSCII, Maple neck, Maple fretboard, Even C Medium neck carve (.840″ – .920″), 9″ – 12″ compound radius, standard fretboard roll, black face and side dots, Tusq nut, 1.650″ nut width, 22 medium stainless steel frets, Suhr locking tuners, deluxe padded gig bag

New Suhr Classic Pro SSH, Indian Rosewood Board, Sherwiood Green

Alder body, arm, hand and tummy contours, face jack, Gotoh 510, 2-post, bent saddles, steel block bridge, chrome plated hardware, parchment pickguard, knobs, backplate, Maple neck, Indian Rosewood fretboard, 9″ – 12″ radius, Even C Medium neck carve (.840″ – .920″), 22 medium stainless steel frets, clay face and side dots,1.650″ nut width, Suhr locking tuners, JST V70 single-coil pickups (middle and neck), JST SSV humbucker (bridge) SSCII, 5-way blade pickup selector, volume, tone, tone, deluxe padded gig bag

Used 1973 Fender Pro Reverb, Silverface

Black Tolex, silver grille, Normal Channel: volume, treble, bass, Vibrato Channel: volume, treble, bass, reverb, speed, intensity, Tubes: 3 x 7025, 12AX7, 2 x 12AT7, 2 x 6L6GC, GZ34,  40 watts

Used 2003 Martin HD-28, Natural

All solid carved woods, Indian Rosewood back and sides, Sitka Spruce top, I-piece Mahogany neck, Ebony fretboard and bridge, scalloped “X” bracing, pearl “Dot” position markers, faux tortoiseshell pickguard, herringbone purfling, bone nut and saddle, white plastic binding, chrome plated tuners, 25.4″ scale, 1 11/16″ nut width, 16″ lower bout, 4 3.4″ body depth at endpin, original hardshell case included

Used 1974 Gibson SG Standard, Walnut

9.4 of 10 Condition

Used 2006 Artinger Semi-Hollow, Tangerine Burst

Used 2002 Martin MC-16 GTE, Natural

All solid carved woods, Mahogany back and sides, Sitka Spruce top, 1-piece Mahogany neck, Ebony fretboard and bridge, pearl “dot” position markers, black plastic binding, tortoise pickguard, 25.4″ scale, 1 3/4″ nut width, 2 1/4″ string spacing, 16″ lower bout, 4″ body depth at endpin, chrome plated tuners, original hardshell case included

Used Godin 5th Avenue Kingpin 1 P90, Natural

Used Godin Multiac SA Jazz, Sunburst

Used 2004 Fender 50th Anniversary Deluxe Stratocaster, 2-Tone Sunburst

Used Fender Csutom Shop Ltd. Ed. Jaco Pastorius Jazz Bass, 3-Tone Sunburst

Used 2004 Gibson Advanced Jumbo, Vintage Sunburst

All solid, carved woods, Mahogany back and sides, Spruce top, 1-piece Mahogany neck, Indian Rosewood fretboard and bridge, 24 3/4″ scale, 1 11/16″ nut width, Nitrocellulose lacquer finish, Tiger Stipe pickguard, pearl position markers, ingle-ply binding top back and fretboard, Gotoh open back, nickel plated  Waverly style tuners with butterbean buttons, 4 5/8″ body depth, 15 3/4″ lower bout, 2 1/4″ string spacing, original hardshell case included

New Tyler Amps PT-14, Blackface

Early 60’s blackface reverb-style circuit, 17″ x 20″ x8 1/2″, 30 lbs., 15 watts with tremolo, volume bass treble reverb speed intensity on front panel, back panel has mid control and “Fat” switch, Eminence 12″ Texas Heat speaker

Used 2005 Taylor T-5 Standard, Tobacco Sunburst

Spruce top, Sapele back and sides, 24-7/8″ scale, bone nut and saddle, standard T5 bracing, 21 frets, Taylor nickel plated tuners, binding: 5-ply top, single-ply fretboard and headstock, 1-11/16″ nut width, small diamonds position markers, Ebony fretboard and headstock overlay, mother of pearl headstock inlay, original hardshell case included

Used 2003 Gibson B.B. King, Black

Laminated maple top and back, 3-piece Maple neck, solid maple center block Ebony fingerboard, stereo/mono jacks, TP-6 tailpiece with Tune-o-matic bridge, “Lucille” inlaid in mother-of-pearl on the headstock, gold hardware, 24 3/4″ scale, 1 11/16″ nut width, 16″ lower bout, 1 3/4″ body depth, pearl block position markers, twin humbucking pickups (490R & 490T), 3-way, 2 volume, 2 tone, Varitone 5 position tone switch, 12″ radius, 22 frets, no F-holes, raised faux tortoiseshell pickguard, bindings: 7-ply top, 5-ply pickguard and headstock, 3-ply back, single-ply fretboard, original hardshell case included

Used 1959 Fender Bassman, Tweed

50 watts, top mounted control panel, volume, bass, treble and presence controls (pointer knobs, 4 x 10″ Jensen speakers, tubes: 12 AY7, 2 x 12AX7, 2 x 6L6, 2 x GZ34, RCA Blackplate tubes, Mullard rectifier tube