Richlite® fingerboard, 24″ fingerboard radius, 25.59″ (650mm) Scale, 2″ nut width, chambered Mahogany body, solid Cedar top, 1/4″ output , custom Fishman electronics, under-saddle transducer blendable sound imaging mic with 4 individual mic settings., high-gloss finish, original gig bag included

Maple back and sides (laminate) Spruce top (laminate) Maple neck with SlipTaper™ “C” profile, 25.5” scale, 1.68” nut width, Rosewood fretboard with block and triangle pearloid and abalone inlays, floating mini humbucking pickup, faux tortoise shell style pickguardwith metal “E”, volume and tone controls, floating rosewood bridge, Frequensator tailpiece, Grover® 16:1 ratio tuners, original hardshell case included

Spuce/Paulownia/Spruce body, Relic Nitrocellulose body finish, C neck shape, 1-piece Maple neck, 25.5 in. scale, standard truss rod, Relic oil neck finish, Maple fretboard, 9.5 in. radius, 21 medium jumbo frets, dot position marker, 1.65 in. (42 mm) nut width, Twisted single-coil Tele pickup in neck position, custom Brad Paisley Spec Vintage-Style Telecaster pickup in bridge position, 3-way volume, tone , 3-saddle bridge with compensated brass saddles, string thru body, vintage-style tuners, nickel/chrome hardware, original gig bag included

Alder body, 1-piece chocolate Maple neck, satin finish on neck and headstock, 25 1/2″ scalw, 1 11/16″ nut width, medium stainless steel frets, 60’s Vibe neck back shape, Buzz Feiten tuning system, chrome plated hardware, Wilkerson Vintage Tremolo, locking tuners, black pickguard, 3-way pickup selector toggle, 2 cut switches, dot position markers, Anderson G & G hardshell case and strap included

Classic JM body shape (similar to a a Fender Jazzmaster), loss body finish, Alder body, parchment 3-ply , 1-piece Maple neck with satin finish, Indian Rosewood fretboard, 60’s C Vintage Standard .810″-.930″ neck back shape, 10″-14″ compound radius, medium stainless steel frets(.055″x.090″) 1.650″ Tusq nut, 2 SSV humbucking pickups, Gotoh 510 with steel block, Suhr locking tuners, chrome plated hardware, Suhr padded gig bag included

Laminate Mahogany body, single-piece Mahogany neck, Indian Rosewood fretboard, double parallelogram pearloid position markers, twin , single-ply back and fretboard, Kluson tuners with Tulip buttons, nickel plated hardware, trapeze tailpiece, Tune-o-matic style bridge, newer hardshell case included

AA-grade Sitka spruce top, Rosewood back and sides, 1-piece Mahogany neck, soft cutaway body style, gold Grover Rotomatic tuners
Rosewood fingerboard, side mounted Prefix Plus active electronics, abalone rosette, Rosewood bridge, pearl double parallelogram position markers, faux tortoiseshell 2-point pickguard, original hardshell case included

250W @ 2 ohms internal, 2 channels (clean and drive with tube emulation)  high- and low-gain inputs, speaker-emulated XLR line out with level control and ground lift, 3-band EQ on each channel, gain on drive channel, volume on both channels,DSP effects on each channel (reverb, delay, chorus, flange, Vibratone, tremolo, and combinations) effects level control on each channel, DSP select (16 positions) on each channel, tuner output with mute, headphone output, Switchcraft locking speaker connectors (Neutrik Speakon compatible) special docking system mates with Ultralight speaker enclosure to keep head in place, 3-button footswitch, padded gig bag, and 22″ locking speaker cable, compact, lightweight enclosure weighs only 17 pounds, handles up to 250 watts (at 2 ohms) specially-voiced 12-inch Jensen speaker, Italian poplar plywood construction, black textured vinyl covering, nickel-plated corners, black grille cloth, patented magnetic docking system, locking Neutrik Speakon Connector, rubber feet an, Fender strap handles, padded covers included

All solid, carved woods, Indian Rosewood back & sides, Adirondack Spruce top, 1-piece Mahogany neck, Ebony fretboard and bridge, 24 3/4″ scale, 1, 3/4″ nut width, 4″ body depth, 14 3/16″ lower bout, pearl slotted squares position markers, herringbone rosette, Indian Rosewood bindings, open back Waverly tuners, riginal tweed hardshell case included

Swamp Ash body, torched satin finish, Woodshed single-coil pickups, Suhr locking tuners, 3 saddle bridge, chrome plated hardware, 25 1/2″ scale, 3-way, volume, tone, roasted Maple neck and fretboard, jumbo stainless steel frets (.057 x .110), 1.650″ nut width (Tusq), 16″ fretboard radius, Modern Elliptical neck shape (.780″ – .830″), laser engraved Andy, G & G hardshell case included

Swamp Ash body, torched satin finish, twin Thornbucker humbucking pickups, Suhr locking tuners, Gotoh 510 bridge with steel block, chrome plated hardware, 25 1/2″ scale, 3-way, volume, tone, series/parallel switch (push/pull on tone), roasted Maple neck and fretboard), jumbo stainless steel frets (.057 x .110) 1.650″ nut width (Tusq), 16″ fretboard radius, Modern Elliptical neck shape (.780″ – .830″), laser engraved Andy , G & G hardshell case included

16” lower bout, 2 3/4” body depth, laminated Spruce Top, laminated flame Maple back and sides, 1-piece Eastern, Mahogany neck, Ebony fretboard, 25.0” scale, 1.70” nut width, dot position markers, Medium C shape neck comfortably contoured, single Kent Armstrong humucking pickup in neck position, chrome plated hardware, Wilkinson smooth 19:1 gear ratio tuners, multi-ply ivory/black bindings surround the peghead, neck and body, full fret dress and setup in Bill Comins shop.

Flamed Maple top on Mahogany body, 25 1/2 scale, natural satin headstock and neck finish , 1 5/8″ nut width, 24 jumbo stainless steel fret, Even Taper – .020″ neck back shape, Buzz Feiten Tuning System, recessed floating tremolo. locking saddle, locking tuners, HF1 and HF3 humbucking pickups, 5-way selector, push/pull for 2 pickups switching, black hardware, black dots, scraped binding, hardshell case included

Flame Maple top, Mahogany body, hollow chambered, 1-piece Mahogany neck, Rosewood fretboard, 24 3/4″ scale, matching gloss headstock, natural satin neck back, 1.73″ nut width, small frets, Crowdster Standard neck shape, Feiten Tuning System, gold plated hardware, split-shaft tuners, Piezo pickup in bridge, CMA-N, CMA-B humbuckers, controls: Electric and acoustic volume, treble, mid, bass, 3-way electric,, electric or acoustic selector, hardshell case included

Alder body, thin Nitrocelluolose lacquer finish, light aging – Includes Checking & Light Ding, pParchment 3-Ply pickguard, extra Tinted Maple neck, Indian Rosewood fretboard, Even C Medium .840″-.920″ neck shape
9″-12″ compound fretboard radius, , 1.650″ Tusq nut, ML Standard single-coil pickups neck and middle, SSV Humbucker (black) bridge SSCII:, Suhr locking tuners, Gotoh 510 with bridgesteel block, chrome plated hardware, deluxe Suhr gig bag included

Figured Maple top and headstock overlay, Butternut back, Cherry neck, Pau Ferro fingerboard, 2 humbucking pickups, 3-way, 2 volume, 2 tone, Tune-o-matic style adjustable bridge, Stop tailpiece, Grover Imperial tuners, chrome plated hardware, 16″ lower bout, 25 1/2″ scale, 1 11/16″ nut width
body depth, 3-ply binding top and fretboard, single-ply binding back, original hardshell case included

Laminate body (Spruce top, Sapele back and sides), single Venetian (soft) cutaway, 14 5/8″ lower bout, 1 5/8″ body depth, 1-piece Eastern Mahogany neck, Ebony fretboard, 12″ radius, 24 3/4″ scale, 1.7″ nut width, pearl “Dot” position markers, 2 top mounted Kent Armstrong custom wound humbucking pickups, 3-way, 2 volume and 2 tone controls, push-pull coil tap, chrome plated hardware, Wilkinson 19:1 ratio tuners, multi-ply binding, hardshell case included

Alder body, quartersawn Maple neck, Pau Ferro fretboard, 1 11/16″ nut width, narrow/tall frets, Hipshot locking tuners, 3-ply black pickguard, straight black JTS5500 single-coil pickups (neck and middle) Secret humbucker (bridge), 5-way, master volume, master tone, mi-boost level, mid-boost bypass, Gotoh G6TS bridge, chrome plated hardware, abalone dots, matching headstock, semi-gloss finish, deluxe hardshell case included